Showing posts with label chris williams. Show all posts
Showing posts with label chris williams. Show all posts

Friday, 30 January 2015

Big Hero 6 (2014)

A treat for both Marvel and Disney fans, Big Hero 6 is great family fun, full to the brim with humour, in-jokes/references and gorgeous animation. It's got a big heart, and features a central character, Baymax, that should easily win a place in the heart of any child.

Hiro is a young boy with a fantastic brain for science and robotics, but no self-motivation. If he applied himself then he could do something truly great, and his brother, Tadashi, knows this. Tadashi takes Hiro to his place of work, a surprise visit that opens Hiro's eyes to the cool possibilities available to someone of his intellect. He also gets to meet Baymax, a health care robot that resembles a humanoid made from marshmallow (yes, he's a BIT like Mr. Stay Puft). It's not long, however, until tragedy strikes. Struggling to cope with his grief, Hiro ends up growing closer to Baymax, and eventually retooling the robot into something quite far removed from his original incarnation. This might help them to bring down a strange supervillain who has appeared in town, one wearing a Kabuki mask. However, Baymax encourages Hiro to contact, and receive support from, a number of friends, which allows a small team of potential heroes to be formed.

Although it's a bit too sweet and cutesy at times, I can't recommend Big Hero 6 highly enough to those who want to watch a superior animated movie aimed at a younger audience. From the city environment - San Fansokyo (a lush amalgamation of San Francisco and Tokyo architectural styles) - to the character design, and the tech on display, this is one of those movies that serves up a veritable feast in every scene.

Directors Don Hall and Chris Williams oversee everything with keen eyes, keeping those gorgeous visuals attached to a script (written by Jordan Roberts, Daniel Gerson and Robert L. Baird) that never shifts the focus away from the main characters. The voice cast includes quite a few famous names (Alan Tudyk, James Cromwell, Damon Wayans Jr, Maya Rudolph, Jaime Chung, T. J. Miller, Genesis Rodriguez), and every single performer does a great job, with highlights being Wayans Jr, Miller, and Rudolph. The two leads may not have name recognition, Ryan Potter voices Hiro and Scott Adsit voices Baymax, but the most important thing here is that their voices work, and work brilliantly.

You're never more than a few moments away from a good laugh, the action scenes are exhilarating, and any one of the main characters could make a cool role model. But be warned, the film also manages to explore loss and grief without sugar-coating the heartache. There may be one or two conversations being had between parents and children as they leave the cinema, and it's something worth being prepared for. Is there anything here on a par with the potential trauma many of us experienced when we first saw Bambi? Maybe not. But it's almost too close to call.

Based upon some comic material that I was formerly unaware of, this proves once again that you don't necessarily need brand recognition or a built-in fanbase to deliver a near-perfect blockbuster movie. You just need some TLC.

8/10

http://www.amazon.com/Big-Hero-Blu-ray-DVD-Digital/dp/B00O4ZC57I/ref=sr_1_3?ie=UTF8&qid=1420386478&sr=8-3&keywords=big+hero+6



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Sunday, 9 February 2014

The Joneses (2009)

David Duchovny and Demi Moore head up this sharp comedy drama about a seemingly perfect family who move into a new neighbourhood and start convincing all around them of just what needs purchased to be living the American dream. The truth is that the family doesn't somehow keep buying everything that becomes the next big thing, they are paid to advertise everything that makes up their lifestyle to ensure that it IS the next big thing. Including their fake teenage son (Ben Hollingsworth) and fake daughter (Amber Heard), this family is out to prove just how great they are in this particular field of stealth marketing.

Written and directed by Derrick Borte (developing the whole thing from a story by Randy T. Dinzler), The Joneses may not be quite as sharp or clever as it could be, but it certainly tries to stand out from the pack with the mixture of sly wit, intelligence and thought-provoking ideas on display.

I'm a big fan of Duchovny, so the fact that his character was really the heart of the movie (he's an ex-salesman new to this particular way of shifting products) was a big plus for me. Moore can be good in the right roles, and this is a good role for her to play with. Heard and Hollingsworth are both just fine as the teenagers who start to upset the status quo with standard teenage turbulence. In supporting roles, there are fantastic performances from Gary Cole and Glenne Headly, as the neighbours most dazzled by the Joneses, and a solid turn from Lauren Hutton, playing the area manager keeping an eye on all of those sales figures.

While there are times when The Joneses seems unsure of exactly what it wants to be, as the plot develops and things move to an impressive third act, it becomes apparent that the film has been as honest and direct as the main characters have been secretive and slippery. It does dance around tonally, but it does so with great success, moving from lighter scenes to the darker material that makes up more of the second half. It's selling a seemingly ridiculous, but undoubtedly interesting, premise, and I happily bought it.

And, yes, I fully appreciate the irony of that last sentence.

8/10

http://www.amazon.co.uk/The-Joneses-DVD-David-Duchovny/dp/B003IVZRVA/ref=sr_1_1?ie=UTF8&qid=1389629172&sr=8-1&keywords=the+joneses



Wednesday, 1 January 2014

Dodgeball: A True Underdog Story (2004)

This review is going here because, well, I wanted to start off the new year with a smile on my face.

As simple as it is gut-bustingly funny, Dodgeball is a near-perfect mix of great one-liners and physical comedy, populated by a cast all playing to their strengths and directed with sharp focus on moving from one comedy beat to the next.

Vince Vaughn plays Peter La Fleur, owner of Average Joe's gym. La Fleur is a nice guy, but a terrible businessman. When he's given a very short time in which to come up with a very large sum of money it looks like Average Joe's is about to close. Which is good news for White Goodman (Ben Stiller), the narcissistic, dense, mean owner of Globo-Gym (slogan: "We're better than you, and we know it").
There may, however, be a way to raise the money and save Average Joe's. Yep, you guessed it. Dodgeball. There's a big tournament about to happen, and the prize money is just the exact amount that La Fleur needs to save the gym.

Written and directed by Rawson Marshall Thurber, who would score another big comedy hit almost ten years later with We're The Millers, this is very much a love or hate movie, and I love it. In fact, it's one of those movies that I love so much that I just hope many of my friends also love it, otherwise I start to question their taste, and then question the basis of our friendship, and then question by questioning manner, and then just collapse into a heap of paranoia and low self-esteem.

Vaughn is a fast-talking average Joe (almost literally, in this case), Stiller is the angry idiot, Justin Long is a good-hearted klutz, Stephen Root is someone who builds and builds up his anger until he explodes, Joel David Moore is a socially awkward bundle of nerves and, well, I guess you get the picture. What I'm emphasising here with my description of each character is that this is not a film to watch if you do not like any of these actors doing their usual stuff. Christine Taylor is very good as the attractive young woman who La Fleur takes a shine to, Rip Torn is hilarious as a violent dodgeball coach, and there are great cameos from the likes of David Hasslehoff, William Shatner, Hank Azaria, Lance Armstrong (although his cameo isn't as funny now as it once was) and even Chuck Norris. Gary Cole and Jason Bateman are to commentators with distinctly different styles, and Missi Pyle is the most dangerous woman in the world with a dodgeball.

Is it a modern comedy classic? Most people would probably say that it isn't, but Dodgeball has a better laugh-per-minute ratio than almost any other comedy I can think of since the turn of the 21st century. It's the perfect blend of clever and dumb, with an extra sprinkling of . . . . . . . . even more dumb, and I certainly rank it up there with many other comedy greats. It might not be perfect, but it comes close.

And the sequence that pops up during the end credits may not be big or clever, but it's yet another moment that makes me burst out laughing, ensuring that the smile stays on my face for some time after the movie has finished.

9/10

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