Showing posts with label matthew davis. Show all posts
Showing posts with label matthew davis. Show all posts

Monday, 22 March 2021

Mubi Monday: Tigerland (2000)

A Vietnam war movie with a difference, this focuses on a group of soldiers who are being trained at an infamous area named Tigerland. Standing out from the group, Pvt. Bozz (Colin Farrell) is clearly not wanting to be there. He won't get himself out of the forces, however, but does annoy the higher-ups by helping to get some other solders their freedom. This makes him about as popular as a sneeze in a supermarket in 2020, as you can imagine, but he's tough enough to take all of the negativity aimed his way. He's not bulletproof though, which makes it a lot more difficult when one soldier (Wilson, played by Shea Wigham) has a building level of rage that would make it best for him to be kept away from all guns and ammo.

Directed by Joel Schumacher, this is the film that first sold Colin Farrell as a star leading man, basically. He would spend the next decade or so being misused in all kinds of roles that just weren't right for him (Farrell is actually an excellent character actor with the looks and charisma of a blockbuster star), but revisiting Tigerland allows you to see just what Schumacher saw in him. He's confident, charming, smart, witty, and elevates what is already an excellent premise.

A million miles away from his usual slick, over the top, approach, Schumacher relies on a cast of quality actors and a great script by Ross Klavan and Michael McGruther, both newcomers to screenwriting (in terms of credited jobs anyway). Klavan and McGruther know all of the standard war movie moments that we've seen so many times before, and they use the character of Bozz to navigate and subvert most of them, whether it's the angry instructor picking on someone who can't keep up the pace or a butting of heads between soldiers and a leader who seems to often make the wrong decisions while parroting the lines about duty and military ways.

I've already said enough about Farrell, and it's slightly unfair to let his performance completely overshadow everyone else, but the other cast members generally do just as well. Matthew Davis is Paxton, the one who observes Bozz for the majority of the runtime, and the one narrating the full story. Davis is a bit bland, but that's fine for how his character is used. He's the observer. Clifton Collins Jr. has a great character arc, playing Miter, someone who resents Bozz while he's trying to keep the rest of the squad in check, and Whigham is brilliantly loathsome for most of his scenes, moving from a standard nasty asshole to full-on "Private Pile" by the third act.

There are a number of unbelievable moments here and there, including a heart to heart between Bozz and a tough leader who gives him some time to explain his perspective (when you just know that time would have been spent with the latter chewing out the former), but the grounding of the drama, and the setting of the training area itself, makes it all feel a bit less cheesy and cliché-ridden.

8/10


Friday, 25 November 2011

Into The Sun (2005)

Steven Seagal stars in this movie co-written by Steven Seagal and based on a story by Steven Seagal (with Joe Halpin). It also has one Steven Seagal listed as producer and on the soundtrack you can hear the musical stylings, on occasion, of Steven Seagal. Yet, despite that overabundance of Seagal, it's actually not that bad.

The essence of the story is all about a man who can deal with the Yakuza and sort out a spiralling crime problem before everyone ends up losing. That one man is, as you may have guessed, Steven Seagal. Nobody else really matters because, as Seagal fans well know by now, everything will succeed or fail as Seagal wants it.

Directed by someone who calls himself Mink (but who was born Christopher Wingfield Morrison and who should stop trying to evade that fact with such a silly pseudonym), Into The Sun is a bit of a muddled mess but is also surprisingly entertaining throughout, mainly due to some brutal and straightforward violence that recalls the no-nonsense style that Seagal used to promote in his earliest movies.

The acting is quite bad but well above the quality of the last few Seagal movies. The main man himself does okay, Matthew Davis is enjoyable enough as an FBI agent partnered up with our gruff hero and the ever-wonderful William Atherton is as wonderful as ever. Some other people do okay, some other people are terrible - it didn't actually matter to me all that much as I watched the occasional fight sequence and the frequent arterial sprays of blood.

While not actually a great movie, this should provide some relief to Seagal fans who have continued to support the man throughout his career and received nothing but almost consistently slapdash and lazy movies since the turn of the 21st century.

5/10.

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Sunday, 20 March 2011

Wasting Away (2007).

AKA Aaah! Zombies!!

Wasting Away is a decent, enjoyable zombie comedy in a subgenre that has become quite crowded lately and it brings something different to the table. It’s not a great film though.

The story itself concerns Mike (Matthew Davis), Vanessa (Julianna Robinson), Tim (Michael Grant Terry) and Cindy (Betsy Beutler) all being afflicted with a very serious case of brainfreeze after Mike creates some ale ice cream with, unbeknownst to him, ingredients contaminated by some nasty stuff that zombiefies everyone it comes into contact with. When the group head out to the streets they see “infected” people moving at great speed, speaking incoherently and being prone to extreme violence. But it’s not those people who are infected. It’s our lead characters who are now the dangerous ones.

Director Matthew Kohnen (who also co-wrote the screenplay with Sean Kohnen) does a good job here of making the main characters likeable and bemused by the whole situation, until the penny eventually drops. The movie is filmed in both colour and black & white (with the latter showing the true depiction of events and the former showing the world as the lead characters see it) and juxtaposes differing views in amusing ways. Top marks go to the scene showing Mike and Tim’s celebratory dance moves in a bowling alley and the moment with Tim and Cindy passionately kissing each other – both moments had me laughing out loud. And yet the premise is SO good that you can’t help feeling this should have been even better, it should have had more big laughs rather than numerous little chuckles.

The cast all do well, most of our quartet having gained a lot of experience through some quality TV work (Davis in The Vampire Diaries, Terry in Bones, Beutler in Scrubs) and it’s a testament to their likeability that you still want things to end well for them even when they realise just how the situation really is and who the monsters really are. Colby French is also very good as a man who believes that he’s a super-soldier, Richard Riehle is as enjoyable to watch onscreen as he usually is and Oren Skoog (who was also in Transylmania, a movie derided by pretty much everyone except . . . . . . . . . me) is good for a few laughs.

Clearly working within a low budget, and doing quite well with it, the movie deserves to be seen and enjoyed but I can’t help feeling that there should have been so many more one-liners packed in here and lots more comedy. The script isn’t as tight as it could be and there are a number of visual gags that rely on FX work that the production couldn’t really afford. They’re amusing enough but rely on the viewer forgiving the cheap look of the thing, something that didn’t really have to come to the fore if the comedy had been tweaked in a number of areas elsewhere.
 
It’s something a bit different, but Wasting Away is not up there with the better zombie comedies that we’ve seen in recent years (ie, Shaun Of The Dead, Zombieland and Fido).

6/10 

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