Showing posts with label sean sullivan. Show all posts
Showing posts with label sean sullivan. Show all posts

Saturday, 1 February 2014

Foolproof (2003)

While it's not as cool or clever as it likes to think it is, Foolproof is a surprisingly enjoyable comedy thriller that provides a nice twist on the usual heist movie in the first third of the film before then turning into the usual type of heist movie for the rest of the runtime.

Ryan Reynolds, Kristin Booth and Joris Jarsky play three people who have a strange hobby. They case locations and then plan a perfect robbery. A good robbery isn't good enough. It HAS to be perfect. It is, however, all fake. They set up ways in which to measure distance and time, have locks available to pick, and alarms ready to disarm, but this is all done in a makeshift space that they turn into any virtual environment that they're planning to break into. Unfortunately, someone gets hold of one of their perfect plans and commits a robbery, making them look extremely guilty in the process. The dastardly criminal (played by David Suchet) agrees to get rid of any damning evidence on one condition - the trio do one job for him. And so begins a series of tests, twists and dangerous escapades, with the young "robbers" desperately trying to find a way out of their situation, even as they are pushed over into the realm of actual illegality.

Written and directed by William Phillips, this is slick and enjoyable stuff that just never quite reaches the heights that it could. The premise is a good one, it's loaded up with a mixture of tension and humour, but it also sets everything up to be so safe, and cute, that viewers will be able to stay a few steps ahead of the twists and turns that populate the second half of the movie.

Some people don't like Ryan Reynolds, but I've been a fan of his work for a number of years now. Foolproof allows him to do his usual stuff, mixing humorous insults with a dollop of charm/smarm, so those who like him will enjoy his performance while those who don't will not be converted. Booth brings a good energy to the proceedings, and Jarsky is easy to view with suspicion, playing the potential weak link in the crew. Suchet plays the baddie with relish, and David Hewlett is a suitably menacing henchman. The only other main character who I think needs mentioned is the detective played by James Allodi, providing extra tension as he looks to be getting closer and closer to the truth about the robbery that could incriminate the three leads.

A financial failure upon its release, Foolproof certainly doesn't feel like a movie that you would rush to see at the cinema. It is, however, a very enjoyable piece of entertainment to enjoy in the comfort of your own home. I like it, I'd rewatch it, and I hope others at least give it a chance.

7/10

http://www.amazon.co.uk/Foolproof-DVD-Ryan-Reynolds/dp/B0002W13UM/ref=sr_1_1?ie=UTF8&qid=1389630394&sr=8-1&keywords=foolproof



Saturday, 29 December 2012

The Silent Partner (1978)

I couldn't remember every person who recommended me every different Christmas-related movie for me to consider watching but I do remember that this particular title was mentioned to me by my highly talented friend, Christianne (the quality of her writing and art . . . . it's just sickeningly good almost all of the time and makes me want to give it all up - anyway, here is her blog).

Sometimes all you want for Christmas is a good caper and The Silent Partner is a damn good caper. It stars Elliott Gould as Miles Cullen, a bank teller who, by a stroke of luck, finds out when his bank is about to be robbed by a man dressed as Santa Claus (Harry Reikle, played by Christopher Plummer). Trust me, it makes sense when you see the movie and everything falls into place rather neatly. Anyway, knowing that he is about to be robbed gives Gould an idea - he puts some money aside for himself and then just has to come up with a way of keeping it safe until he can move it and be a very rich man. Of course, the robber isn't best pleased when he hears on the news just how much he has supposedly gotten away with and so begins a game of cat and mouse between one smart bank teller and one vicious, and pissed off, career criminal.

I wouldn't blame anyone watching this movie for not having heard of director Daryl Duke. He certainly hasn't appeared on my radar before now but he does a perfectly acceptable job here. What's more interesting in the opening credits is seeing that the movie was adapted from the Anders Bodelsen novel by a writer named Curtis Hanson. Yes, Curtis "L.A. Confidential" Hanson. The source material may be strong and good enough in its own right but the script by Hanson certainly doesn't put a foot wrong, it's smart and playful for much of the runtime before moving into darker territory during the third act.

Gould was the epitome of cool in the '70s and this has him exactly as he should be. Miles is not unflappable but he's always ready with an answer and always planning one or two steps ahead. Unfortunately, so is Harry but he does so using threats and violence as opposed to intelligence. From my limited exposure to Christopher Plummer's filmography, this is a bit of an unusually dark role for him but he's never unconvincing and makes for a very good villain. Susannah York plays Julie Carver, a pretty work colleague alongside Gould and she's fine in her role even if it's the poorest written of all the main roles. Celine Lomez does much better with her role, a woman named Elaine who gets friendly with Miles and may be genuinely wanting to cosy up to him or may be up to no good. John Candy fans may not want to rush to see this one just to make sure that they see everything he's ever done but he has a small role here playing someone surprisingly sweet and sad (I say surprisingly because the way he is treated by others is shown at times but never overstated).

The Silent Partner is, overall, an excellent thriller that deserves to be known by more people. I'd never heard of it when it was recommended to me and I now hope to recommend it to others. The only negatives I can think of are a) Susannah York's character and b) the fact that the first half of the movie feels a bit too carefree and light when considering the danger that the main character is in. Those are minor niggles but they're enough to take the movie down from classic to great.

8/10

http://www.amazon.com/The-Silent-Partner-Elliott-Gould/dp/B000MMMTCS/ref=sr_1_1?ie=UTF8&qid=1355722079&sr=8-1&keywords=the+silent+partner