Accident Man (2018)

If you look back through the filmography of director Jesse V. Johnson it doesn't really have anything that marks him out as someone you can rely on to deliver solid film fun. I might be being very unfair there, having not yet actually seen any of his other movies, but that's just how it is. But having now seen Accident Man, and enjoyed it, I may have to give some of his earlier movies a shot.

I decided to give this a go because of Scott Adkins in the main role. Adkins is a decent action star and I hadn't seen him in anything for a while. And it was a Saturday night with nothing planned.

Mike Fallon (Adkins) is a contract killer who specialises in making the deaths look like accidents, or sometimes suicides. He works for a firm that also employs other killers, all with their particular styles (one uses poison, one generally just goes mental with an axe, etc), and all is going well enough until Fallon's ex-girlfriend is murdered. It was obviously a professional job, although made to look like a random burglary gone wrong, and Fallon can't contain his anger, which leads to him questioning the people who work alongside him. And when I say questioning them I actually mean fighting them until he finds out information that leads him to fight someone else.

Based on a comic book, with a screenplay co-written by Adkins and Stu Small, this is an unpretentious little film that should keep action movie fans delighted from start to finish. The humour of the material doesn't always work, which is the fault of both the script and the delivery of the dialogue, and you have to kiss goodbye to any idea of believability, but none of that matters when the fights are happening.

As well as our leading man, you also get Michael Jai White, Ray Park, Ross O'Hennessy, Amy Johnston, and Ray Stevenson all impressing with their physicality onscreen. The most impressive moments involve Adkins, White, and Park, but everyone has at least one decent moment, and Johnston stands out as the lone female who is more than a match for the men around her. There are also roles for David Paymer and Ashley Greene, as well as a cameo for Nick Moran, and they're all decent, if a lot less involved in the punching and kicking sequences.

Johnson doesn't really do much to take this up another notch, although I'm not sure how much more he could do when you consider the limitations of the leading man (Adkins has got the moves but he sometimes falters with other aspects of acting like . . . well . . . acting), but it's also worth noting that he doesn't do anything to ruin the whole experience. Sometimes that is more than enough.

Accident Man has quite a few faults, undeniably, but they're easy to overlook if you're looking specifically for the kind of violent entertainment that this absolutely delivers.

7/10

There's a DVD here.
Americans can get a Blu here.

Jinn (2014)

Jinn starts off with the potential to be good. It's an interesting take on something that we've seen used again and again in horror movies over the years (with the best treatment being, arguably, in the first couple of Wishmaster movies). That potential soon disappears once the film really gets going, becoming content to put itself forward as a supernatural action movie instead of the interesting horror that it could have been.

Dominic Rains stars as Shawn, a young man who is about to have his life turned upside down as he runs into a destiny that he previously knew nothing about. This could affect, and endanger, his wife, Jasmie (the lovely Serinda Swan), and he doesn't want that. Which partially explains why he's willing to listen to the cryptic Father Westhoff (William Atherton) and his assistant, Gabriel (Ray Park), as they fill him in on that previously-unknown destiny of his. All just in time too, as there's a jinn about to commence battle.

Written and directed by Ajmal Zaheer Ahmad, there are elements of Jinn that I liked. It tries to reposition the creature away from the standard type of baddie that we've seen in the likes of Wishmaster and bring something a bit more complex to the table. It tries. And then it seems to decide against it, instead opting for the kind of thing that we've seen so many times before - a hero who has to endure visions designed to trick him, a battle against supernatural enemies, a world of good vs. evil constantly at war without the rest of the population really taking too much notice.

Rains isn't bad in the lead role, especially in the last reel, and Park gets to show off his usual array of moves, but both Atherton and Swan are underused, with the latter particularly missed during the second half of the film. The only other person of note in the cast is Faran Tahir, who tries his best with a role that doesn't do him any favours, landing him with both expository moments and also a selection of cliches.

Nothing here is awful. The presentation is pretty decent, actually, and you can barely get from one scene to the next without it tripping over some good intentions. But it DOES keep tripping, and we all know where a road paved with good intentions can lead. I don't know how else to say it, except that it manages to become much less than the sum of its parts. There's not enough originality on display here, and what we get is just too dull to be entertaining. Horror isn't a genre that relies on originality, of course, but if you're rehashing so many familiar ideas and moments then it should at least all be done with a bit of flair and style, which this lacks.

Basically, it doesn't completely work as a horror movie, it doesn't completely work as a supernatural action movie, and it doesn't completely work as a blend of the two.

4/10

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G.I. Joe: The Rise Of Cobra (2009)

If you go into this movie and don't realise what you're going to get then you deserve everything coming to you, even if that's a real downer for you. This is a movie based on a series of toys (G.I. Joe being the original, American version of our very own Action Man action figures here in the UK) and directed by a man (Stephen Sommers) well-known for providing spectacle over substance.

I can happily admit to enjoying many Stephen Sommers movies (even the majorly drubbed Van Helsing) so I already had an idea that I was going to like the G.I. Joe film. As things began, and it hits the ground running, I was proved very much correct.

The story is pretty much summed up in the title, but I'll give the very briefest recap here. Channing Tatum and Marlon Wayans play two soldiers who are tasked with carrying some dangerous warheads from A to B. When their convoy is attacked, they meet a team from the G.I. Joe program. One thing leads to another and the two men decide that they want a piece of that action. People fight each other, backstories are dripfed throughout the movie in flashbacks, and there's a chase sequence through Paris that's up there with the very best of modern popcorn entertainment.

The cast all do their jobs. Dennis Quaid is great as a tough-talking, caring leader, Christopher Eccleston is good enough in his role (he created the warheads) and the others all do just fine at portraying . . . . action figures on screen. Tatum continues to be likable while scowling and looking tough, Wayans is a lot less annoying here than he usually is in any other movie and Arnold Vosloo does a very passable Arnold Vosloo impression (see pretty much every other Arnold Vosloo role ever . . . . . and don't think I'm demeaning him, I love his work). There are more tough men onscreen, portrayed by the likes of Adewale Akinnuoye-Agbaje, Ray Park and Lee Byung-hun, and then some tough female characters portrayed by Sienna Miller and Rachel Nichols. Joseph Gordon-Levitt, Jonathan Pryce and some other famous faces (Brendan Fraser has a fun cameo) pop up to flesh out the cast, and everyone is good enough to almost make you forget it's going to be brainless, loud fun.

Then we get to the amazing, razzle dazzle, fireworks experience, and boy does it deliver in that department. Things are a little bit slow and generic in the first half of the movie (quick character sketches, training montage, the mission briefing, etc. all present and correct) but from the start of that aforementioned sequence in Paris things step up to another level. It's fast and furious, it's loud and proud, it's delirious fun for those who don't mind seeing some obvious computerised images amongst some great, adrenaline-pumping action moments.

Mixing the essence of the action figures (keep an eye out for all of the little details that crop up throughout) with a number of elements that wouldn't look out of place in any James Bond movie, this is one of my favourite American action movies from the past few years.

8/10

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