Dodgeball: A True Underdog Story (2004)

This review is going here because, well, I wanted to start off the new year with a smile on my face.

As simple as it is gut-bustingly funny, Dodgeball is a near-perfect mix of great one-liners and physical comedy, populated by a cast all playing to their strengths and directed with sharp focus on moving from one comedy beat to the next.

Vince Vaughn plays Peter La Fleur, owner of Average Joe's gym. La Fleur is a nice guy, but a terrible businessman. When he's given a very short time in which to come up with a very large sum of money it looks like Average Joe's is about to close. Which is good news for White Goodman (Ben Stiller), the narcissistic, dense, mean owner of Globo-Gym (slogan: "We're better than you, and we know it").
There may, however, be a way to raise the money and save Average Joe's. Yep, you guessed it. Dodgeball. There's a big tournament about to happen, and the prize money is just the exact amount that La Fleur needs to save the gym.

Written and directed by Rawson Marshall Thurber, who would score another big comedy hit almost ten years later with We're The Millers, this is very much a love or hate movie, and I love it. In fact, it's one of those movies that I love so much that I just hope many of my friends also love it, otherwise I start to question their taste, and then question the basis of our friendship, and then question by questioning manner, and then just collapse into a heap of paranoia and low self-esteem.

Vaughn is a fast-talking average Joe (almost literally, in this case), Stiller is the angry idiot, Justin Long is a good-hearted klutz, Stephen Root is someone who builds and builds up his anger until he explodes, Joel David Moore is a socially awkward bundle of nerves and, well, I guess you get the picture. What I'm emphasising here with my description of each character is that this is not a film to watch if you do not like any of these actors doing their usual stuff. Christine Taylor is very good as the attractive young woman who La Fleur takes a shine to, Rip Torn is hilarious as a violent dodgeball coach, and there are great cameos from the likes of David Hasslehoff, William Shatner, Hank Azaria, Lance Armstrong (although his cameo isn't as funny now as it once was) and even Chuck Norris. Gary Cole and Jason Bateman are to commentators with distinctly different styles, and Missi Pyle is the most dangerous woman in the world with a dodgeball.

Is it a modern comedy classic? Most people would probably say that it isn't, but Dodgeball has a better laugh-per-minute ratio than almost any other comedy I can think of since the turn of the 21st century. It's the perfect blend of clever and dumb, with an extra sprinkling of . . . . . . . . even more dumb, and I certainly rank it up there with many other comedy greats. It might not be perfect, but it comes close.

And the sequence that pops up during the end credits may not be big or clever, but it's yet another moment that makes me burst out laughing, ensuring that the smile stays on my face for some time after the movie has finished.

9/10

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The Craft (1996)

The Craft is a lot of fun. In fact, for a horror movie aimed at teenaged girls it's probably more fun than many people expected it to be. I used to love it. Rewatching it nowadays, however, reminds me of just how light and fluffy it all is. There are dark moments, undeniably, but a lot of the movie plays out like an extended episode of My First Coven (or My Little Crony, if you will). I still enjoy it, and it's so much better than any post-millennial horror movies aimed at teenage girls that I can think of, but it has, pardon the pun, lost some of its charm.

Robin Tunney plays Sarah, the new girl in town, a girl who eventually finds acceptance from a trio comprised of Neve Campbell, Rachel True and their nominal leader, Fairuza Balk. It turns out that the three girls have been just waiting for a fourth. They dabble in witchcraft, you see, and with the right fourth person they could really tap into some strong stuff. Or so they hope. As it turns out, they're correct. What starts off as a bit of fun - revenge against a bully, a love spell - soon turns darker and more dangerous. Sarah decides that enough is enough, but the other three girls have other ideas. If Sarah isn't with them . . . . . . . . . then she's against them.

Mixing in some witchcraft with standard teen fare, The Craft has one major plus point going for it, two if you count the decent, for the time, special effects, and that's the cast. Robin Tunney is actually the weakest member of the cast, but does okay in the main role. The second weakest member of the cast is Neve Campbell, unconvincing as a young woman who has spent so many years dealing with some major scar tissue all over her body before finding a way to look beautiful and feel confident. Rachel True is quite good, always convincing as someone genuinely conflicted by the power being used by the group, and both Christine Taylor and Skeet Ulrich are enjoyable as two very different kinds of assholes. Breckin Meyer is fun to watch, but he's only in a couple of scenes and only doing the schtick that he's done in almost every other movie that he's starred in. Then there's Fairuza Balk. Balk is fantastic throughout, it's hard to take your eyes off her. She's one of the most interesting, and fun, villains to be found in any horror movie from the '90s. You just know that her background isn't a warm and happy one, a lot of her behaviour is made up of standard defence mechanisms, but she still has good intentions even when things start turning bad.

Director Andrew Fleming doesn't take any risks, but he does just fine with the pacing of the movie and the various set-pieces. The runtime is approximately 100 minutes, the story is set up very quickly and there aren't too many moments that feel as if they're just padding. Mind you, this may be due more to the fact that Peter Filardi wrote a relatively fat-free script sprinkled with some good one-liners.

It may go without saying, but fans of Charmed will want to check this one out. And fans of teen movies that are given a hint of darkness. Oh, and fans of Fairuza Balk.

6/10

http://www.amazon.co.uk/The-Craft-DVD-Robin-Tunney/dp/B000050GQ7/ref=sr_1_1?ie=UTF8&qid=1382040150&sr=8-1&keywords=the+craft

Campfire Tales (1997)

Campfire Tales is, as you might expect, a horror anthology movie based around some pretty well-known urban legends that are given a fun twist. While it's not all that scary, the tense moments somehow lack any real tension, it's certainly fun while it's on and benefits from a decent wraparound that ends things nicely.

Jay R. Ferguson, Christine Taylor, Christopher Masterson and Kim Murphy play people who have to kill some time after their car goes off the road. They set up some flares and then move into the woods to build a campfire and scare each other with some urban legends. As the movie opens we get a version of "The Hook" but then the car passengers go off road and settle down to tell the three main tales: "The Honeymoon", one that I won't name because the title gives away the punchline and "The Locket".

The direction by Matt Cooper, Martin Kunert and David Semel is okay. There's nothing too flashy here and nothing too terrible but the movie does feel a bit slow in places, despite coming in at just under the 90 minute mark. The script, by Cooper and Kunert and Eric Manes, doesn't really sizzle either, which is a shame because if the material had been handled better then the overall outcome would have been a significant improvement. The middle of the three tales is so badly fumbled that it's robbed of any tension it should have but the strength of the punchline is too good to be completely undone by the poor execution.

The cast assembled is a big plus. As well as those mentioned, there are small roles for James Marsden and Amy Smart. Ron Livingston (who appears in "The Honeymoon") will also be familiar to viewers while even those who aren't so well known acquit themselves reasonably well.

It's not a bad little movie but there are better urban legends to choose from and better ways to showcase the material.

6/10.

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