Shudder Saturday: Bodycam (2025)

I have liked a number of movies from Brandon and Ryan Christensen (Brandon being the director, Ryan being a co-writer on a number of their past few features). Bodycam is easily their worst film yet, and it's almost insultingly bad in a number of ways. I'm annoyed with myself for being mildly impressed by the trailer that I watched last month. That didn't really misrepresent anything. I just allowed myself to think that it was a good concept that might be executed well. I was wrong on both counts.

What you have here is a tale of two cops. There's Officer Bryce (Sean Rogerson) and Officer Jackson (Jaime M. Callica). Their shift quickly goes from bad to worse when they're called to a domestic disturbance that leads to the accidental killing of a baby. Bryce is the one who could end up in major hot water, and he wants to figure out a way to change the narrative. That would mean figuring out a way to get rid of their bodycam footage though. Not only does that seem unlikely, the bodycams soon start showing more and more disturbing events as the two officers are manipulated and terrorised by numerous individuals who seem to be serving some malevolent deity.

I have mentioned it many times before, and will undoubtedly do so again, but there are certain warning signs to keep an eye out for when watching any "found footage" film. Bodycam doesn't manage to stay true to the nature of the format, which is actually one of the warning signs, but that would be the main descriptor for it. Many of the early scenes use torchlight, there are hardly any moments that don't have the action being obscured by the movement and unsteadiness of the camerawork, and the third act feels based around one or two main jump scares. I won't namecheck the far superior horror movie that this made me think of, but some imagery in the last scenes may have a lot of people thinking of the same one. (and thinking "I wish I'd watched *insert the title here* instead of this rubbish") 

It's hard to really rate the performances of Rogerson and Callica, who both do well enough at hitting their marks, but are hampered by the constantly painful hyperactivity of the pacing and the camerawork. Catherine Lough Haggquist, playing the mother of Callica's character, isn't as obscured, although her performance feels so weak that I wish it had been. Some others onscreen do quite well, despite the fact that they're simply moved around hither and thither in service of the central concept.

Are there some moments to give you chills? I guess so, but nothing that wouldn't work better packed into a short. This isn't an effective feature. It's a potentially enjoyable V/H/S segment, at best. The attempts to build atmosphere don't work, a lot of the first half feels like a waste of time as our two main characters go around in circles trying to cover up something that feels impossible to cover up, and the details littered throughout, meant to create a bigger picture of a dark world pushing at the membrane of our own, feel more tiresome than interesting. 

2/10

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Shudder Saturday: Z (2019)

The second main feature from director Brandon Christensen, who once again shares the writing duties with Colin Minihan, Z is a slick horror movie that has some enjoyable twists and turns on the way to a surprisingly dark final act.

Keegan Connor Tracy plays Elizabeth Parsons, a fairly one-dimensional female character defined by the fact that she's a wife and mother. It's the latter that's the focus here, because the film centres on her young son, Joshua (Jett Klyne), and the changes in his behaviour as he starts to spend more time with his imaginary friend, Z.

I think many horror fans can see where Z is going from that plot summary. If not, the film quickly sets up a premise very familiar to many. Joshua is a sweet kid, of course, and then starts to soon show signs of become less sweet, but still with that air of childish innocence, unaware of how his actions may be impacting on those around him. There are discussions between Elizabeth and her husband, Kevin (Sean Rogerson), discussions between the two of them and a psychiatrist, Dr. Seager (Stephen McHattie), and a general rise in tension as things become more worrying and hard to explain.

This is a slight step up from the previous film that Christensen and Minihan gave us, Still/Born (2017), although it's one that utilises a very similar approach. They're not out to reinvent the wheel, but they're intent on providing some nice moments of creepiness in between one or two VERY good jump scares. There's a moment in Z that made me both jump and also rethink how the rest of the film might play out, it's a line in the sand that is crossed over to show that, despite the polished style and familiar terrain, this isn't a film that is necessarily going to play things safe for the entire runtime. That's not to sell this as something shocking and transgressive, it isn't, but it certainly becomes something much more impressive than those early scenes indicate.

Tracy is very good in the lead role, she's an actress I have enjoyed in pretty much every role I have seen her take on, although I think this is the first time I have seen her in a good lead role (I cannot recall how big her part was in the Dead Rising movies, and most people will remember her from Final Destination 2). Klyne plays his part well, managing to act like the innocent kid he is, and thankfully Christensen never has him going through the all-too-obvious bag of tricks that could be on display if he was being depicted as "evil movie kid". Rogerson does okay, McHattie is always a welcome presence, and Sara Canning, Chandra West, and Ali Webb do well in supporting roles.

The budget can't quite allow Christensen the FX budget required for one or two main shots, although the practical side of things is impressively done, and I'm not entirely sure how well the very end of the movie works (well, I guess I should say that I don't think the very last scenes work at all), but this is another good horror movie from a duo who I hope to see continuing to work together, and continuing to improve incrementally with each project.

7/10

Grave Encounters 2 (2012)

Grave Encounters is a found footage movie written and directed by The Vicious Brothers (AKA Colin Minihan and Stuart Ortiz) that was released last year to a pretty warm reception from horror fans. Of course, some people hated it (many are sick, by now, of the whole "found footage" subgenre anyway) but a lot of people were very impressed. I really enjoyed it but it was almost the very definition of a ghost train/funhouse movie. The jump scares were enjoyable, things were occasionally intense, but it didn't really live up to the promise that it had. In my view, anyway.

That didn't stop me from looking forward to this sequel. I was even more optimistic when I found out that the people involved, and John Poliquin is credited as the director this time, were going to be taking an interesting approach. They were going down the Book Of Shadows route which sounded just fine to me as I am one of the 5% of the population who loved that sequel to The Blair Witch Project.

Richard Harmon (a young man who looks far too much like Robert Pattinson for his own good, sadly) plays Alex Wright, a young man who uploads movie reviews on to the internet and also keeps people up to date on his own blossoming directorial career. He's directing a horror movie with some fellow students involved and he wants it to be something truly memorable. Hopefully, he can make it as memorable as Grave Encounters, a movie that he advised people wasn't really worth a watch but that has played on his mind ever since he saw it. In fact, Alex has become a bit obsessed and thinks that the events depicted in Grave Encounters really happened. When his online videos start receiving replies from a user going by the name of "deathawaits" he decides that he should follow his gut and find out more about the movie. He talks to a number of people and soon becomes more and more convinced that his theory - that the movie shows real events - is correct. But the final proof required will only be found by going to the location and checking it out. The five members making up the group have packed plenty that they think will see them a lot better prepared than the first group.

Surprising as it may seem, I enjoyed this even more than the first movie. The script by The Vicious Brothers is very clever and allows them to have their cake and eat it. When Book Of Shadows was released years ago anyone who liked the film, such as myself, would defend it by reminding people that simply providing another bunch of people getting lost in the woods would be a boring and horrible retread of the first film. In Grave Encounters 2, aspects of the first movie are looked at and the premise gradually moves to what viewers think will simply be a retread of the first movie before it all gets wilder and wilder. That's the real beauty of it. Grave Encounters set things up for a horror movie that had some crazy moments here and there but the sequel basically kicks into gear after half an hour or so and then says "well, if you thought THAT stuff was out there then just strap yourself in and enjoy this lot".

The cast aren't really great but they do good enough. Harmon carries most of the scenes but Stephanie Bennett, Leanne Lapp, Dylan Playfair and Howie Lai make up the full group bravely venturing where things do more than just go bump in the night. Fans of the first movie will be pleased to know that Sean Rogerson returns (though I won't say in what capacity) and has a lot of fun in his role as he gets to act quite differently from how he was in the first movie.

The first movie was enjoyable but slightly disappointing. This sequel has a better script, the courage of its convictions to completely run with the ideas put forward and ends up being slightly better. That's rare in the land of sequels. It's almost impossible in the land of horror sequels.

7/10

http://www.amazon.com/Grave-Encounters-2/dp/B009KOE64I/ref=sr_1_4?ie=UTF8&qid=1349374636&sr=8-4&keywords=grave+encounters+2