Showing posts with label jay burleson. Show all posts
Showing posts with label jay burleson. Show all posts

Saturday, 20 April 2024

Shudder Saturday: The Third Saturday In October Part V (2022)

Bear with me, this opening paragraph may seem slightly complicated. Having watched The Third Saturday In October last week, and left underwhelmed by it, I decided to watch The Third Saturday In October Part V this week. I also, as per the advice of a producer who commented on my review last week, made time to watch this film before rewatching the first film, because that's the recommended viewing order. There are no other instalments in this series, both films simply being presented as rediscovered slasher movies from a long-forgotten series, and Part V is supposed to be watched before the first film, apparently. I must be missing the main joke/commentary, despite having now watched both films in the way they were supposedly intended to be watched.

The plot is simple, as you might expect. A bunch of people are all together in a house that is targeted by an infamous killer (named Harding). People get naked, people irritate one another, everything plays out while they remain mostly oblivious of the danger that they're in until they see a bloody and mutilated corpse in their immediate vicinity.

I hate to seem like I'm being rude to writer-director Jay Burleson, but I'm not sure I would have given the other/previous/second film a watch if I'd started with this one. It's very generic stuff, albeit with enough self-aware humour to let you know that it's not trying to establish itself as a modern classic, and even lacks the commitment to the aesthetic and atmosphere that infuses the other film. This is supposed to be set in the 1990s, but it never really locks that vibe in, sadly. Fair play to Burleson for making great use of his budget and resources, but both films needed to be considerably tightened up and fine-tuned at the writing stage, especially if viewers were supposed to get the most from watching them in a double-bill.

The cast don't do a bad job, but I would be lying if I said that anyone stood out to me by the time the end credits rolled (except for young Poppy Cunningham doing great work as PJ). Taylor Smith is a fun douchebag, Bart Hyatt and Tom Hagale have a couple of fun scenes, and Kansas Bowling, Autumn Jaide, Parker Love Bowling, and Devan Katherine are all decent final girl contenders.

I can appreciate some of what I think is being done here, a later slasher movie sequel that has tried to move with the times while also still delivering exactly what the fanbase wants from it, but it's not done as effectively as it could be. Perhaps Burleson will eventually give us a Part IX, set in space, and then he'll really be on to something, or a Part XIII, pitting Harding against some other unstoppable killer, because every main slasher movie series is equally about what new trend it incorporates as it is about what it tries to keep unchanged. Heck, I'd even appreciated a Part VIII in this series that shows Harding being able to make use of dial-up internet in order to start rebuilding himself from however he was destroyed at the end of Part VII, where he was torn apart by the many ghosts of his previous victims while a nu-metal soundtrack played out as he staggered around in an abandoned church. I'm not saying it's easy to turn those ideas into a script, and subsequently get a full movie made. I'm just saying that the main premise has the potential to lead to so much more.

4/10

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Saturday, 13 April 2024

Shudder Saturday: The Third Saturday In October (2022)

We have known for some time that nostalgia is a powerful tool when it comes to marketing and selling, and that has been a major part of many recent movie releases, from big blockbusters to the legacy sequels, and many horror movies that seem intent on recapturing that feeling you had when you went home with a videotape that contained some extra-nasty and traumatizing content. Sometimes that nostalgia takes the form of the kind of extreme splatter and practical effects that have been diluted and phased out by modern practices. Sometimes that nostalgia is presented via the entire aesthetic of a piece. The Third Saturday In October falls into the latter category.

It all starts with a scroll that explains the title. Not that the title needed more explanation, but maybe that is just me thinking that way. Anyway, an unrepentant killer is executed by the state, with only a couple of people turning up to witness the event. As this is a throwback to some old-school slasher fun, however, death is only a minor inconvenience in the journey of this killer. He is soon out to hack up unsuspecting victims, but there’s also time for people to goof around and start getting horny.

Having helmed a number of shorts and features throughout the past decade, he actually seems to have released his first film back in 2010, writer-director Jay Burleson uses the premise and concept here to show off how well he can commit to the grimy and endearingly crude replication of a special VHS horror find. It’s just a shame that he cannot do as well with the script and pacing, leading to the first two thirds of the film feeling like a bit of a slog.

Things are helped by the music and cinematography though, with compliments to Kevin Wooten and Chris Hilleke, respectively, for their work. This is definitely a case of some great audio and visual work in dire need of a much better framework to flesh out.

When it comes to the acting, you might say that everyone is in line with the material, but that’s not entirely correct. Some get to be a bit quirky and fun, such as Darius Willis in the role of Ricky Dean Logan, a character who insists on referring to the woman accompanying him on his hunt for a killer by her full name of Vicki Newton every time he speaks to her. K. J. Baker is a decent enough co-lead as the aforementioned Vicki Newton, but Lew Temple, Richard Garner, Libby Blake, Dre Bravo, Allison Shrum, and everyone else in the cast feels a bit underused or out of place. And Antonio Woodruff, in the role of the killer, Harding, is disappointingly blank throughout, playing a slasher so devoid of personality that they may as well have just put some kind of sports mask on his face and leaned further into the Friday The 13th vibe.

I have read some reviews of this that mention it is meant to be watched AFTER The Third Saturday In October Part V, but other reviews seemed to suggest that it didn't matter too much. There are no other instalments in between the two films, which adds to the fun of the main idea, so I will get to that one eventually (maybe even by next week), and I will try to figure out how the connections would work if the films were watched in reverse order. Who knows . . . maybe I will find elements there that help me to appreciate this a bit more. I am doubtful, but it could happen.

5/10

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