Showing posts with label bad bunny. Show all posts
Showing posts with label bad bunny. Show all posts

Sunday, 3 August 2025

Netflix And Chill: Happy Gilmore 2 (2025)

If you ask any Adam Sandler fan what their favourite Adam Sandler movie is then you will likely get a variety of answers, depending on whether or not that person likes his comedy work or his more dramatic performances. But most would at least mention Happy Gilmore as a contender, which makes this a belated sequel with no small amount of pressure on it.

The years have passed, a tragic golf-related accident has caused the death of Virginia (Julie Bowen), and Happy Gilmore is left with a bunch of children and a whole load of debt. And a drinking problem. His years of golfing success are far behind him, but getting back on the fairway could be the solution to all of his problems. If he can stop drinking and return to the form of his glory days. He's older now though, although not necessarily any wiser. 

Where Sandler used to get his friends together and film something in a sunny and picturesque environment (making it a bit of holiday time alongside the filming), he now tends to make films that have roles available to his family members. At least four of them appear here. His wife, Jackie, his daughters, Sadie and Sunny, and his mother, Judith. They don't spoil the film, generally doing great work, but it's worth noting because of how many times the Sandler surname pops up throughout the cast credits. Thankfully, the 114-minute runtime allows for a whole range of eclectic supporting players (sometimes literally), from a number of real-life golfers all joining in with the fun to returning favourites like Ben Stiller and Christopher McDonald. Benny Safdie has a blast as Frank Manatee, the douchebro looking to take golf somewhere new and exciting, Bad Bunny is a lot of fun as a waiter-turned-caddy named Oscar, John Daly plays a fictional version of John Daly, and Haley Joel Osment proves to be formidable competition on the golf course. I wouldn't have the space here to name everyone else onscreen, but some of the more memorable cameos come from Margaret Qualley, Eric André, Post Malone, Steve Buscemi, Eminem, Nick Swarsdon, Jon Lovitz, Boban Marjanovic, Ken Jennings, and Guy Fieri.

Although Tim Herlihy and Sandler are back on the writing duties, Kyle Newacheck is in the director's chair this time (with Dennis Dugan, director of the first HG movie, joining the names I just mentioned to have some fun in front of the camera). Newacheck does a decent job, delivering what is his best feature so far, but it feels like an easy gig. Once the screenplay was written, knowing how much of the film relies on goodwill and nostalgia, all Newacheck had to do was ensure that he had plenty of coverage while everyone was enjoying themselves. The jokes here are obvious and silly, but they're nicely in line with what we got the first time around. In fact, admittedly, many of them are just the same jokes, maybe slightly reworked, with flashbacks to remind people of what they laughed at the first time around.

I'm not going to waste time rating the various performances of everyone in the cast. Some do much better than others, but the film is anchored by Sandler doing his very familiar schtick. You'll already know if you want to watch it or not. Highlights are definitely Safdie and Bad Bunny though, but McDonald is very welcome whenever he appears, and I was surprised by how much I was able to laugh at lines delivered by the likes of Rory McIlroy and Scottie Scheffler. Scheffler may well be the ace up the sleeve for the third act of the movie, which is something I never expected.

There are a number of expected montage sequences, the soundtrack has the energy required to accompany the standard "underdog comes good" plotting, and if you're surprised by anything that happens here then I would have to assume that you forgot everything that happened in the first movie. There are times when I want something new, or something thought-provoking. This wasn't one of those times. I just wanted some more silly jokes about someone rough-around-the-edges being unexpectedly good at whacking a golf ball. I just hoped that it wouldn't disappoint those, like myself, who rated Happy Gilmore as one of Sandler's very best comedies. I wasn't disappointed. This was everything I wanted it to be. It was familiar, comfortable, and, most of all, it made me laugh. I'll still rewatch the first film more, but I would happily make time for this again whenever I'm in the mood for some crazy golf.

7/10

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Friday, 30 September 2022

Bullet Train (2022)

A comedy action movie, emphasis on the comedy, starring Brad Pitt as a professional criminal who wants nothing in his life but good vibes, Bullet Train has a lot going for it. On paper. Directed by David Leitch, starring Pitt, Aaron Taylor-Johnson, Brian Tyree Henry, Joey King, Michael Shannon, and Hiroyuki Sanada, and mixing action and comedy on the titular bullet train, what’s not to love?

Pitt is on a simple mission. He is given the codename “Ladybug” and tasked with retrieving a briefcase from the bullet train. Ideally, he should get on, grab the case, and then get off at the next stop. Meanwhile, Lemon (Henry) and Tangerine (Taylor-Johnson) are looking after someone they are supposed to keep safe, in exchange for a decent payday. Meanwhile, Prince (King) wants to get revenge on a number of people, as does Wolf (played by Bad Bunny. MEANWHILE, others start to board the train with their own deadly agendas. Ladybug shouldn’t even be there, as he is filling in for an agent named Carver, and it isn’t long until he wishes he hadn’t taken the job.

Based on a book by Kôtarô Isaka, turned into a screenplay by Zak Olkewicz, this is a bizarre throwback to a time when every other film was trying to rip off Tarantino or Guy Ritchie. I am not sure if the problem lies with the source material, having not read the book, but there’s a smugness throughout that isn’t matched by the dialogue or plotting. Everything feels far too much like a Rube Goldberg machine, an excessive amount of moving parts and complications leading to a very underwhelming final result, and the eclectic cast isn’t good enough, overall, to help it all along.

Leitch, who has spent the last five years directing films that mix action and comedy better than this one, fails to find the right way through the dense plotting. There aren’t enough moments of impressive action, the comedy always feels like a separate component, rather than an intertwining strand, and any sense of entertaining spectacle is undermined by the overuse of CGI. This is a busy movie in so many ways, often painfully so, and I only felt that working in its favour during an enjoyable finale that somehow managed to tie up every strand and provide a punchline for every running gag (so fair play to Olkewicz for saving his best work until the end of the movie).

Pitt is fine in the lead role, playing a character we have seen a version of in a number of different movies now. The main thing that allows him to stand out is what he views as a constant string of bad luck, something that allows the script to keep getting bigger and wilder, but there’s a moderately interesting idea tucked away here about perspective, and how bad luck in one way may be good luck in the long run. Taylor-Johnson is bad, I just didn’t like him in this role (and I can only imagine how much this movie could have been improved with someone else there), but Henry does a bit better, helping to make their scenes together more bearable. I don’t want to rate every single main player, especially when I can spend some time highlighting just how good both Shannon and Sanada are. Both get in on the action for the third act, and both take this movie up an entire notch or two. King is okay, Bad Bunny is . . . okay, Zazie Beetz is great, but sadly underused, and there are a few cameos that properly amused me.

It certainly tries to keep the momentum going for most of the 2+ hour runtime, I will give it that, and the soundtrack has some great choices, although I wanted even more. I MIGHT revisit and reappraise this at some point, to see if I enjoy it more while spending less time trying to unpick the various plot threads, but for now I have to tell people that it’s not recommended. It’s tonally very messy, it’s comedically very hit and miss (but one hit, a sequence showing two men tallying up the numbers killed in their most recent job, is superb), and it spends a lot of time going off the rails before sorting itself out just in time for that enjoyable finale.

4/10

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