Showing posts with label tom villard. Show all posts
Showing posts with label tom villard. Show all posts

Friday, 12 July 2024

One Crazy Summer (1986)

Another teen comedy that pairs director Savage Steve Holland with John Cusack, One Crazy Summer may not hit the heights of their best work (no matter what Cusack might think of the one I prefer), but it's a fun time for fans of many of the main cast members. And there are a few stars given some time to shine in this.

Cusack plays Hoops McCann, a young man who seems to be a bit lost after the end of his high school days. He does a decent job of creating cartoons, but that's not necessarily the way to set himself up for a great future. Or maybe it is. Anyway, Hoops ends up spending a summer holiday on the island of Nantucket, Massachusetts, in the company of a bunch of outcasts who will be there to help when the time comes to teach a lesson to the irritating and smug Teddy Beckersted (Matt Mulhern).

Savage Steve Holland just knows how to make me happy, whether or not he's successful in everything that he tries to do. This film feels like much more of an ensemble piece than a controlled and focused directorial vision, although that's maybe just the feeling you get when all of these people are together and having fun with each other, but it's certainly none the worse for it, with Holland making the most of his assembled talent to craft some fun narrative strands and enjoyable set-pieces (one Godzilla homage is so hilariously set up that it gives the entire film an entire bonus point for goodwill).

Cusack doesn't have to stretch himself here, nor does he, but this is in line with many of his other roles from the decade, which means that fans of his work from this era should enjoy themselves. Demi Moore is very easy to like, playing a travelling musician named Cassandra, and I think this film does more to show her screen presence than anything in the fairly dire St. Elmo's Fire, and both Joel Murray and Bobcat Goldthwait are good fun for anyone who appreciates that they are very much an acquired taste. Curtis Armstrong is another member of the gang, and I always enjoy him onscreen, and there are enjoyable, but brief, turns from Taylor Negron, Rich Hall, Jeremy Piven, and William Hickey. Mulhern is a suitably douchebro baddie, Mark Metcalf and Joe Flaherty play two different, but somehow equally problematic, fathers, and Kimberly Foster creates some extra tension as the other female in the midst of all of the hormonal men.

Not the best of the teen comedies from this decade, and you could argue that it doesn't really count anyway (the main characters all feel just a bit older, although none the wiser, compared to those in the big movies you would think of in that sub-genre), but this has plenty of little chuckles in between the few big laughs. Holland is a hell of a talent, wonderfully surreal and anarchic with his approach to familiar material, and I hope he comes along one day with another film that recaptures the energy and wit of both this and Better Off Dead.... That's unlikely, but I'll keep my fingers crossed anyway.

7/10

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Friday, 10 September 2021

Popcorn (1991)

Originally helmed by Alan Ormsby, his directorial role soon taken over by Mark Herrier, Popcorn is a substandard slasher movie boosted by a fun central gimmick that will appeal to fans of the antics of William Castle.

In a bid to raise funds for their film department, a group of university students decided to put on a horror movie marathon in a run-down cinema. The films being shown are wonderfully cheesy, and each one will be accompanied by an interactive feature (a giant mosquito that “flies” over the audience, electric shocks, the always dangerous odor-ama). They will also be accompanied by a number of murders, but those were never part of the plan. The killer seems most intent on targeting and terrorising a young woman named Maggie (Jill Schoelen), but what is the motivation for this night of terror?

When I call Popcorn a substandard slasher, I am not meaning to write it off completely. It is an enjoyable horror film, if a bit daft throughout, but just doesn’t sit alongside the many better slasher movies. If you want some decent gore and a high bodycount then you should look elsewhere, although there are some excellent special effects where they are needed, but if you want something that has a palpable sense of affection for the kind of film experience that forms the core of the plot then you should give this a go. It IS a popcorn horror, and it wants you to remember that throughout.

Schoelen is a decent potential final girl, whether she is wandering through a nightmare sequence in the opening sequence or being astounded when the killer is revealed. Other characters are played by Derek Rydall (playing someone amusingly “mistreated” at every opportunity by a script ensuring he is repaid for bad behaviour),  Dee Wallace (the mother of Schoelen’s character), Kelly Jo Minter, Tom Villard, Malcolm Danare, and Tony Roberts, as well as a number of others all doing absolutely fine for the kind of film that they’re a part of.

As messy as it could have been, considering the departure of Ormsby and the arrival of Herrier, Popcorn is a surprisingly coherent, and enjoyably inventive, horror film that relies on viewers sharing the obvious love for the genre that it has running through it. The technical side of things may seem a bit less inventive than the main “gags”, but it all comes together to create something more than the sum of its parts. And ends up being one I recommend.

7/10

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