Showing posts with label bernard cribbins. Show all posts
Showing posts with label bernard cribbins. Show all posts

Tuesday, 21 April 2026

You Must Be Joking! (1965)

A British "treasure hunt" movie that makes use of a very entertaining ensemble cast, You Must Be Joking! is a fun time. It's just not really on a par with some other non-British movies that would otherwise match the same description.

The main reason for the treasure hunt here is a test of various military men. Five are selected (played by Michael Callan, Lionel Jeffries, Denholm Elliott, Lee Montague, and Bernard Cribbins), given a list of very British items that they have to collect, and are then asked to start their mission in the middle of a large hedge maze. Once the timer begins, the men have very different approaches to the mission. Some seem a bit more desperate, some are much calmer, and there's one who looks destined to remain stuck in the maze for the duration. Expected hijinks ensue.

Although most well-known for some very non-comedic movies nowadays, director Michael Winner still has an interesting and varied filmography that I would encourage people to check out, especially in the earlier part of his career (before he became known as "Mr. Death Wish", basically). The screenplay, written by Alan Hackney, based on Winner's story idea, may not be the best, but it does what is needed when it comes to stringing together a variety of little set-pieces that allow the cast to shine in their respective roles. And it allows Winner to show off his skill during moments that mix laughs and danger, thanks to some excellent stunt work and controlled vehicular madness that I hope was all executed a lot more safely than it appears onscreen.

Callan is the nominal lead, the cool and relaxed man who can charm and scheme his way around the many obstacles. He's not the most appealing though, especially for British audiences, but he absolutely delivers in a wonderful sequence that has him unexpectedly performing an energetic dance routine in a TV studio. Elliott is wonderfully dry and quintessentially "keep calm and carry on" in his approach, and his nonchalance really works well juxtaposed alongside the others. Jeffries is the most fun though, always ready to stand to attention and delivering his dialogue in a decent approximation of a fine Scottish brogue. Montague feels like he's making up the numbers, but at least he gets to do more than poor Cribbins, who is involved in a great running gag about his failed attempts to extricate himself from the hedge maze. Patricia Viterbo plays a European pop starlet, The Cherokees appear onscreen in lieu of a better-known hit band from the era, and there's fun to be had from the likes of Wilfrid Hyde-White, Terry-Thomas, James Robertson Justice, Leslie Phillips, Irene Handl, Clive Dunn, and Arthur Lowe.

This may not be a forgotten classic, but it's good enough to recommend to fans of lesser-known comedies. The cast alone make it worth your time, but there are also some genuinely inventive and enjoyable escapades, as well as a comforting warmth from the symbols that are earmarked as being quintessentially British. Some of the groovier aspects weren't great, admittedly, but that would only be a big problem if the laughs weren't there. Thankfully, the laughs are there. They were for me anyway. 

7/10

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Friday, 13 July 2018

Filmstruck Friday: The Wrong Arm Of The Law (1963)

With a fine British cast, an enjoyable crime caper at the heart of the plot, and plenty of gentle humour throughout, you would be forgiven for assuming that this 1963 movie was one of the many small gems produced by the Ealing Studios. It wasn't. Ealing had passed it's peak by this time, leaving a gap in the British cinematic landscape that I don't think anyone has ever really filled in since (despite the wonderful filmography of Hammer, Amicus, and a few others).

Anyway, let's get back to the actual film. Peter Sellers plays Pearly Gates, a smooth criminal boss who helps to front his operations with his role as a purveyor of fine dresses for women. All seems to be going well for him and the other crime bosses, including Nervous O'Toole (Bernard Cribbins), until a trio of Australian crooks get the bright idea of impersonation police officers and taking their rewards from criminals they catch at just the right time. They seem to have a lot of inside information, causing all of the crime gangs to lose out on a good chunk of change, which puts the likes of Pearly and Nervous in the uncomfortable situation of having to work with the police, mainly Inspector "Nosey" Parker (Lionel Jeffries) and his Assistant Commissioner (John Le Mesurier).

Constantly amusing throughout, The Wrong Arm Of The Law is not a film planned around belly-laughs or big set-pieces (although the finale piles on the satisfying payoffs and breakneck chase scenes). It instead relies on a quality cast delivering great performances.

The direction from Cliff Owen pitches the material exactly how it should play out, and the script (by John Antrobus and the famous duo of Ray Galton and Alan Simpson, working from a screenplay by John Warren and Len Heath) manages to keep everything moving along speedily enough while allowing the performers to play to their strengths.

Sellers gets to put on a couple of different voices, and there's some amusement to be had when he switches between his refined persona and his more uncouth natural style, Cribbins is one of the nicest and politest criminal bosses ever to be seen onscreen, and Jeffries is excellent as the main character being taken for a fool by everyone around him, including his superior (Le Mesurier, giving one of his characteristically unflappable and calm turns - that's how I always think of him anyway).

It may not be up there with the very best of the classic British comedies but I think The Wrong Arm Of The Law is a film that deserves to be seen by more people. Will it become your new favourite? That's highly unlikely. Will you enjoy yourself while the film is on? I think so, even if you don't end up liking it as much as I did.

8/10

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