Showing posts with label kevin barnett. Show all posts
Showing posts with label kevin barnett. Show all posts

Sunday, 17 May 2020

Netflix And Chill: The Wrong Missy (2020)

Tyler Spindel is an actor who has recently built up his filmography with a number of directing jobs (including Father Of The Year, a film with the same lead). I don't think it's really fair to dismiss his potential talent just yet, because he at least shows a minimal degree of competency behind the camera, but it's fair to say that he needs to pick some better projects to work on if he wants to improve in his field.

The Wrong Missy is a star vehicle for David Spade. And I know that sentence is enough to scare away many sane movie fans. But it gets worse. The plot is all about how his character, Tim, somehow accidentally invites the wrong woman, Missy (Lauren Lapkus), along to a work retreat he is attending in Hawaii. Spade is trying to make a good impression, of course. He has an unbelievable attractive ex, of course. And if you are already starting to suspect that Missy may be annoying and disruptive in a way that leads to some valuable life lessons and potential resolutions for the characters then give yourself a cookie.

Unlike many people, I tend to enjoy the screen presence of people such as Spade. I still watch Adam Sandler movies (and not just Uncut Gems), I'll throw on some older Rob Schneider film if wanting something undemanding that will give me occasional chuckles, and Spade is part of that group. I can see why every single one of them would annoy people, but they frequently do enough to keep me moderately entertained. It's a low bar, I know, but it is what it is.

The Wrong Missy is pretty bad, even for a David Spade movie. He hasn't done anything solid in many years now (perhaps Joe Dirt being the last one that made me laugh enough to actually consider it one I enjoy, and own), and I have no reason to believe that he's suddenly going to start worrying about the quality of his output while being paid for crap like this. He's not helped by the weak script, from Chris Pappas and Kevin Barnett, and the film also suffers from the fact that it doesn't compensate for the leads, and material, with a better supporting cast. Schneider appears in a small role, Nick Swardson has a main role, and they're really the only ones worth mentioning. Oh, Sarah Chalke is the gorgeous ex, and always a welcome presence.

Although Spade is doing his usual stuff, it's all the more irritating when juxtaposed alongside the nonsense from Lapkus. I cannot recall seeing Lapkus in much, and this has not made me a fan. Her characters is made to be far too grating, unbalancing the whole film because you cannot believe that anyone would give her more than a minute of their time. By the time you get to the expected changes of heart in the third act, it's all just too hard to swallow.

If it wasn't clear enough already, I do not often have high standards when it comes to mainstream comedy movies. This film didn't even manage to meet those.

3/10

https://ko-fi.com/kevinmatthews


Friday, 19 April 2013

Hall Pass (2011)


The Farrelly Brothers have come a long way since their paean to all things dumb, Dumb & Dumber, cleaned up at the box office. From that great starting point we’ve had the good (There’s Something AboutMary), the bad (okay, they only produced Say It Isn’t So, but their names were all over the marketing) and the divisive (Me, Myself & Irene and Stuck On You are two movies I really like but not everyone feels the same way). And now there’s Hall Pass.

Owen Wilson and Jason Sudeikis play two married men who are given what seems like a fantastic gift from their loving wives - a hall pass. A hall pass is, in the context of the film, a week off from marriage. The guys can relive their days of bachelorhood and get everything out of their system before returning to the family home and settling back down for the rest of their lives. With no restrictions, the two men should obviously be able to live out those fantasies that they've been harbouring for years. Well, while the theory is sound it turns out that the two men are a bit rusty when it comes to actually making any real moves towards ladies.

Written and directed by those Farrelly funsters (Bobby and Peter, who were both helped out in the scripting department by Pete Jones and Kevin Barnett), Hall Pass is an amusing comedy very much in the vein of their past works. There's plenty of refreshing honesty mixed in with the laughs, at least one gross moment and many lines of dialogue guaranteed to offend anyone who wants to be easily offended. Sadly, there aren't any memorable set-pieces and the whole thing suffers from the presence of Sudeikis (he was okay in Horrible Bosses, but I have no idea why the man is being given lead roles - he may get to deliver funny lines but he's not a talented comedic performer).

Thankfully, the cast also includes the lovely Jenna Fischer, Christina Applegate, Nicky Whelan, Stephen Merchant and Richard Jenkins. And Owen Wilson, of course. Some people don't like his standard laid back schtick. I do. There are also appearances from Farrelly regulars such as Rob Moran and Danny Murphy, while Vanessa Angel, Lauren Bowles and even Alyssa Milano join in the fun.

I laughed quite a few times while watching Hall Pass, but there were only two gags that made me laugh hard - one involving Wilson and two naked men and the other moment took place at the very end of the film - and I just don't think that's good enough for a film with this cast and those men behind the camera (yeah, yeah, roll your eyes all you want, I have loved a number of their past films).

It would seem that, for a change, most audience members agreed on this one. It had a fairly high budget for a comedy ($36M, apparently) and didn't exactly provide a rip-roaring return on that investment. Meaning that we've probably been spared a Hall Pass 2. At least that is an extra reason to smile.

5/10

http://www.amazon.co.uk/Hall-Pass-Triple-Blu-ray-Digital/dp/B004MYF6YU/ref=sr_1_2?s=dvd&ie=UTF8&qid=1365989019&sr=1-2&keywords=hall+pass