From my very limited experience of Stephen Sondheim, I have to say that I'm not a big fan. I'm not sure what I'm missing that everyone else gets from his work, but I certainly seem to be missing something. Of course, I've not yet seen any of his works on the stage, where they may shine at their brightest, but this is my second time viewing a movie based on his work. The first time was Sweeney Todd: The Demon Barber Of Fleet Street. I didn't love it. Yet I didn't dislike it either. It grew on me. The only thing I still don't love about it was, unfortunately, most of the soundtrack. I left the screening of Into The Woods trying hard not to hate it.
The story is as follows: a baker (James Corden) and his wife (Emily Blunt) are unable to have children. They are offered the chance to change the situation by a witch (Meryl Streep), and to appease her they must find a cow as white as milk, a cape as red as blood, a golden shoe, and hair as yellow as corn. The witch then disappears in a swirl of witchiness, leaving the baker and his wife to cross paths with Jack (Daniel Huddlestone), Little Red Riding Hood (Lilla Crawford), Cinderella (Anna Kendrick) and Rapunzel (Mackenzie Mauzy).
It's a star-studded affair, no doubt about it, with some lovely production values and competent direction from Rob Marshall. But it's also such a drab, lifeless affair that I can't see anyone being overjoyed by it, except perhaps fans of the stage show (and even they may be disappointed by the handling of the material - as can happen with anything being adapted into movie form). The script, written by James Lapine and Sondheim, seems to spend a lot of time wringing comedy from the fact that it's so amusing and sly and subversive when it's not. People have been reworking and twisting fairy tales almost as long as fairy tales have been around, and this plot throws everything around in pretty haphazard manner that never allows viewers to forget that different elements are being shoehorned in to fit alongside one another.
The cast all do a decent job though, so that's another plus point. Streep is a fun witch, Kendrick is suitably sweet as Cinderella, and Corden and Blunt do their best to make their characters likable (although it's a struggle). Crawford and Huddlestone both feel right for their roles, and they get their fair share of screentime, which is more than can be said for poor Mackenzie Mauzy. She's consigned to little more than a bit part, and is given very little to do when she IS onscreen. Chris Pine steals the show as a dashing prince, Billy Magnussen tries hard as another prince, Tracey Ullman is underused (playing Jack's mother), Johnny Depp has an enjoyable cameo, playing The Wolf, and Christine Baranski, Tammy Blanchard and Lucy Punch prove to be consistently entertaining as the evil family unit that Cinderella is stuck with.
Despite my own opinion of the film, it's worth noting that this is already a big success at the box office, and probably nowhere near its final total haul yet. So perhaps many other people are taking something away from it that I missed. Like an appreciation of Sondheim's talent.
4/10
If you have enjoyed this, or any other, review on the blog then do
consider the following ways to show your appreciation. A
subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share
Showing posts with label tracey ullman. Show all posts
Showing posts with label tracey ullman. Show all posts
Tuesday, 13 January 2015
Into The Woods (2014)
Labels:
anna kendrick,
chris pine,
daniel huttlestone,
emily blunt,
into the woods,
james corden,
james lapine,
lilla crawford,
mackenzie mauzy,
meryl streep,
musical,
rob marshall,
stephen sondheim,
tracey ullman
Wednesday, 1 May 2013
Robin Hood: Men In Tights (1993)
A spoof of the Robin Hood legend, this Mel Brooks movie takes the usual scattershot approach, with a lot of specific digs at the big-budget, Kevin Costner-starring Robin Hood: Prince Of Thieves.
Cary Elwes takes on the title role, and he's excellent, not least because "unlike some other Robin Hoods", he can speak with an English accent. He starts to cause trouble for Prince John (Roger Rees) and the Sheriff of Rottingham (Richard Lewis) while also winning the heart of the lovely Marian (Amy Yasbeck). Lending Robin some support are a blind manservant named Blinkin (Mark Blankfield), a young man named Ahchoo (Dave Chappelle), Little John (Eric Allan Kramer) and Will Scarlet O'Hara (Matthew Porretta), all willing to become the titular men in tights. Tension rises, fights are fought and everything builds up to a climactic battle in which Robin Hood hopes to right a lot of wrongs.
It may be unfair to compare the later work of Mel Brooks to his earlier successes, but it's inevitable whenever he releases another parody, thanks to Blazing Saddles and Young Frankenstein remaining perfect examples of the format. This film is not as good as those superb titles, but it's goofy and endearing enough to please fans of the director's style.
The cast is great. Elwes is very funny in the leading role, keeping a straight face while involved in some amusingly ridiculous exchanges. Richard Lewis and Roger Rees do more obvious clowning around, but they have fun with their roles, a fun that's infectious thanks to the enthusiasm of everyone involved. Mark Blankfield is okay, used for a number of obvious gags, while Dave Chappelle is his usual energetic self. Amy Yasbeck makes for a fine Marian and Megan Cavanagh is the maid/nurse trying to keep the lady pure.
Written by Brooks, Evan Chandler and J. D. Shapiro, the script includes some fun musical moments, plenty anachronisms included for comedic effect, a fun, small role for Tracey Ullman (who lusts after the Sheriff of Rottingham) and a wonderful moment that allows Robert Ridgely to reprise his role from Blazing Saddles. Dom DeLuise, Dick Van Patten, Isaac Hayes and Patrick Stewart all join the madness.
This may be a lesser Brooks movie, but it will still make you laugh on a number of occasions. Which is more than can be said about some other spoof/parody films from the past two decades (*cough* Friedberg/Seltzer *cough*).
6/10
http://www.amazon.co.uk/Robin-Hood-Men-Tights-DVD/dp/B00004U0MG/ref=sr_1_1?ie=UTF8&qid=1366762288&sr=8-1&keywords=robin+hood+men+in+tights
Cary Elwes takes on the title role, and he's excellent, not least because "unlike some other Robin Hoods", he can speak with an English accent. He starts to cause trouble for Prince John (Roger Rees) and the Sheriff of Rottingham (Richard Lewis) while also winning the heart of the lovely Marian (Amy Yasbeck). Lending Robin some support are a blind manservant named Blinkin (Mark Blankfield), a young man named Ahchoo (Dave Chappelle), Little John (Eric Allan Kramer) and Will Scarlet O'Hara (Matthew Porretta), all willing to become the titular men in tights. Tension rises, fights are fought and everything builds up to a climactic battle in which Robin Hood hopes to right a lot of wrongs.
It may be unfair to compare the later work of Mel Brooks to his earlier successes, but it's inevitable whenever he releases another parody, thanks to Blazing Saddles and Young Frankenstein remaining perfect examples of the format. This film is not as good as those superb titles, but it's goofy and endearing enough to please fans of the director's style.
The cast is great. Elwes is very funny in the leading role, keeping a straight face while involved in some amusingly ridiculous exchanges. Richard Lewis and Roger Rees do more obvious clowning around, but they have fun with their roles, a fun that's infectious thanks to the enthusiasm of everyone involved. Mark Blankfield is okay, used for a number of obvious gags, while Dave Chappelle is his usual energetic self. Amy Yasbeck makes for a fine Marian and Megan Cavanagh is the maid/nurse trying to keep the lady pure.
Written by Brooks, Evan Chandler and J. D. Shapiro, the script includes some fun musical moments, plenty anachronisms included for comedic effect, a fun, small role for Tracey Ullman (who lusts after the Sheriff of Rottingham) and a wonderful moment that allows Robert Ridgely to reprise his role from Blazing Saddles. Dom DeLuise, Dick Van Patten, Isaac Hayes and Patrick Stewart all join the madness.
This may be a lesser Brooks movie, but it will still make you laugh on a number of occasions. Which is more than can be said about some other spoof/parody films from the past two decades (*cough* Friedberg/Seltzer *cough*).
6/10
http://www.amazon.co.uk/Robin-Hood-Men-Tights-DVD/dp/B00004U0MG/ref=sr_1_1?ie=UTF8&qid=1366762288&sr=8-1&keywords=robin+hood+men+in+tights
Labels:
amy yasbeck,
cary elwes,
comedy,
dave chappelle,
eric allan kramer,
evan chandler,
j. d. shapiro,
mark blankfield,
mel brooks,
parody,
richard lewis,
robin hood: men in tights,
roger rees,
tracey ullman
Subscribe to:
Posts (Atom)

