Prime Time: Along Came Polly (2004)

In the rather small list of actresses who have more than once played characters evaluated by someone nerdy enough to use statistics and/or a list of good and bad qualities, Jennifer Aniston ends up at the very top. After being put through that particular humiliation once in Friends, she is here made to go through an all too similar experience here. All because she ends up dating someone who goes through life trying to minimise risk.

Ben Stiller is Reuben Feffer, a man who lives his life in much the same way he does his job, by analyzing risks. This leads to him being blindsided while his new wife (Debra Messing) cheats on him during their honeymoon. Heartbroken and out of sorts, he then meets up with Polly (Aniston), and the two soon attempt a few dates, none of which are as safe as Reuben would like them to be.

It's worth bearing in mind that Along Came Polly is about as safe a rom-com for everyone involved as it is possible to get. One or two seconds of bawdiness aside, it plays out exactly how you think it will, and every cast member is allowed to stay well within their comfort zone. Aniston is a beautiful woman who isn't always as organised and sensible about things as she could be (ring any bells?), Stiller is a fairly repressed man who starts to enjoy the process of loosening up slightly (yep, he's done that before), and Alec Baldwin is onscreen just long enough to remind you why a small role for Alec Baldwin is almost always a good thing. Even Philip Seymour Hoffman is very much at ease, having a lot of fun in one of his all-too-rare comedic turns (standard comedy, there are a lot of wonderful performances from Hoffman that use him well in darkly comedic ways).

Written and directed by John Hamburg, who had previously worked on the scripts for both Meet The Parents and Zoolander for Stiller (and would also work on the sequels to those movies), there's nothing here that shows any attempt to even push against the rom-com boundary lines. The infrequent moments of toilet humour and slapstick have been done better in other movies, the leads don't have any decent chemistry together (as much as I like him, Stiller is a difficult male lead for females to create chemistry with), and none of the set-pieces are that funny. It's also hard to care about the characters, nothing is really earned and it's just a case of waiting for the dominoes to knock each other over on the way to the ending.

It's passable entertainment if you don't mind Stiller and Aniston in the main roles, but the most pleasure comes from those providing support, be it a slick-as-ever Baldwin turn, a wonderfully selfish Hoffman, a daredevil tycoon played by Bryan Brown, and even a scuba-diving lothario played by Hank Azaria. Never one that will top any lists of firm favourites, Along Came Polly is the kind of film you end up watching in the afternoon while staying in bed during a sick day. Hardly a glowing recommendation, I know, but different movies can fulfil different needs when the time is right.

5/10

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Ani-MAY-tion Month: The Simpsons Movie (2007)

I have been a fan of The Simpsons for years. In fact, the show has had a large fanbase since it peaked in the mid-nineties and made its way into the public consciousness and made such a huge impact on recent pop culture. When the movie was finally released I, and many others, felt that it was coming along too late. The show had started to dip in quality, a dip that would last a number of years (and some might say it has never recovered), and it wasn't quite the non-stop source of hilarity it used to be. I was disappointed when I came out of the cinema in 2007, having just seen the movie. Now, watching the movie again, I have no idea why.

There are two things worth remembering, I think. One, The Simpsons remains one of the best shows on TV ever, even when it's not hitting the heights it once reached. Two, The Simpsons Movie is just about the best TV to film transition that any fan of the show could have hoped for. Everything is kept the same, but it's all given a bit of scope and polish to make it worthy of a feature film.

I'm not going to tell you about the characters. Anyone who doesn't know the Simpson family probably doesn't read this blog. But the plot is all about pollution bringing about some major trouble in Springfield. There's a dome placed over the entire area, and the residents are left to their own devices as resources run low and tempers start to run high. Homer is the man who caused this situation, in his usual carefree manner, but he might just be the man who can fix it all.

Everyone involved in the TV show gets to shine in the movie version, which is as it should be. Nobody would want a movie that didn't have Dan Castellaneta, Julie Kavner, Yeardley Smith, Nancy Cartwright, Harry Shearer and Hank Azaria involved. And there are some great vocal cameos from Green Day, Tom Hanks and others, with a fantastic role for Albert Brooks (as Russ Cargill, the man with a plan to "clean up" Springfield).

Director David Silverman does a fantastic job of keeping everything both cinema-worthy and in line with the show, while the wealth of writers who contributed to the script have all helped to craft something worthwhile. Normally seeing so many writers listed would be cause for alarm, but The Simpsons has always used a huge team of writers, so it's no surprise to see so many of them working on the movie.

There are things that fans will wish had been changed, and one of the most common complaints is how some of the major supporting characters are sidelined, but I can't really envision a better outcome than this. The storyline is decent, the gags are great, the characters are unchanged, no punches seem to be pulled, and there's a ridiculous sequence in which Bart skateboards through the town absolutely naked that is as smart as it is cheeky and hilarious. And those last eight words sum up why I'll never stop loving The Simpsons.

9/10

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Dodgeball: A True Underdog Story (2004)

This review is going here because, well, I wanted to start off the new year with a smile on my face.

As simple as it is gut-bustingly funny, Dodgeball is a near-perfect mix of great one-liners and physical comedy, populated by a cast all playing to their strengths and directed with sharp focus on moving from one comedy beat to the next.

Vince Vaughn plays Peter La Fleur, owner of Average Joe's gym. La Fleur is a nice guy, but a terrible businessman. When he's given a very short time in which to come up with a very large sum of money it looks like Average Joe's is about to close. Which is good news for White Goodman (Ben Stiller), the narcissistic, dense, mean owner of Globo-Gym (slogan: "We're better than you, and we know it").
There may, however, be a way to raise the money and save Average Joe's. Yep, you guessed it. Dodgeball. There's a big tournament about to happen, and the prize money is just the exact amount that La Fleur needs to save the gym.

Written and directed by Rawson Marshall Thurber, who would score another big comedy hit almost ten years later with We're The Millers, this is very much a love or hate movie, and I love it. In fact, it's one of those movies that I love so much that I just hope many of my friends also love it, otherwise I start to question their taste, and then question the basis of our friendship, and then question by questioning manner, and then just collapse into a heap of paranoia and low self-esteem.

Vaughn is a fast-talking average Joe (almost literally, in this case), Stiller is the angry idiot, Justin Long is a good-hearted klutz, Stephen Root is someone who builds and builds up his anger until he explodes, Joel David Moore is a socially awkward bundle of nerves and, well, I guess you get the picture. What I'm emphasising here with my description of each character is that this is not a film to watch if you do not like any of these actors doing their usual stuff. Christine Taylor is very good as the attractive young woman who La Fleur takes a shine to, Rip Torn is hilarious as a violent dodgeball coach, and there are great cameos from the likes of David Hasslehoff, William Shatner, Hank Azaria, Lance Armstrong (although his cameo isn't as funny now as it once was) and even Chuck Norris. Gary Cole and Jason Bateman are to commentators with distinctly different styles, and Missi Pyle is the most dangerous woman in the world with a dodgeball.

Is it a modern comedy classic? Most people would probably say that it isn't, but Dodgeball has a better laugh-per-minute ratio than almost any other comedy I can think of since the turn of the 21st century. It's the perfect blend of clever and dumb, with an extra sprinkling of . . . . . . . . even more dumb, and I certainly rank it up there with many other comedy greats. It might not be perfect, but it comes close.

And the sequence that pops up during the end credits may not be big or clever, but it's yet another moment that makes me burst out laughing, ensuring that the smile stays on my face for some time after the movie has finished.

9/10

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The Smurfs (2011)

Now, to be fair, I can't remember what The Smurfs were like in their original form. I can't recall the old comics that they appeared in or even the old cartoons. But I do recall enjoying their antics. Having just seen, and been extremely irritated by, The Smurfs, I can only assume that they appealed to me because I was younger and sitting in the target demographic. I may like to stay young at heart but that doesn't always guarantee that I'll enjoy childish things as much as I used to, especially if they're presented in such a poor way.

As well as the little blue folk there is a montage or two, an adult couple all too easily roped in to the proceedings (played by Neil Patrick Harris and Jayma Mays - two people deserving of much better), far too many words replaced by the word "smurf" (e.g. "where the smurf are we?"), an incompetent villain played by Hank Azaria, a number of life lessons and one or two musical moments that are even worse than the usual hits shoehorned into these products. There's also an opening sequence that screams out "look at what we did so that you would be forced to drag the kids to see this in 3D, this is shiny 3D stuff, shiny and 3D and in no way improves the movie in any way but DOES allow everyone to make more money by charging you extra to see it in 3D!!!!!"

The story, as slight as it is, sees the smurfs ending up in New York, pursued by the dastardly Gargamel (Hank Azaria). The little blue folk, inevitably, disrupt the lives of a couple of adults (NPH and Mays) while one half of the couple is also trying to keep his boss (Sofia Vergara) happy and become a better partner for his loved one.

The vocal cast here includes Jonathan Winters as Papa Smurf, Alan Cumming, Katy Perry as the lone Smurfette, Anton Yelchin, George Lopez and some others. They do their bit, with Cumming providing a comedy Scottish brogue that sounds horribly fake even though he IS Scottish.

The script, by a number of people (J. David Stem, David N. Weiss, Jay Scherick and David Ronn), does have one or two decent lines making it clear that it knows how ridiculous the whole thing is but then everything is undone by the by-the-numbers big moments that audiences have already seen, and seen done 10 x better, in many, many other movies.

Director Raja Gosnell does what is asked of him but it's a shame that he couldn't have done something ever so slightly better with the material. A bit more sly wit wouldn't have gone amiss and the movie feels a bit too long, even at just 103 minutes.

Of course, kids will enjoy this a lot more than I did and any children reading this (why the hell would you read this? get outside and get doing kiddie things like playing football and/or vandalising empty homes) should add two or three to my final rating.

I won't be rushing to see the sequel that's already underway and I don't ever want to see this again but it'll please some people. I'd strongly advise most parents, however, to try and distract the kids with something/anything else instead.

4/10

http://www.amazon.co.uk/The-Smurfs-Blu-ray-Region-Free/dp/B003TFDUMI/ref=sr_1_2?ie=UTF8&qid=1345713274&sr=8-2