Anyone But You (2023)

The rom-com is a sub-genre that is often unfairly maligned. Yes, a bad one can feel extra painful, but a really good rom-com is cinematic comfort food. You can enjoy the fantasy, enjoy the chemistry between the main players, and hopefully feel a warm glow as a big grin stays on your face while the end credits roll. Anyone But You manages that. It is quite predictable, and tries to make itself stand out from other rom-coms by throwing around a bit more raunchiness and a few extra curse words, but it does exactly what you want it to do.

Bea (Sydney Sweeney) and Ben (Glen Powell) meet one day in a coffee shop and end up on a date that ends in a great night for both of them. But Bea then heads away the next morning before Ben wakes up, having doubts about her feelings. Seeing sense while walking away, she returns to over hear Ben then putting on a front as he chats to his friend, Pete (GaTa). Ben claims that Bea was a disaster, not knowin what she wants to do with her life, and it was a meaningless one night thing. The two will probably never see one another again. That becomes much more difficult when, 6 months later, Bea's sister, Halle (Hadley Robinson), starts dating Pete's sister, Claudia (Alexandra Shipp), which leads to their engagement, which leads to a destination wedding in Sydney. Bea and Ben both attend the wedding, unable to conceal their dislike for one another, but it soon becomes clear that everyone around them will be happier, and stop meddling in their lives, if they pretend to make up, and fall in love with one another. That would stop Bea's parents trying to reunite her with her ex-fiancé, Jonathan (Darren Barnett), and Ben becoming unavailable might make him even more appealing to an ex that he still seems to hold a candle for (Margaret, played by Charlee Fraser). I am sure you know how things end up playing out from there.

Co-written by Ilana Wolpert and director Will Gluck, who have decided to loosely base the whole thing on Much Ado About Nothing, this shows you what can happen when you make use of genre tropes and audience expectations in a way that somehow feels more about delivering simple pleasures than being lazy. It's all very obvious, no need for subtlety here, but everything is signposted within the realm of logic established in the movie, and it's all helped by a cast that seem to be having a lot of fun with their roles.

Gluck directs the whole thing with a deft hand, keeping things moving along nicely in between the minor set-pieces, and there are so many different gags that at least one is guaranteed to make even the most stone-hearted viewer smirk, at the very least. The Australian scenery is used as an attractive backdrop, there's excellent use of a Natasha Bedingfield pop song, and almost every little detail feeds into the various highs and lows on the path to where we all know the characters will end up.

I was unfamiliar with Sweeney before this, and am unlikely to rush to anything else she does, but she's okay here. She's pretty enough, but delivers her dialogue in a strange way that makes her seem permanently dazed/stoned. That's obviously just the way she is, but it stops her from being the most captivating and watchable performer. Thankfully, Powell delivers enough star power to make both of them shine brighter together, and he's someone I will happily watch in anything he does (which should be plenty, considering how much his cache has risen in recent years). GaTa is fun, very laid back throughout almost every minute of his screentime, and both Shipp and Robinson are very good, and make a very cute couple, while Fraser gets to play the typically gorgeous and sexy "one that got away", even as she seems to be in a new relationship with what seems to be a stereotypical Australian surf-dude (Beau, played entertainingly enough by Joe Davidson). Barnett doesn't have much to do, although he's fine, but that allows for more amusing moments involving Bryan Brown, Michelle Hurd, Dermot Mulroney, and Rachel Griffiths (all playing the parents of the two women to be wed).

Two attractive people resisting attraction to one another until they just give in to their feelings isn't anything new. But this film also includes a scene that involves a large spider, a mellow koala bear, and nudity that you won't find in any other rom-com. And that's just one of many highlights in a rom-com that serves as a reminder of how good it can be to just sit back and enjoy the formula when it is utilised as well as this.

7/10

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Annie (2014)

Yes, I was as dismissive as a lot of other people when I heard that we were about to get another remake of Annie, the musical that gave us the songs "Tomorrow" and "It's A Hard Knock Life", and starred a little red-headed girl being annoyingly precocious. The 1982 movie isn't, as far as I can recall, that great a movie anyway, so I just didn't see any point in going back to that well. And when I saw the first trailer for this movie I was slightly smug, safe in the knowledge that this was a movie that I needn't prioritise, what with it having the potential to be absolutely bloody awful.

Well, I can always admit when I'm wrong (because it happens so often, unfortunately), and in the case of Annie I was wrong. It's not going to be one of my favourite movies, and it suffers from many of the failings that the original movie had, but this is a fun, energetic, musical that should keep the family entertained for the duration.

Quvenzhane Wallis takes over the titular role, and just fine she is too. She's an orphan who lives with the constant hope that one day she will be reunited with her parents. Meanwhile, she is stuck in the care of the bitter Miss Hannigan (Cameron Diaz), a nasty drunk who regrets the opportunities she missed out on in her past. Jamie Foxx is Will Stacks, the character substituting for Daddy Warbucks here. Stacks is a billionaire business tycoon trying to become mayor of New York, and when his approval rating jumps up after he's filmed saving Annie from being hit by a truck his staff decide that he could benefit even more if he offered Annie a temporary home.

I started to warm to this version of Annie in the first few scenes. In fact, the very opening moments provide an amusing little fake-out before moving in to a credit sequence that nicely riffs on the well-known musical numbers with a makeover that feels genuinely appropriate for the new audience without seeming horribly desperate. And everything kept ticking over nicely, for the most part.

There are two main problems that prove insurmountable for director Will Gluck, who also worked on the screenplay with Aline Brosh McKenna (with help from the past versions of the tale, of course). First of all, this isn't a musical full of the best songs. I'm sure many musical fans will disagree, but I've always found Annie to have more filler than thriller, to put it simply. Two good songs just don't cut it, especially when one of those isn't really all that good as opposed to just being one of the most familiar. The second big problem is Cameron Diaz horribly overacting in the role of Miss Hannigan (and let's not even mention the horrible backstory given to her). I've been kinder to Miss Diaz than most, over the years, but she's sorely miscast here, and an undeniable weak link in the cast.

Wallis is bright and sweet in the main role, just about avoiding feeling too precious, Foxx is a lot of fun as the rich man who tries to keep his defences up at all times, Rose Byrne and Bobby Cannavale are both good as the advisors who watch things unfold from two very different perspectives, and David Zayas and Adewale Akinnuoye-Agbaje do well as two men, one a store owner and one in the employ of Stacks, who try to help Annie as much as possible.

Overall, the flaws in this version are similar to the flaws in the previous versions. The fact that it tries so hard to win viewers over with a better cast, for the most part, and ever-so-slight adjustment of the twee factor means that it's far from the worst family movie to come out in recent years, even if it will never be one of the best.

6/10

http://www.amazon.com/Annie-Blu-ray-UltraViolet-Digital-Copy/dp/B00R878NI4/ref=sr_1_5?ie=UTF8&qid=1420223100&sr=8-5&keywords=annie

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