Filmstruck Friday: The Wrong Arm Of The Law (1963)

With a fine British cast, an enjoyable crime caper at the heart of the plot, and plenty of gentle humour throughout, you would be forgiven for assuming that this 1963 movie was one of the many small gems produced by the Ealing Studios. It wasn't. Ealing had passed it's peak by this time, leaving a gap in the British cinematic landscape that I don't think anyone has ever really filled in since (despite the wonderful filmography of Hammer, Amicus, and a few others).

Anyway, let's get back to the actual film. Peter Sellers plays Pearly Gates, a smooth criminal boss who helps to front his operations with his role as a purveyor of fine dresses for women. All seems to be going well for him and the other crime bosses, including Nervous O'Toole (Bernard Cribbins), until a trio of Australian crooks get the bright idea of impersonation police officers and taking their rewards from criminals they catch at just the right time. They seem to have a lot of inside information, causing all of the crime gangs to lose out on a good chunk of change, which puts the likes of Pearly and Nervous in the uncomfortable situation of having to work with the police, mainly Inspector "Nosey" Parker (Lionel Jeffries) and his Assistant Commissioner (John Le Mesurier).

Constantly amusing throughout, The Wrong Arm Of The Law is not a film planned around belly-laughs or big set-pieces (although the finale piles on the satisfying payoffs and breakneck chase scenes). It instead relies on a quality cast delivering great performances.

The direction from Cliff Owen pitches the material exactly how it should play out, and the script (by John Antrobus and the famous duo of Ray Galton and Alan Simpson, working from a screenplay by John Warren and Len Heath) manages to keep everything moving along speedily enough while allowing the performers to play to their strengths.

Sellers gets to put on a couple of different voices, and there's some amusement to be had when he switches between his refined persona and his more uncouth natural style, Cribbins is one of the nicest and politest criminal bosses ever to be seen onscreen, and Jeffries is excellent as the main character being taken for a fool by everyone around him, including his superior (Le Mesurier, giving one of his characteristically unflappable and calm turns - that's how I always think of him anyway).

It may not be up there with the very best of the classic British comedies but I think The Wrong Arm Of The Law is a film that deserves to be seen by more people. Will it become your new favourite? That's highly unlikely. Will you enjoy yourself while the film is on? I think so, even if you don't end up liking it as much as I did.

8/10

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April Fools: The Party (1968)

The Party may not be for everyone, there are a few too many groovy moments that date it quite badly and Peter Sellers playing an Indian actor may offend some people, but I stand by it, and heartily recommend it as an absolutely delightful comedy.

Sellers is Hrundi V. Bakshi, an incompetent actor who has his name written down by a man who can ensure that he never works in films again. Fortunately, the same piece of paper that has his name on it also has the names of everyone being invited to a swish Hollywood party, resulting in Mr. Bakshi mingling in a crowd that he knows very little about. Small disaster follows small disaster, thanks to both Bakshi and a waiter (Steve Franken) who is busy helping himself to alcohol whenever possible.

Despite some fine support, from Franken, Claudine Longet (okay, she's not great, but she's suitably beautiful and lovely) and Denny Miller (as 'Wyoming Bill' Kelso), this is very much a showcase for Sellers to do what he does best. His portrayal of Hrundi V. Bakshi is a fine comic creation, mixing great physical comedy with some real heart, to show someone who creates laughs but isn't to be ridiculed. It's a thin line indeed, but Bakshi is so sweet and earnest that viewers will want him to get through the evening unscathed, despite how unlikely that seems.

The script, by director Blake Edwards, Frank Waldman and Tom Waldman, was, apparently, just a rough guideline that allowed for a lot of improvisation and development. The movie was shot in sequence to allow things to develop from the comedy developed in earlier moments, and this results in a final product full of great moments that somehow manages to avoid the loose, rambling feeling that some improvised works can't quite shake off.

If you're a fan of Sellers then you've probably already seen this one, but if you've somehow missed it so far then I recommend getting to it soon. It is, in my opinion, up there with his best work. Also check it out if you're just a fan of great comedy, in general, as it's a masterclass in how to take the smallest moments and wring every laugh from them, piecing them all together to make something that's almost an absolute classic.

8/10

http://www.amazon.co.uk/Party-Disc-Special-DVD/dp/B0001Y9YJ8/ref=sr_1_1?s=dvd&ie=UTF8&qid=1396665093&sr=1-1&keywords=the+party

The Ladykillers (1955)

When, years ago, I was eagerly trying to communicate to someone just why I loved The Ladykillers so much I said the following: "imagine if the Reservoir Dogs were stuck in a house with a little old lady and they kept trying to get her out of their way, but failing." Now, that was perhaps a silly and flippant way to describe it, but I was trying to do two things. First, I was trying to describe the plot in one sentence while highlighting what a brilliant blend it was. Second, I was trying to show how truly timeless it was. I may have failed to do either of those things, but at least I tried.

The great Alec Guinness gets, arguably, his best ever role as Professor Marcus, a criminal mastermind with a new scheme that seems so stupid it could be a stroke of genius. He rents a room in the household of kindly Mrs. Wilberforce (Katie Johnson) and then invites his gang along to join him, only they're masquerading as a musical quintet. Cecil Parker, Herbert Lom, Peter Sellers and Danny Green play his cohorts and not one of them puts a foot wrong. Unbeknownst to Mrs. Wilberforce, she is crucial to the whole plan. Will everything go smoothly? Well, that wouldn't be any fun now, would it?

It's hard for me to know where to begin in my praise for The Ladykillers. I want to mention every actor, every scene and every great line of dialogue, but I don't want to be some rambling bore (for anyone who rolled their eyes and thought that I'd already made that my specialty . . . . . . . . how dare you). For the sake of brevity, let's just assume that I've already heaped enough praise upon Guinness,  Johnson, Parker, Lom, Sellers, Green, Jack Warner (who plays a superintendent), Philip Stainton (who plays the sergeant) and Kenneth Connor and Frankie Howerd, who both have small, but memorable, roles. And let's assume that I mentioned the many wonderful scenes and the many wonderful exchanges in the script and then repeated myself for hours on end. There. I think that should do it.

The screenplay by William Rose really zips along from start to finish and the direction by Alexander Mackendrick takes each separate element and puts them together perfectly, but it's the cast that makes the movie the timeless classic that it is. If you don't believe me then just watch the remake by the Coen brothers. Actually, don't. I'd never forgive myself for recommending it to anyone, even as a joke.

People who know my taste know that I enjoy movies across a very, VERY broad spectrum, but watching a film like The Ladykillers serves as a wonderful reminder of why I have, and always hope to have, a passion for film. It's easy to pick a number of worthy films that people should see and enjoy for a variety of reasons (technical accomplishments, acting prowess, etc. etc.), but it's also just as easy to pick a number of films that people should see just to be provided with flawless entertainment from start to finish. Films like this one.

If you haven't seen it yet then rectify that oversight ASAP.

10/10

http://www.amazon.co.uk/The-Ladykillers-Blu-ray/dp/B0042FPSLA/ref=sr_1_4?ie=UTF8&qid=1361640680&sr=8-4