Showing posts with label pete jones. Show all posts
Showing posts with label pete jones. Show all posts

Wednesday, 17 April 2024

Prime Time: Ricky Stanicky (2024)

I saw the trailer for Ricky Stanicky a couple of months ago and I wasn’t happy. First of all, it looked dire. Second, I knew I would still eventually watch it. And so here we are, but was it as dire as the trailer made it out to be?

After a childhood incident that requires some quick creativity, three friends realise how much they can help themselves by making use of an imaginary friend, named Ricky Stanicky. Ricky can be blamed for many  misadventures, he can be used to get out of other obligations, and life is just better with him available. That is, of course, until things are complicated by people wanting to meet Ricky. With the alternative option (coming clean after many years) not really an option at all, our main characters hire an adult entertainer/actor (John Cena) they met in Atlantic City. 

Starring Zak Efron, Andrew Santino, and Jermaine Fowler as the friends who keep the secret of Ricky Stanicky between them, this is a fairly enjoyable and predictable comedy that would have really benefited from pushing into much more outrageous and bawdier territory (which people might have expected from director Peter Farrelly, although he has certainly settled in to helming much mellower fare over the past decade). I enjoyed the leads well enough, but there should have been someone else on the mix, someone to help add laughs and elevate every scene. Santino is clearly positioned here as the most comedic of the cast, setting aside Cena for the moment, but he just isn’t good enough.

I am surprised that this doesn’t feel like a bigger mess though, considering at least half a dozen writers were responsible for the screenplay. While it lacks any big laughs, and even skimps on the milder chuckles, it works well for most of the runtime due to the potential of the premise. There’s also a very enjoyable second act that shows “Ricky” stealing the show and living up to his legendary reputation.

Efron has always been someone I enjoy seeing onscreen, and he is fine here as the man who desperately hopes to get through a busy time without being caught out for his many lies. Santino is okay, but not as funny as he should be, and the same can be said of Fowler, who is given a plot strand that never feels fully developed, making you wonder why it was included anyway. Lex Scott Davis and Anja Savcic have a few good moments, playing the partners of Efron and Santino, respectively, and William H. Macy is fun as their boss (accompanied in one or two scenes by Jane Badler, playing his wife). Cena is the star though, given another chance to showcase his comedy chops, and he tries hard to make up for the weaknesses elsewhere in the script, whether oozing confidence and knowledge about subjects that Ricky should be fluent in or being shown performing his act onstage as “Rock-Hard Rod”. He’s certainly game to give anything a go, and I appreciate how well he transitioned from one incarnation of his personality to the next, sensing an opportunity to turn Ricky into his big break.

The enthusiasm and talent of Cena isn’t enough though. This isn’t a good movie, although it also isn’t the horrible car crash I thought it might be. It’s just average. I was moderately entertained while it was on, but I am never going to revisit it. At least it doesn’t end in a way that seems to set up any sequel opportunities. There should only ever be one Ricky Stanicky.

5/10

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Friday, 19 April 2013

Hall Pass (2011)


The Farrelly Brothers have come a long way since their paean to all things dumb, Dumb & Dumber, cleaned up at the box office. From that great starting point we’ve had the good (There’s Something AboutMary), the bad (okay, they only produced Say It Isn’t So, but their names were all over the marketing) and the divisive (Me, Myself & Irene and Stuck On You are two movies I really like but not everyone feels the same way). And now there’s Hall Pass.

Owen Wilson and Jason Sudeikis play two married men who are given what seems like a fantastic gift from their loving wives - a hall pass. A hall pass is, in the context of the film, a week off from marriage. The guys can relive their days of bachelorhood and get everything out of their system before returning to the family home and settling back down for the rest of their lives. With no restrictions, the two men should obviously be able to live out those fantasies that they've been harbouring for years. Well, while the theory is sound it turns out that the two men are a bit rusty when it comes to actually making any real moves towards ladies.

Written and directed by those Farrelly funsters (Bobby and Peter, who were both helped out in the scripting department by Pete Jones and Kevin Barnett), Hall Pass is an amusing comedy very much in the vein of their past works. There's plenty of refreshing honesty mixed in with the laughs, at least one gross moment and many lines of dialogue guaranteed to offend anyone who wants to be easily offended. Sadly, there aren't any memorable set-pieces and the whole thing suffers from the presence of Sudeikis (he was okay in Horrible Bosses, but I have no idea why the man is being given lead roles - he may get to deliver funny lines but he's not a talented comedic performer).

Thankfully, the cast also includes the lovely Jenna Fischer, Christina Applegate, Nicky Whelan, Stephen Merchant and Richard Jenkins. And Owen Wilson, of course. Some people don't like his standard laid back schtick. I do. There are also appearances from Farrelly regulars such as Rob Moran and Danny Murphy, while Vanessa Angel, Lauren Bowles and even Alyssa Milano join in the fun.

I laughed quite a few times while watching Hall Pass, but there were only two gags that made me laugh hard - one involving Wilson and two naked men and the other moment took place at the very end of the film - and I just don't think that's good enough for a film with this cast and those men behind the camera (yeah, yeah, roll your eyes all you want, I have loved a number of their past films).

It would seem that, for a change, most audience members agreed on this one. It had a fairly high budget for a comedy ($36M, apparently) and didn't exactly provide a rip-roaring return on that investment. Meaning that we've probably been spared a Hall Pass 2. At least that is an extra reason to smile.

5/10

http://www.amazon.co.uk/Hall-Pass-Triple-Blu-ray-Digital/dp/B004MYF6YU/ref=sr_1_2?s=dvd&ie=UTF8&qid=1365989019&sr=1-2&keywords=hall+pass