Showing posts with label brett leonard. Show all posts
Showing posts with label brett leonard. Show all posts

Saturday, 14 August 2021

Shudder Saturday: The Dead Pit (1989)

Sometimes you want comfort food. Sometimes you want that fast food burger that you know isn't going to keep you satisfied until dinner time, but it will hit the spot for that moment of fleeting pleasure. And that's the way my mind works when I settle on a film like The Dead Pit, especially as I pass over so many other, potentially better, options.

This is not a good film. It's quite ridiculous, with a script and main characters that are laughable for almost every minute of the runtime. But it hit the spot.

Danny Gochnauer plays Dr. Colin Ramzi, the kind of "mad scientist" who likes to use patients in his own crazy experiments. Appalled by discovering this, Dr. Gerald Swan (Jeremy Slate) shoots his colleague and then closes up the basement that housed both Ramzi and the patients that he'd experimented on. This all happens just on the way to the main title popping up. Twenty years later, a "Jane Doe" (Cheryl Lawson) with amnesia arrives at the facility that saw such horrors. Jane senses something in the basement, and her presence seems to trigger a series of events that will lead to the dead rising, and many more deaths. Can she stop the evil Dr. Ramzi? Perhaps another patient, Christian Meyers (played by Stephen Gregory Foster), will be able to help her.

Directed by Brett Leonard, who has a filmography full of fun genre flicks (and would direct The Lawnmower Man as his next feature a few years after this), The Dead Pit just wants to get to scenes that show undead creatures killing off people who can't believe what is going on. The gore moments build up during the second half, culminating in a fun and visceral third act, but everything else is lacklustre, at best, or unintentionally comedic, thanks to the script co-written by Leonard and Gimel Everett (who worked with Leonard on a few of his features, including that contentious The Lawnmower Man script).

Lawson gamely endures the kind of role that many horror movie actresses were stuck with in the 1980s (well, not JUST in the 1980s, but other decades seem to provide at least a bit more range of opportunities). She is asked to look puzzled for a lot of scenes, and her wardrobe options are often limited to very small items of clothing that show off her physique. She has to deliver her share of bad lines, but at least she can remain thankful that the worst of the dialogue was given to either Slate or Foster, the latter getting to utter the fantastic "for dead people, they sure are smart" line. Geha Getz also has to deliver some enjoyably atrocious material, playing a character named Sister Clair who is a standard harbinger of doom until she also proves quite useful just in time for the final moments.

Nobody should tell you that this is actually a good film, there are so many other horror movies that you'd probably enjoy more, but it's a reasonably fun time while it's on. Which may just make it the fast food burger that you fancy one day.

5/10

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Friday, 12 October 2012

Feed (2005)

Directed by Brett Leonard and written by Kieran Galvin (based on an idea by the two leads, Patrick Thompson and Alex O'Loughlin), Feed is a standard thriller in many ways but it takes things to such extremes that everything soon becomes quite horrific. It's also, sadly, a bit muddled in pretty much every other scene. The movie clearly wants to do a good job, make some interesting points and mix a lot of psychology in there with the more visceral stuff.

The basic plot sees an investigator of cybercrimes (Phillip Jackson, played by Patrick Thompson) trying to capture a twisted sicko (Michael Carter, played by Alex O'Loughlin) and put him where he belongs. The sicko runs a website that features ladies of a larger size. Nothing wrong with that if that's where it ended. Oh no, Michael keeps feeding and feeding these women and eventually starts taking bets on just when they will die. Phillip becomes more and more determined, some might say obsessive, in his attempts to catch Michael but the potential killer always seems to be one step ahead of him. AND he finds it easy to justify his actions. Hell, even his victims don't really see what he's doing wrong. He looks after them, he shows them affection and he always, always feeds them.

It's an interesting idea and it makes for, as you might expect, a number of grodd moments but Feed fails to make the most of the interesting psychology that it has going on. The fact that those being fed are so content and don't even realise that they are being slowly but surely moved towards their death.

The varying quality of the acting doesn't help. O'Loughlin is the best onscreen, possibly thanks to getting most of the best lines in the script, and Gabby Millgate is very good as the latest food lover but Patrick Thompson is pretty lousy, Jack Thompson is just as bad and Matthew Le Nevez is just . . . . . . there.

Leonard doesn't do too bad in the role of director, he's just let down by the muddled script and the uneven acting. The first 5-10 minutes contain the best moments but there's enough unpleasantness in the story to make it worth a watch for those who can stomach it (no pun intended), the ideas of the story are interesting and the movie has a fair selection of interesting covers on the soundtrack to accompany some of the startling imagery.

Not awful but it could have been so much better.

6/10

http://www.amazon.co.uk/Feed-DVD/dp/B000F7M6R8/ref=sr_1_1?ie=UTF8&qid=1350028082&sr=8-1