Ani-MAY-tion Month: The Little Mermaid (1989)

For anyone who doesn't know, The Little Mermaid is all about Ariel (Jodi Benson), a mermaid daughter of Triton (Kenneth Mars). Ariel may live under the sea, but she spends most of her time scavenging for items that have been lost to the deep waters by the humans above. When she sees, and falls in love with, a handsome man named Eric (Christopher Daniel Barnes) she wants to be able to go on land and spend some time with him. The tricky Ursula (Pat Carroll) can make that happen. She transforms Ariel's tail into legs in exchange for one thing - her voice. Ariel then has three days to get Eric to kiss her, or she'll be stuck in a very bad situation indeed.

A fantastic outing from Disney, based on a tale by Hans Christian Andersen, The Little Mermaid is the studio doing what it does best. The animation is delightful, the characters are pretty great (with a crab named Sebastian - voiced by Samuel E. Wright - stealing a couple of scenes), the songs are all quite enjoyable, and it teaches younger viewers not to . . . . . . give up their own voices for the sake of love, or something like that. I may be joking, or I may not.

The voice cast all do well, with other noteworthy performances coming from Buddy Hackett and Jason Marin as, respectively, a seagull named Scuttle and a little fish named Flounder, and it helps that Ariel is one of the best female Disney leads in decades, although older viewers may be a bit miffed by just how quickly she falls head over heels in love and is willing to do whatever it takes to be with the dashing Eric.

Ron Clements and John Musker are the men who get to take most of the credit, as the directors and main writers of the thing, but this is really a team effort. Alan Menken and Howard Ashman handle the music and lyrics, a veritable smorgasbord of animators handle the visuals, and there's every other department to consider. That is, of course, the case with every movie, but The Little Mermaid gets so much right in every way that it's really worth trying to give everyone equal praise.

Despite my love for the movie, it's not perfect. There's at least one song that I thought fell a bit flat, and the final act is strangely anticlimactic. In fact, it all feels quite rushed and ill-conceived, which is a great shame. Its not enough to drag the movie down too far, but it is enough to stop it from being in the very top tier of Disney movies. It does, however, still come close.

8/10

http://www.amazon.com/Little-Mermaid-Diamond-Jodi-Benson/dp/B00C7607FS/ref=sr_1_3?s=movies-tv&ie=UTF8&qid=1399734188&sr=1-3&keywords=the+little+mermaid

Little Shop Of Horrors (1986)

Based on a stage musical that was based on the original 1960 film, Little Shop Of Horrors (a Roger Corman movie most famous for being shot in only two days), this black comedy features a great cast belting out some great tunes in between some memorable set-pieces.

Rick Moranis plays Seymour Krelborn, a young man working in a flower shop owned by the needy and greedy Mr. Mushnik (Vincent Gardenia). The fortunes of both the store and Seymour start to look better when he discovers a new type of plant, a plant that he names Audrey II, after the woman he works alongside (played by Ellen Greene). Unfortunately, the upturn in fortune comes at a price. Audrey II (voiced by Levi Stubbs, of The Four Tops) doesn't grow or flourish unless it's given a very specific diet. A diet of blood.

Directed by Frank Oz, with a screenplay by Howard Ashman (who also worked on creating the songs with Alan Menken), Little Shop Of Horrors is a near-perfect package of comedy, thrills and genuinely enjoyable songs to sing along to. Like almost any musical, there are some that are better than others, but songs like "Skid Row", "Da-Doo", "Grow For Me", "Some Fun Now", "Dentist" (which remains my personal favourite), "Feed Me (Git It)" and "Mean Green Mother From Outer Space" are so strong that they make up for any of the slightly weaker numbers. Unlike most musicals, however, there isn't one song that I would consider bad. That's as much thanks to the execution of the material as it is thanks to the lyrics and musicality of each number.

Moranis is as good as he usually is in the main role, no stranger to playing a kind-hearted chump, and Gardenia and Greene are both perfect for their characters, with the latter especially enjoyable as a sweet blonde bombshell stuck in an abusive relationship with her dentist boyfriend (Steve Martin, almost stealing the entire movie with his hilarious scenes). Levi Stubbs has a superb voice to use for Audrey II and the plant at the centre of all the attention is brilliantly made real, thanks to the audio mixed with some superb practical effects work. You'll buy into it the scenario very quickly, despite the artificiality and ridiculousness of the whole thing.

John Candy, Billl Murray, Christopher Guest and James Belushi all turn up in very enjoyable cameo roles, and it would be remiss of me not to mention Crystal (Tichina Arnold), Ronette (Michelle Weeks) and Chiffon (Tisha Campbell) - the three women, named after classic girl groups from the '50s and '60s, who provide a number of the main songs and most of the backing vocals.

People who have already seen the movie will already be fans (I haven't met anyone yet who has seen it and disliked it) while anyone who hasn't seen it yet . . . . . . . . . . . . . . needs to change that ASAP.

9/10

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