Friday, 2 October 2026

Hungry (2026)

While the tagline says "this hippo isn't playing games", which should at least let you know that Hungry is a film about a killer hippo, this isn't a film stuck firmly within that one idea. Let's face it, it would be hard to make a horror movie with someone caught in the middle of a quartet of hippos all trying to eat as many snacks as possible before a timer runs out. What you get instead is a decent creature feature that tries to sell itself on a cute name and tagline. And that was enough to get me to watch it.

As per every successful creature feature, and it's a similar template already put in place by disaster movies from decades ago, viewers are introduced to a selection of characters who will all soon end up in jeopardy as they enjoy a riverboat tour in New Orleans. The main two, the potential leads, seem to be friends Sistine (Madison Davenport) and Hannah (Olivia Bernstone), but there's also a multi-generational family group, a busy businesswoman, and the tour guide himself to become endangered when they all inadvertently place themselves in the hunting ground of a hungry hungry hippo.

Written and directed by James Nunn, a man who started his feature career well with Tower Block, but has more recently given us the absolute awfulness of Wildcat, Hungry is a relatively fun and enjoyable slice of nonsense. There could have been a better mix of characters, and more time spent showcasing the practical effects ahead of any computer FX would have been appreciated, but there's enough here to make it exactly what you expect it to be, even down to the grizzled hunter character played entertainingly by Joaquim de Almeida.

Davenport and Bernstone are likeable in their roles, Tracey Bonner has to be less likeable as the woman who apparently causes the tour to be so far away from the usual safe waters, but she does well, and Jim Meskiman, Samantha Coughlan, and River Codack provide a good mix of family members who will suffer greater shock if one of their group is put in hippo-critical condition. Michel Curiel gets to play his guide character as someone pleased to receive some extra money, but not looking to deliberately screw anyone over, and de Almeida does well to avoid going into full on "Ahab/Quint" mode.

Nunn knows what he's doing when it comes to building up the tension, in terms of the creature activity that occurs before the main characters become fully aware of their situation anyway, but there comes a time when everything suddenly becomes much more volatile and dangerous, and that's when he falters slightly. There just isn't enough inventiveness, perhaps due to the fact that a hippo (although a very dangerous mammal) isn't easy to portray as cunning and deadly. It doesn't help that the finale is bogged down by exposition that could have been hinted at much earlier in the film, and the predictable one on one "showdown" is disappointingly anti-climactic.

If you're after some easy entertainment then this should fit the bill. I doubt we'll see a sharp rise in killer hippo movies after this one. It's much more fun to spend time with killer crocs, large alligators, or deadly sharks . . . when it comes to these kinds of films anyway. 

6/10

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