Haunted Mansion (2023)

Is there really any point in discussing the plot of Haunted Mansion? I am going to say no. The whole thing is summed up by the title. Most people are aware of it, either from the previous movie version or the theme park ride, or both, and all you need is a good enough reason to trap a group of characters, both living and dead, in the titular location.

Writer Katie Dippold and director Justin Simien may not seem like the first choice for this kind of thing, but they work together brilliantly to deliver something that has the perfect mix of heart, humour, and ghostly delights. A lot of this is thanks to the cast (and this is a movie that even finds a role for Jared Leto without making him seem so obviously Jared Leto), but there should be an equal amount of praise given to everyone behind the camera, from the costumers and special effects teams to the production designers, sound crew, and beyond.

Rosario Dawson and Chase Dillon are the mother and son who end up in the haunted mansion, enlisting the help of others when they realise that they cannot leave. Well, technically, anyone who sets foot in the mansion CAN leave, but they end up taking a ghost home with them, being haunted and spooked until they return themselves to the mansion. That happens to the characters played by LaKeith Stanfield, Owen Wilson, Tiffany Haddish, and Danny DeVito, each one becoming coming along to the hub of paranormal activity with some of their own baggage in tow.

Each to their own, but I am surprised that this seems to have been dismissed, and even disliked, by so many. I cannot help wondering if more people need to actually sit down and watch this, perhaps letting their opinion of the film be tainted by the previous one. I admit that I also found enough in that Eddie Murphy vehicle to enjoy, but I am starting to think less of it now that I have had so much fun with this version. If you have younger viewers who are already wanting some spooky viewing choices then this gets things pretty spot on, with the ghostly goings on nicely tempered by moments of humour that don’t unbalance and upset the atmosphere.

Stanfield is a very good lead, working hard to portray someone equally mystified, scared, and buoyed by the idea of such active spirits. Viewers know from very early on that he has been drowning in grief, and the mansion may give him a way to deal with that. Dawson is in protective mother mode, Wilson does his familiar optimistic schtick, and both DeVito and Haddish add to the fun in a way that keeps things lively without ever stealing the focus away from the main characters. Dillon is the one most likely to steal any focus, giving a performance that is sweet and entertaining, and his nervousness is often the funniest part of the first half of the film. Leto gets to be the villain of the piece, a ghost scarier and meaner than the others, and Jamie Lee Curtis is a good casting choice for the role of Madame Leota (mainly seen as the head in a large crystal ball).

I had a great time with this. The more I think about it, the less I can think to criticise, and this is coming from someone who isn’t exactly a big fan of Leto or Haddish. The emotional manipulation works, the ghosts are a perfect mix of phantasmagorical fun and age-appropriate scariness, and the comedy kept me chuckling away when it was supposed to. All in all, this is great family entertainment for those brave enough to wander through the mansion.

8/10

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April Fools: The Heat (2013)

Sandra Bullock and Melissa McCarthy are the odd couple thrown together in this standard buddy cop comedy that ends up providing a fair amount of chuckles, thanks to the talents of the cast and a consistently amusing, if not outright hilarious, script.

Bullock is Agent Ashburn, a Fed who takes great pride in her work. Well, it's basically all she has in her life. Except for her cat, which actually belongs to her neighbour. When a big case takes her to Boston it's not long until she bumps into the aggressive and unorthodox Mullins (McCarthy). Which means, of course, that the two of them have to work together to crack the case.

Director Paul Feig, who scored a huge hit with his previous movie, Bridesmaids, proves here that he has a knack of working well with talented comedic actresses. Or that he has a knack of working well with talented female writers, as it's Katie Dippold who wrote the script. Or maybe he just does well when paired up with McCarthy, who was one of many highlights in Bridesmaids, of course.

I've always been a fan of Bullock, and I think she's particularly good in comedic roles. The Heat reminds people of just how good she is with the right material. McCarthy gets most of the big laughs, of course, but Bullock does well as the uptight agent who might just learn to loosen up a little bit over the course of the movie. McCarthy really shines here, unlike her turn in the misjudged Identity Thief, and I hope she considers clearing her schedule for any future opportunities to work with Feig, who obviously knows how to get the best out of her.

While none of the other main characters are played by any BIG names, I must say that the supporting cast had a great selection of talent. Marlon Wayans, Michael Rapaport, Bill Burr, Thomas F. Wilson, Jane Curtin and others all join in with the fun, and everyone seems to have a good time.

The script could have been sharper, the film could have been tightened up a bit (the runtime is just under two hours), and there's a fine line being walked between filling the movie with cliches and having fun with them, but there's plenty here to enjoy, especially for fans of the two leads.

7/10

http://www.amazon.co.uk/The-Heat-Blu-ray-UV-Copy/dp/B00DHB410E/ref=sr_1_2?ie=UTF8&qid=1391201784&sr=8-2&keywords=the+heat