Showing posts with label wendie malick. Show all posts
Showing posts with label wendie malick. Show all posts

Sunday, 10 March 2024

Netflix And Chill: Adventureland (2009)

Director Greg Mottola has been consistently entertaining for almost three decades now, on both the small and the big screen. I cannot comment on his short films made in the 1980s, but I don't think there's too much to be overly critical of from The Daytrippers (1996) onward. I'm not saying he has made classic after classic, and, as we can say about everyone, some will hate his work, but he's been doing very solid work throughout the majority of his career. This coming-of-age story remains one of his best.

It's 1987. Jesse Eisenberg plays James Brennan, a young man who ends up reluctantly taking a job at a local amusement park. His parents (played by Jack Gilpin and Wendie Malick) can't necessarily afford all the plans that James had in mind for his future student life, much to the surprise and disappointment of James. Unhappy with his role, things soon start to look up when James meets Em (Kristen Stewart). But can he make a good impression when everyone at the amusement park seems to be overshadowed by the cool and handsome Mike (Ryan Reynolds).

With Mottola taking on both the directing and writing duties this time around, showing that he's equally good in either role, what you get here is a sweet and amusing comedy drama that won't necessarily be embraced by those seeking out the very next feature from "the director of Superbad". Not that you can't see any connective tissue (Mottola knows how to show the insecurities of young characters as they make mistakes and stumble into what they think the next stage of their life should be), but this is actually a fair distance removed from that film, more in line with films such as The Way Way Back and The Kings Of Summer.

Eisenberg is a great choice for the lead role, bringing his usual mix of cockiness, intelligence, and the ability to be occasionally knocked down while he finds out that he doesn't always know more than everyone else around him. This is up there with his very best roles, and he's complemented by a pretty perfect selection of supporting performers. Stewart is equally good as Em, a young woman making her mistakes without the relatively comfortable background that James has, Margarita Levieva is well-cast in the role of another desirable young woman, Lisa, and Martin Starr excels as the more experienced park worker, Joel, who really should have moved on to something else by now. Gilpin and Malick are good fun in their few scenes, Bill Hader and Kristen Wiig are scene-stealers, as expected, any time they appear as the husband and wife park management team, and Reynolds is brilliantly utilised, with his charisma and good looks helping to soften the edges of someone who can viewed as very sad and quite awful, a man able to play at being king amongst youngsters who cannot smell the whiff of his BS.

The 1980s time period allows for a couple of great hits on the soundtrack (and I continue to be a big fan of Rock Me Amadeus, as performed by Falco), a main plot point allows for numerous Lou Reed tracks to be sprinkled throughout the film, there's a nice visual style that manages to feel both soft and crystal clear, and an air of authenticity runs through everything, from the content to the presentation. I highly recommend this, especially to anyone who has spent years avoiding it under the misapprehension that it was in the same vein as Mottola's previous teen movie.

8/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share

Wednesday, 1 December 2021

Prime Time: A Family For The Holidays AKA Engaging Father Christmas (2017)

The second of three movies, to date, featuring the character of Miranda Chester, A Family For The Holidays (aka Engaging Father Christmas, which makes more sense when sandwiched between Finding Father Christmas and Marrying Father Christmas) is your typical comfort viewing for this time of year. Which means that it is so simple and lightweight that you can easily watch it, as I did, without being aware of the movie preceding it. Oh, the completist in me will eventually watch the other movies in this seasonal trilogy, but things are covered here by a character in the first main scene uttering a sentence that summarises Finding Father Christmas

So let's dive in. Miranda (Erin Krakow) is heading back to the small town of Carlton Heath to spend Christmas with her boyfriend, Ian (Niall Matter), and spend some time with her new-found family. It was only last year that Miranda started to enjoy Christmas, you see, when she found out all about her real father, first visited Carlton Heath, and fell in love with Ian. On the way to Carlton Heath, Miranda bumps into an ex-boyfriend, Josh (Andrew Francis). She tells him about the deceased father, now deceased, that she found out about since last time they spoke. Unbeknownst to any of the main characters, Steve Decker (Ben Wilkinson) is also heading to Carlton Heath. He's a reporter who hopes to make an impact with an exclusive story.

Director David Winning has a decent body of work under his belt, most of them being TV movies, and he handles the material here well enough. The script, by David Golden, who wrote all three movies in the trilogy (based on books by Robin Jones Gunn), is the work of someone equally at ease with giving viewers what they expect from these movies. There's a small mystery element, for the first half of the movie anyway, and a decent amount of tension causing the leading lady to stress out as things look increasingly gloomy on the way to a last-minute turnaround that viewers will all know is coming from the very first scenes.

Krakow is just fine in the lead role, and she's paired up with a typically safe and sweet male in the shape of Matter, who remains convincingly lovely and understanding throughout. Francis is let off the hook, and is enjoyable enough, playing someone who could have easily been the big villain of the piece, and Wilkinson pops up often enough to remind you that he's up to something. Wendie Malick is a bit of a highlight, playing the wife of the deceased father figure. Her character is simply okay, but I have to admit that I was just pleased whenever she came onscreen, recognising her from many other roles she has had in her lengthy and varied career.

While this may be slightly lower-tier than many other Christmas TV movies I have watched over the years (and anyone who knows me will know that I watch a LOT of them), I am still going to eventually check out the films on either side of it. So it wasn't that bad. It was just average, as so many of these things are.

5/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews