Showing posts with label fred willard. Show all posts
Showing posts with label fred willard. Show all posts

Tuesday, 28 May 2024

Ani-MAY-tion: Planes: Fire And Rescue (2014)

Dane Cook returns to voice Dusty Crophopper in this strange sequel to Planes, a film that continues to present a world populated by living vehicles, but also complicates the central premise by featuring more scenes in which vehicles are transported along INSIDE other vehicles (this also happened in the Cars movies, but feels a bit a bit more bizarre, and even Cronenbergian, this time around).

In an idea that feels tired and desperate from the start, Dusty Crophopper is already past his racing prime. He has a mechanical issue that means he can no longer push himself to fly at the speeds he once experienced. Ah well, at least he can retrain alongside planes that keep themselves busy fighting fires. This leads to him being taught fire-fighting tactics by Blade Ranger (Ed Harris) while he works to overcome his own fears, and his dangerous cockiness.

I could add more to that plot summary. Of course there’s a raging inferno to be dealt with at some point. Of course there are valuable lessons to be learned along the way. And, of course, Dusty gets a chance to show that he really is up to the task of being a fire-fighter. This is as predictable as expected, and even more humorless than the film preceding it (which wasn’t exactly a chuckle-fest). Okay, there is no rule stating that this should be a comedy, but it needs something in place of heart and/or genuine tension.

Cook still doesn’t make for a great lead in this role, and he isn’t often surrounded by people who can pick up his slack. Harris is great, as you would expect, and there’s a fun turn from Julie Bowen, playing a character who inexplicably takes a shine to Dusty, but the better voice performers (Patrick Warburton, Fred Willard, and John Michael Higgins) are wasted in roles that have very limited screentime. A number of people return from the first film, essentially bookmarking the tale with some moments that help remind you about the first movie, and both Hal Holbrook and Wes Studi get paid to play characters that could have been played by absolutely anyone. I am happy they got the job, but I wish they had been more involved in the main storyline.

Writer Jeffrey M. Howard is responsible for the weak tale, having just limped along the first time around, and this time he shares writing duties with director Bobs Gannaway. The best thing I can say about Gannaway is that he is equally skilled at both directing and writing. Ahem.

The visuals are okay. I will admit that some moments look great, which is especially impressive when it is a story that includes numerous scenes with fire surrounding main characters. That’s about all I am willing to grudgingly compliment though, considering how this just felt like a waste of my time, as well as a waste of some great actors.

Younger viewers will enjoy this more, of course, and that’s just fine. My relatively high rating reflects the fact that this isn’t aiming to be a sophisticated modern masterpiece. There are so many better movies for them to watch ahead of this though. This is sub-par stuff, and hopefully remains the last time we see this character starring in his own feature film.

4/10

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Thursday, 2 January 2014

Chicken Little (2005)

Unjustly overlooked by fans of fun animation, Chicken Little remains a firm favourite of mine and provides a great mix of cute, wacky and outright crazy.

The basic story is all about our titular character (voiced by Zach Braff), an innocent chicken who finds himself the butt of many jokes when he mistakenly tries to warn people that the sky is falling after something hits him on the head. The crowd that gathers around him assumes that it was just an acorn. It wasn't, but just how will Chicken Little manage to convince everyone that he is the only one who knows the worrying truth. Perhaps his friends - Runt Of The Litter (Steve Zahn), Abby Mallard (Joan Cusack) and Fish Out Of Water (Dan Molina) - can be of some use. Perhaps.

Rattling along at a great pace, Chicken Little marries lovely visuals to a multitude of great gags, big and small, and also throws in the usual Disney life lesson. Thankfully, the life lesson part isn't overdone and plays perfectly for the intended audience while the laughs keep coming thick and fast.

The voice cast also includes people like Patrick Warburton, Harry Shearer, Wallace Shawn, Fred Willard, Patrick Stewart, Don Knotts, Amy Sedaris and even Adam West. Which means that it's brilliant.

Lots of people had a hand in forming the screenplay and adding dialogue, including director Mark Dindal, but this doesn't leave the movie feeling overcrowded. On the contrary, Dindal in his directorial role makes sure that everything feels perfectly paced and balanced.

A film that doesn't deserve to be so easily forgotten and/or dismissed - give Chicken Little a viewing and find out how enjoyable it is for yourself.

8/10

http://www.amazon.co.uk/Chicken-Little-Blu-ray-Mark-Dindal/dp/B000MR8SRI/ref=sr_1_2?ie=UTF8&qid=1388664621&sr=8-2&keywords=chicken+little

Friday, 19 July 2013

Roxanne (1987)

Updating the classic tale of Cyrano de Bergerac, Roxanne is a superior romantic comedy that benefits enormously from a cracking script (written by the leading man, Steve Martin). It has at least two set-pieces, in my opinion, that hold up alongside any truly great comedy moments that you could think of and the rest of the film rarely dips. Well, not too far anyway.

Martin plays Fire Chief C. D. Bales (the C stands for Charlie). C. D. is a great guy. He's selfless, intelligent and very funny. He also has a big nose. A very, very big nose. Mention it at your peril. So when the beautiful and sharp Roxanne (Daryl Hannah) moves into his small town, C. D. may find himself falling for her but also keeps remembering that nothing will happen - it's as plain as the nose on his face. Things get complicated, however, when Roxanne falls for the handsome, but pretty vacant, Chris (Rick Rossovich). The feeling is mutual, but Chris gets nervous about wooing the lovely lady. C. D. suggests a love letter, using the power of words to win over Roxanne completely, and decides to help Chris by providing the words for him. Roxanne is on cloud nine, having found what she thinks may be her ideal man - blissfully unaware that the words are coming from C.D.

I've never been a big fan of Daryl Hannah, but she's very suitable in her role here and the central "love triangle" is completely believable thanks to her solid performance and, of course, her beauty (hey, not being TOO shallow, if a film features a potential love interest appealing to a wide range of potential suitors then that person should have an obvious beauty - be it inner, outer or both). Rick Rossovich does a great job, especially in the way that he plays the comedy, and makes for a fun fly in the ointment. He's shallow and slightly dense, but he's also pretty sweet. In a way. But this is, of course, Steve Martin's show and he's written a marvellous creation for himself to play. Defined by his humour, intelligence, quirkiness and that big nose, C. D. Bales is always fun to be around and a great updated version of a classic character. The rest of the cast includes Shelley Duvall, John Kapelos, Michael J. Pollard (a favourite of mine), Damon Wayans, Edmond Rostand and Fred Willard, all doing decent work.

Director Fred Schepisi has never created anything truly great, from my knowledge of his filmography, and I would nominate this movie as his best work. There's nothing special on display, however, and everything positive comes from the script and performances. Of course, the performances are directed by . . . . . . the director, but I'm just saying that nothing else stands out. The soundtrack isn't memorable, the camerawork is fairly straightforward, there are one or two standard montage moments, nothing feels particularly fresh or stylish. The good thing is that the movie doesn't need to feel fresh or stylish. It's good enough as it is.

I don't quite love Roxanne as much as I did a decade or two ago, but I still love it enough to consider it a great one to watch, purchase and rewatch on numerous occasions.

8/10

http://www.amazon.co.uk/Roxanne-DVD-Steve-Martin/dp/B00004L8JJ/ref=sr_1_1?ie=UTF8&qid=1374189921&sr=8-1&keywords=roxanne

Monday, 6 May 2013

American Pie: The Wedding (2003)

The gang (almost) all return for more bawdy comedy in this third American Pie movie that starts off with a hilariously embarrassing marriage proposal and might end with Jim (Jason Biggs) and Michelle (Alyson Hannigan) walking up the aisle together. The focus here is very much on Stifler (Seann William Scott), a character who ends up invited along to the wedding, despite nobody actually wanting him there. He agrees to give Jim some dance lessons as long as he can attend the event, but quickly ends up causing trouble as he competes with Paul Finch (Eddie Kaye Thomas) for the affections of Cadence (Michelle's younger sister, played by January Jones). Stifler starts to act innocent, Finch tries to appeal to Cadence by starting to act like a bad boy, a bachelor party is upset by some major mistiming and there are, as ever, one or two pieces of sage advice from Jim's dad (Eugene Levy).

The law of diminishing returns. That's what the American Pie franchise illustrates best. I'm not sure if it's something that could be applied literally, but it's certainly something that applies to the goodwill and laughs generated from the first movie. Of course, at least these official entries remain more enjoyable and humorous than the many spin-off films that used the brand name and a tenuous link (and Eugene Levy). There will be more talk of those at another time. When I endure/review them here.

There are some big laughs here. The aforementioned bachelor party has a teen-pleasing mix of comedy and nudity while a dance off featuring the unlikeliest of competitors remains the absolute highlight of the whole film. There are also lots of little laughs, whether they come from Stifler and Finch fighting to get time with Cadence or Jim nervously grooming himself in preparation for his big day. The problem is that these laughs aren't as fresh or actually funny as they were when the characters were first introduced.

Director Jesse Dylan and writer Adam Herz made a smart decision in shedding some of the popular characters who had already outstayed their welcome by the end of the second movie, but there's nothing they can do to recapture that magic that was there in the first movie.

Jason Biggs, Alyson Hannigan, Eugene Levy, Eddie Kaye Thomas, January Jones, Fred Willard, Eric Allan Kramer and everyone else does a great job, but they also have to stand back on a number of occasions and leave space for Seann William Scott to go through his repertoire of curse-words and funny faces. It just manages to remain an ensemble piece, but there are many times throughout the movie when it becomes little more than The Stifler Show (a good or bad thing, depending on how you react to the character).

If you enjoyed the first two movies then you'll enjoy this one. You just might not enjoy it as much as the preceding instalments in the franchise.

6/10

http://www.amazon.co.uk/American-Pie-The-Wedding-DVD/dp/B00008KDHE/ref=sr_1_1?ie=UTF8&qid=1357209864&sr=8-1

Wednesday, 21 March 2012

Harold & Kumar Go To White Castle (2004)

AKA Harold & Kumar Get The Munchies.

I am, as many people already know, a fan of dumb comedy. But the finest dumb comedy also has an intelligence to it that lurks behind any bad taste gags and profane language. Harold & Kumar Go To White Castle is one such movie. I may always have a soft spot for the woefully underappreciated Dude, Where's My Car? (and, no, I'm not being sarcastic) but this movie has grown a little more enjoyable with each viewing and it's one I've finally decided that I really like.

There's plenty here to love or loathe, depending on your taste, as Harold (John Cho) and Kumar (Kal Penn) head off into the night in search of the perfect treat that will satisfy their munchies. Danny Leiner, who also directed that "Dude..." movie just mentioned above, does a fine job of making the best of the script by Jon Hurwitz and Hayden Schlossberg and is helped immensely by the cast. Cho and Penn are likeable enough leads, even if the latter is a bit of a pain in the backside at times, and there are a lot of great little turns from David Krumholtz, Eddie Kaye Thomas, Fred Willard, Ryan Reynolds, Anthony Anderson, Christopher Meloni (almost stealing the show), Malin Akerman, Gary Anthony Williams and Neil Patrick Harris (who DOES steal the show).

So what are the main ingredients included to tickle the funny bone? Well, there are plenty of jibes at racism, a chance encounter with some bizarre hillbilly types, moments of Neil Patrick Harris being a completely brilliant and OTT "Neil Patrick Harris", some overzealous policemen and a couple of lively critters causing some stress and more.

There are plenty of great snippets of dialogue throughout and the film has a nice line in surreal lunacy that weaves throughout proceedings without ever unbalancing the whole thing. Throw in a groovy soundtrack, a small helping of gratuitous nudity and the potential satisfaction of seeing our plucky underdogs actually come out on top and you have a fun flick that will offend some people while easily entertaining others.

Is it worth your time? Well, it's not worthless.

8/10.

http://www.amazon.co.uk/Harold-Kumar-Get-Munchies-DVD/dp/B0007ZD72Q