Showing posts with label jack hill. Show all posts
Showing posts with label jack hill. Show all posts

Monday, 2 January 2023

Mubi Monday: Switchblade Sisters (1975)

The second last film from director Jack Hill, not counting his work as a writer, Switchblade Sisters feels like a shining beacon of brilliantly aggressive and confrontational exploitation fare. It is populated by strong and sexy women, potential good times are ruined by men being assholes, and authority figures are unable to find a way to communicate with a new generation that disrespects them at every turn.

Lace (Robbie Lee) is a leader of the Dagger Debs, a girl gang who end up arrested alongside a new girl in the neighbourhood, Maggie (Joanne Nail). Patch (Monica Gayle) takes an instant dislike to Maggie, but Lace thinks she could become a valued member of the gang. Things become complicated when Lace's boyfriend, Dominic (Asher Brauner), takes a liking to Maggie. Patch blames Maggie, but she doesn't know that Dominic raped Maggie because he is so used to being able to just take whatever he wants. Seeds of mistrust are sown, and a plan is hatched to deal with Maggie and restore the status quo of the gang. But it may be impossible to go back to how things once were, especially as Dominic and Hook (Don Stark) draw people into their chaos as they wage a turf war against a rival gang leader, Crabs (Chase Newhart).

The only film credited to writer F. X. Maier, Switchblade Sisters is, first and foremost, a gang film. It shows that lifestyle, for better and for worse, but also shows a few different hierarchies: the one within the female gang, the one within the male gangs, and the way the female gang members seem to be roped into service for the male gang members (sometimes literally). It often feels a bit ridiculous and hugely entertaining, but it also has moments that feel grounded in some kind of grimy reality (albeit one filtered through a filter of adult panic . . . an opening title card could have been placed here to state "it's eight o'clock, do you know where your kids are?"). The gangs are a bit risible, especially when they revert to acting like children having a tantrum, but that also just serves as a reminder that there ARE kids. They're play-acting tough, and some have been doing it long enough already that it's become a way of life for them. Wherever they are at right now, you can sense how they started on their path to full-time gang activity, whether it's peer pressure, problems at home, or just spying the opportunity to get what they want in life with minimal effort.

Hill keeps everything moving along at a decent speed, making more of his budget and resources than many other people would manage. The violence is well-staged, and numerous stunts feel dangerous and just one misjudgement away from going completely out of control, while the cast all get enough screentime to make each one of their characters eventually stand out from the group.

Lee and Nail are the leads, and both do decent work in their roles, but Gayle is excellent alongside both of them, and being named Patch because her character has an eyepatch, makes her arguably the most memorable of the entire cast. Brauner is enjoyably unpleasant, as is Stark, and Newhart is nicely (seemingly) antithetical to them. I could easily mentioned another four or five names here, various gang members who are directly involved with the action, but I don’t want to risk overstuffing a review for a film that is itself expertly crafted into something lean and mean.

Every time I see a new (to me) Jack Hill movie I seem to find myself with a new favourite from his filmography. This is no exception. I would nominate this as one of his very best.

9/10

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Wednesday, 11 August 2021

Prime Time: Death Ship (1980)

I am sure I am repeating myself here, but if you were there when VHS changed the world of home entertainment then you will always have a number of films that you think you saw without actually seeing them. Because the trailer seemed to be on every bloody horror movie that was rented in the early 1980s. The main ones I recall were The Dunwich Horror, Superstition, Necromancy (a trailer boosted by the extra baritone provided by the mighty Orson Welles whenever he was shown), and Death Ship. It took me far too long to check out these movies, having assumed I'd already seen them, but I'd advise anyone seeking them out to try and consider them within the context of those well-remembered days of top-loading VCRs, tracking dials being adjusted, and people who had a collection of home recordings housed in covers that were designed to look like leather-bound books.

I'm saying that now because Death Ship isn't that good, but it also has enough moments throughout that remind me of the trailer to keep me happy. The basic plot revolves around a cruise ship being rammed by a big, scary freighter. A few people stuck in a lifeboat are relieved when they encounter a big boat that they can climb aboard, unaware that it is the very same freighter that put them into the sea. Once aboard, it's soon obvious that strange things are afoot. All of the WWII Nazi regalia is a bit unnerving, as well as the fact that there seems to be no crew. That could all change soon though, especially as unhinged Captain Ashland (George Kennedy) starts to feel more and more connected to the ship.

Directed by Alvin Rakoff, who has a hell of a lot of TV and film credits to his name (but this remains arguably his best-known work), Death Ship is a competent and atmospheric horror that I'd love to see get the remake treatment today. The actual ship is the star of the show, and there are lots of shots here that simply show various parts of the structure, be it corridors or chains and fittings, with a menacing score letting you know that every inch of it could be dangerous. The screenplay by John Robins may not work as well as it could, but it takes some time in the opening section to introduce the characters that will be dragged through the madness of the rest of the movie. It's just a shame that nobody was more creative and daring when it came to the death scenes here. Some memorable gore could have made this one an absolute corker.

Kennedy is a lot of fun in his role, throwing subtlety to the wind as his character develops from a tetchy and paranoid Captain to a . . . tetchy and paranoid Captain who would like to kill people. Richard Crenna is the new Captain, Trevor Marshall, who puts Kennedy's character out of sorts from the very beginning, and he tries his best to play the hero role, although the film continually moves back to focus on the ship itself, and Kennedy's kinship with it. Victoria Burgoyne has a memorable shower scene (no, not for the reason you may be thinking), Saul Rubinek is the light entertainment man on the cruise ship who proves less entertaining on the "death ship", and Sally Ann Howes, Jennifer McKinney, and Danny Higham make up the wife and children, respectively, of Crenna's character. Howes is fine, the children are just a bit too annoying.

There's enough here to make Death Ship an enjoyable horror movie, and the details littered throughout are interesting and unsettling, but it's a shame that it couldn't have made the most of the concept. Add some disposable teens to bulk out the cast of characters, and some more fantastical deaths, and it would be an easy one to recommend. As things are, one to watch if you have the fondness for the trailer that I did.

6/10

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