Following on nicely from the end of Dracula Has Risen From The Grave, this film starts with a man named Weller (Roy Kinnear) stumbling across a scene in which Dracula is dying. Weller takes some souvenirs away from this grisly tableaux, as you would, and goes on his merry way. Some time later, three men (William Hargood, played by Geoffrey Keen, Samuel Paxton, played by Peter Sallis, and Jonathon Secker, played by John Carson) meet a younger man (Lord Courtley, played by Ralph Bates) who shares their particular interests. All of these men have a fondness for exploring the darker side of life and giving in to their base desires, so when Courtley brings up a plan to buy the items that belonged to Dracula and to use them in an unholy ceremony. Well, that sounds like a jolly good time so the men agree and go along, only to lose courage when it comes to actually finishing the ceremony. They attack Courtley and flee, unaware that Dracula has risen from the dead and now aims to destroy those who would treat his servant so badly.
Peter Sasdy is the director of this one, and Anthony Hinds is the writer, and both men are working a few levels below their best. In fact, it's only the presence of Lee in his most famous role that saves this from being a complete stinker. The rest of the cast aren't bad, they're just not all that memorable either. Roy Kinnear doesn't have a lot of screen-time, and neither does Ralph Bates, so viewers are stuck with Keen, Sallis and Carson as the main characters. Linda Hayden plays the daughter of Geoffrey Keen's character and is, of course, quite lovely, as is Isla Blair (playing Lucy Paxton), but the aforementioned actors, plus Anthony Higgins, all seem pretty interchangeable.
Sadly, even the death scenes aren't that entertaining, although I enjoyed them more this time around than I did during past viewings, and the grand finale is, in my opinion, the absolute worst of any Hammer Dracula film. There's a nice element of seediness running through the whole thing, with both the content that's front and centre and also a few things that are implied, but even that isn't enough to put this above average.
Of course, opinions vary with any movie and even more so with Hammer movies. I've quickly learned that every single instalment in the Dracula, Frankenstein and Mummy series of movies that the studio produced will have one person who rates it as their very best and this film is no exception. There will be one or two people reading this who will absolutely love this film and I will never understand why.
5/10
http://www.amazon.co.uk/Taste-Blood-Dracula-DVD-Christopher/dp/B0001XLY5G/ref=sr_1_1?ie=UTF8&qid=1353796634&sr=8-1
Showing posts with label geoffrey keen. Show all posts
Showing posts with label geoffrey keen. Show all posts
Monday, 28 January 2013
Taste The Blood Of Dracula (1970)
Labels:
anthony higgins,
christopher lee,
geoffrey keen,
gwen watford,
hammer,
horror,
isla blair,
john carson,
linda hayden,
martin jarvis,
peter sallis,
ralph bates,
roy kinnear,
taste the blood of dracula
Friday, 8 June 2012
Rise And Fall Of Idi Amin (1981)
While it's really nothing more than a slice of exploitation dressed up as a history lesson, there's something undeniably impressive about this bold and horrifying look at the rule of Idi Amin (played by Joseph Olita). In fact, as much as you may find this laughable, the brutality on display here and the self-delusion of Amin sits easily alongside the depiction of events in The Last King Of Scotland. Of course, that movie had big names involved and a bit more good taste but maybe when it comes to looking at figures such as Idi Amin there's a case to be made for not softening the edges and for using some shock tactics to help hammer the message home.
The script by Wade Huie and direction by Sharad Patel both do a pretty good job of sketching out the state of a nation ruled over by a tyrant and a madman. Joseph Olita may not be the best actor for the role but his delivery and erratic style somehow fits brilliantly with the ever-changing whims and extravagant lies that his character lets loose with almost every breath he takes. His performance is definitely the focus of the whole movie, of course, but the other actors all do well as they support or oppose the madness.
There's a lot here that will turn your stomach - bullying, rape, mass murder, false imprisonment, torture, a horrific abuse of power and much, much more - and the pill isn't sugar-coated so a strong reaction is to be expected but, like many fine horror movies (and, whether you agree or not, I easily class this as a horror movie), the film takes a long, hard look at a part of our world history and the darker side of human nature. We may not like what we see but we shouldn't forget it all either.
Rise And Fall Of Idi Amin may not be a factually accurate record of events but it's a surprisingly decent, and eye-opening, starting point and does more than enough to encourage people to investigate further into this whole horrific chapter, looking at just how Amin got to his position and what major scars he left on the psyche of Uganda. Which makes the movie a success, tasteful or not.
7/10
Pricey, pricey, I hope this gets a better release at some point.
http://www.amazon.com/Amin-The-Rise-And-Fall/dp/B0001JX9J4
The script by Wade Huie and direction by Sharad Patel both do a pretty good job of sketching out the state of a nation ruled over by a tyrant and a madman. Joseph Olita may not be the best actor for the role but his delivery and erratic style somehow fits brilliantly with the ever-changing whims and extravagant lies that his character lets loose with almost every breath he takes. His performance is definitely the focus of the whole movie, of course, but the other actors all do well as they support or oppose the madness.
There's a lot here that will turn your stomach - bullying, rape, mass murder, false imprisonment, torture, a horrific abuse of power and much, much more - and the pill isn't sugar-coated so a strong reaction is to be expected but, like many fine horror movies (and, whether you agree or not, I easily class this as a horror movie), the film takes a long, hard look at a part of our world history and the darker side of human nature. We may not like what we see but we shouldn't forget it all either.
Rise And Fall Of Idi Amin may not be a factually accurate record of events but it's a surprisingly decent, and eye-opening, starting point and does more than enough to encourage people to investigate further into this whole horrific chapter, looking at just how Amin got to his position and what major scars he left on the psyche of Uganda. Which makes the movie a success, tasteful or not.
7/10
Pricey, pricey, I hope this gets a better release at some point.
http://www.amazon.com/Amin-The-Rise-And-Fall/dp/B0001JX9J4
Labels:
geoffrey keen,
horror,
idi amin,
joseph olita,
leonard trolley,
rise and fall of idi amin,
sharad patel,
thomas baptiste,
wade huie,
war
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