Showing posts with label s. p. krause. Show all posts
Showing posts with label s. p. krause. Show all posts

Thursday, 13 August 2026

Deep Water (2026)

A plane crash AND a shark or two? Deep Water seemed like it had two main ingredients to easily keep me happy and entertained. It's also directed by Renny Harlin, which is something I would have viewed as a plus about 20 years ago.

Aaron Eckhart and Ben Kingsley play the two main men in the cockpit, and their passenger list includes the very annoying and entitled Dan (Angus Sampson), young Cora (Molly Belle Wright) and her stepbrother, Finn (Elijah Tamati), and a number of people who will become more and more disposable as the danger level increases. What should be a standard international flight is turned into a disaster by a fire in the cargo hold, forcing the pilots to make an emergency landing in the ocean, fortunately close to a coral reef that helps to keep sections of the plane from immediately sinking down into the depths. And then some sharks start to realise that they've basically had a takeaway dropped off for them.

Starting off well enough, everyone is given obvious little moments to allow viewers to identify them once the sharks start circling, Deep Water quickly takes a bit of a nosedive, no pun intended. The cheesy and formulaic nature of the whole thing is only fun while it doesn't feel cheap and lazy, but it's not long until it starts feeling cheap and lazy. Six writers worked on this, SIX, and none of them do enough to make this as fun as it could be. Not only does it suffer in comparison to Harlin's own work (Deep Blue Sea remains one of the best shark movies from the past few decades), but it's also not quite as good as the very similar No Way Up. Maybe a better Harlin from the past could have saved this with his direction, but the Harlin of today doesn't seem capable.

Eckhart tries his best in the lead role, playing his reluctant hero as expected. He's matched by the young Wright, doing even better than many of the older cast members around her. Sampson is enjoyably loathsome, making you root for the sharks each time one seems close enough to eat him up, and everyone else seems to have come straight from their "How To Play Generic Characters In A Weak Ensemble 101" class. Nobody is helped by the screenplay, but some seem to be trying notably harder than others.

Without the benefit of a bigger budget, Deep Water should have at least piled on the ridiculousness. A dangerous criminal/psycho on the plane would have livened things up. An important cargo of refrigerated organs could have also added to the fun. Sadly, you just get Harlin and co. working their way through what feels very much like a box-ticking exercise, with the more ridiculously entertaining moments hampered by the fact that they've already been done better in past movies. Sometimes by Harlin himself.

And yet . . . if you don't mind the varying levels of quality when it comes to the CGI, and you're happy enough to add yet another shark movie to your watchlist, then this will help pass 106 minutes without causing you too much pain. I doubt anyone will ever give it a second viewing though.

4/10

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Thursday, 25 June 2020

The Darkness (2016)

There's a decent pedigree here. Director Greg McLean, stars Kevin Bacon and Radha Mitchell, the not-inconsiderable backing of the Blumhouse brand (I know, I know, that name isn't a sign of quality, but it at least allows the end product to be glossy potential fun). But let's not beat about the bush, The Darkness is rubbish.

A family are enjoying a vacation, part of which involves them visiting the Grand Canyon. The youngest member of the family, an autistic young boy named Mikey, finds a small cavern, in which he finds some rocks with symbols drawn on them. Taking them home, young Mikey inadvertently endangers his whole family, because the rocks seem to be a link to some demonic entities that then start to cause trouble by doing things as varied as repeatedly turning on the taps, making black handprints appear on different surfaces, and setting a wall on fire. The two worried parents race to find a solution to their serious problem, although it's hard to think that they should have just raised their kids not to go exploring strange caves and taking unauthorised ownership of strange rocks.

Written by Shayne Armstrong and S. P. Krause, as well as McLean, The Darkness is yet another mainstream horror movie highlighting the worst things that you can find in mainstream horror movies. The characters aren't very interesting, the tension is pretty non-existent, it's not scary, and it's just all too silly to go along with for any length of time. I am all for suspending disbelief and enjoying a wide variety of cinematic entertainment, but the writers still have to put the work in to get you ready to put you in that mental state.

McLean directs with competence, I'll give him that. That's the minimum praise I can give him, and it's the minimum praise that he deserves. Considering his past releases, The Darkness is undeserving of his involvement. Although everything is generally in the right place, it could have been anyone at the helm. It's THAT generic, and the third act just reminded me of the fact that it's been far too long since I attempted to rewatch every season of The X-Files (you'll see what I mean when you watch the film).

The cast are okay, trying their best with the weak material. David Mazouz is young Michael, and has to just be quiet and look blank (which he does), Lucy Fry is perfectly fine as the older sister, Stephanie, and Bacon and Mitchell are the best thing in the movie, as ill-served by the script as anyone else, but managing to fare a bit better thanks to simply being who they are.

Really not worth your time, unless you're looking for a fairly dull thriller that won't scare you in any way, The Darkness was a film that I was unaware of until last week. Now I have seen it, I know why that was the case.

3/10

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