Unhinged (2020)

With a talented writer and director having fun with their material, Unhinged would have been a decent enough thriller for film fans to enjoy easily enough. The addition of Russell Crowe in the lead role, giving a performance as gleefully psychotic as any I can think of, makes it even better, turning it into something that feels surprisingly unmissable for this particular subgenre.

Essentially, this is a “*insert noun* from hell” movie. Crowe plays a character who is having such a bad time, apparently, that his only solution is to kill some people. And with that killing done, he is sitting in traffic, and zones out while a traffic light turns to green, when he is given a horn honk from Rachel (Caren Pistorius). Rachel is late, a bit stressed, and also has her son, Kyle (Gabriel Bateman), in the car with her. Thinking that she is having a bad day, the man she upset with her horn honking becomes determined to show her just how bad her day can get.

Director Derrick Borte has an interesting filmography that includes Cat Run (very enjoyable stuff) and The Joneses (excellent). He doesn’t seem drawn to any one genre, but rather seems to simply react to material he thinks he can treat well. Carl Ellsworth, on the other hand, definitely feels comfortable writing thrillers, having also worked on the excellent Disturbia, Red Eye, and the remake of The Last House On The Left. Ellsworth knows how to make the most of a cracking concept, and both he and Borte do superb work here. Because the unique aspect to this movie is the fact that Crowe’s character gives absolutely zero shits. He doesn’t care who seems him acting like a psycho, and doesn’t care who else he has to hurt by his one-man tsunami of violence and pain.

Crowe is more than up to the task when it comes to being intimidating, vicious, and also playing things in a way that feels very darkly comedic. Pistorius is a solid lead, starting off bewildered by the sharp turn of events before accepting the madness and digging deep to find extra reserves of strength. Bateman is a decent child actor, there’s a great little scene for Jimmi Simpson that underlines just how dangerous Crowe’s character is, and Austin P. McKenzie, Juliene Joyner, and others do a good job portraying likeable individuals who could very easily become unable to continue breathing due to the actions of one madman.

If this had gone along the same lines of many other films we have seen like it then Unhinged would not be as memorable as it is. It goes from zero to one hundred within the first few scenes, and that makes it a memorable viewing experience. It allows the film to feel different from others in this subgenre, despite heading to the same third act. And I like to think that some candy cane scissors owned by the lead character were a nice nod to another superb thriller about a vicious psycho behind the wheel of a big engine. 

Highly recommended. In fact, you will be mad at yourself if you dismiss it as something not worth your time. And the fact that it's a nice and well-paced 90 minutes (something becoming increasingly rare nowadays) is another reason to recommend it.

8/10

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Netflix And Chill: Disturbia (2007)

Sometimes the simplest ideas are the best, and Disturbia can be summed up in one great pitch. It's a teen riff on Rear Window. There you go. It doesn't try to outdo that classic, an aim I think many of us agree would be nigh on impossible, but it very overtly works with the premise, making use of many modern gadgets that can add some extra thrills.

Shia LaBeouf plays Kale, a young man placed under house arrest after punching his Spanish teacher in the face. The main officer who helps to monitor the fitting of his electronic ankle bracelet is Officer Gutierrez (Jose Pablo Cantillo), a relative of the aforementioned teacher. Carrie-Anne Moss is Julie, the exasperated mother who tries to ensure house arrest isn't spent with videogames and iTunes, and Kale's best friend is a young man named Ronnie (Aaron Yoo). There are two neighbours who Kale takes an interest in. One is new, and her name is Ashley (Sarah Roemer). The other is Mr. Turner (David Morse), a man who seems to match a few of the details being read out on the news regarding a killer in the city. It's not long until Kale, Ronnie, and Ashley are working together to observe Mr. Turner with much more scrutiny.

Everyone here has done work that I have enjoyed, for the most part. Director D. J. Caruso tends to make solid entertainment, although this is one of his better films, and writers Christopher Landon and Carl Ellsworth have a filmography that mixes in a number of horror franchise instalments and some fun teen fare. Again, this is one of their better films, but there is more competition over which one would be considered their very best.

LaBeouf does very well in the lead role, he's just the right mix of angry teen and good kid. Roemer is a winning female co-star, although I am not surprised that she didn't go on from this to bag any major roles because she doesn't quite have enough of IT, whatever it is. Yoo is, like LaBeouf, pretty perfect at being an ass at times without making you hate him. But if this was just a teen film with the teens doing decent work it would be okay. The adult stars take it up a level. Moss is great in the mom role, one that could have easily been completely thankless, but Landon and Ellsworth write her a bit better than that. Cantillo does well in his small role, personally interested in the "criminal" kid, but also doing his job with due care and diligence. And then you get Morse. Morse is one of the best actors of his generation, a deceptively low-key performer who can take on a wide variety of roles. This is arguably one of his most fun turns, and he maintains a small, Andy Dufresne-like, smirk throughout much of the runtime.

Some of the plot devices are a bit silly, and there's one extended sequence featuring Yoo in the second half of the movie that really falls flat when it is intended to be a strange extra thrilling set-piece, but the energy, the obvious love for the central idea, and the collection of enjoyable performances all make this one of the best teen thrillers of the past few decades.

8/10

You can buy the disc here.
Americans can buy it here.