Showing posts with label edward herrmann. Show all posts
Showing posts with label edward herrmann. Show all posts

Monday, 25 November 2019

Mubi Monday: Intolerable Cruelty (2003)

My reasons for picking specific titles to review are myriad and often a lot less organised, or sensible, than they should be. Take the choice for today, for example, a rom-com from the Coen brothers that many would probably often forget is even part of their filmography. Many might even prefer it not to be in there. Which is a great shame, as Intolerable Cruelty holds up as yet another showcase for the talented siblings to pick a genre they enjoy and have fun showing their mastery of it.

George Clooney is perfectly cast as the smooth-talking and perfectly-groomed divorce lawyer, Miles Massey. Often defying the odds, and relishing the challenge, Miles has an amazing record for helping his clients get everything they want, even if they are not the wronged party. But he's been finding himself thinking some quite unique, potentially dangerous, thoughts recently, made more troubling as he gets involved in a case that leads to him withholding a huge payout from the beautiful Marylin (Catherine Zeta-Jones). What follows involves love, pain, and the infamous "Massey pre-nup".

Very much in line with other Coen brothers movies, in terms of the snappy dialogue and assortment of memorable characters, Intolerable Cruelty is knockabout fare of the highest order, focused on two gorgeous leads who are surrounded by a fine collection of people taking on fun supporting roles. Geoffrey Rush is the cheated-upon spouse who finds his wife with another man, leading us to be introduced to the smooth ways of Massey. Edward Herrmann is the first husband of Zeta-Jones, bringing the two leads together for the central conflict, while Billy Bob Thornton is the second. Cedric The Entertainer is an investigator who often shouts out a catchphrase he has coined as he gathers video evidence of extra-marital affairs. And Paul Adelstein is Wrigley, a man in awe of Massey until he sees how major changes start to affect his life, while Richard Jenkins is the poor attorney often at the other side of battles against the winning teams.

It may not always look as good as many of their other movies, the production design is relatively clean and simple throughout, but shot choice and style are, as ever with the Coens, in line with the type of film they are most trying to emulate. Rom-coms are not known for their lavish sets or dizzying cinematography, therefore we don't get those things here.

The script is even funnier than I remembered, either in terms of the actual dialogue or the delivery (Clooney is so good in this kind of comedic role that I wish we'd seen him in more of them, classic deliveries matching his old-school movie star looks), and the whole thing sets all of the plot points up briskly enough and positively dashes through the 100-minute runtime.

I know that some automatically dislike the stars here, but they're both doing some of their best (or, at the very least, most fun) work, and casting them in these roles was a typically-great decision from the Coen brothers. It's hard to pick any one favourite from the supporting players either, with so many good moments to choose from. Everyone is hilariously over the top, and Rush sets the tone perfectly in the opening scenes, but I think I'll take this opportunity to highlight Jenkins, who does such wonderful work in a role that isn't as immediately full of comedic potential as the others, yet his performance just sprinkles more treats throughout the runtime.

The soundtrack is wonderful, the character developments, and small twists and turns, are constantly amusing, and this remains a fun time. I'm not going to argue that it's a masterpiece, or deserves to be in the top tier of a filmography from two men who have given audiences so many modern classics, but I am going to encourage people to either check it out or revisit it. You may realise that it's a lot more fun than given credit for.

7/10

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Tuesday, 19 December 2017

A Christmas Wish (2011)

I spend a lot of my time watching certain kinds of Christmas movies. There are the Christmas horrors (of which we now have SO many to choose from), the Christmas films aimed at kids (either animated or focusing on Santa, or just mixing in some adorable pets), and the Christmas films that make up the overwhelming majority nowadays - the safe and inoffensive products churned out every year by Hallmark and ABC and the like. In fact, it's easy for me to forget that there are other kinds of Christmas movies out there. Films with a deeply religious message, the many action movies penned by Shane Black (okay, some count more than others), and those that deliver a message about kindness and love by making you watch a main character get put through the wringer for almost an entire 80 minutes before using the finale to set things right. A Christmas Wish falls firmly in the latter camp.

Kristy Swanson stars as Martha Evans, a struggling mother of three children. She has been placed in that position, just days before Christmas, by a husband who decided to abscond with all of their money. Which is why she heads off for a fresh start, trying to do her best by her children (despite one constantly reminding her that she isn't his real mother), booking into a motel room, and taking on a very low-paid position in a diner owned by a kind woman who would love to help more, but just can't.

Written and directed by Craig Clyde, A Christmas Wish may not be surprising or slick, or even that overflowing with festive cheer, but it is a surprisingly effective and moving little film. As well as the plot details mentioned, you have the potential for romance, a car that decides to break down at the most inconvenient time, a dilemma about living arrangements, and problems ensuring that the children are looked after.

Swanson does well in an unglamorous role, although she still manages to shine without outshining the character she is playing, and the cast also includes Edward Herrmann as a grumpy diner customer who takes a liking to her character, Tess Harper as the aforementioned kindly diner owner, K. C. Clyde as a handsome and sweet local guy, and some decent child actors (particularly Kevin Herring III and Kristin Dorn). There are also good turns from Mike Hagerty, Page Petrucka, Star Herrmann, and many of the other supporting players.

I must have had problems with needles falling off my Christmas tree this year because, just before the end credits started to roll, I felt a little something in my eye. Yeah, it must have been the tree. That is the only explanation. Because there's no way that a TV movie like this would put a lump in my throat and make my eyes so watery. Nuh uh. No way.

6/10

Here is a large selection of Christmas movies to enjoy.
And American elves can pick the same set up here.

Wednesday, 30 January 2013

Overboard (1987)

The premise for Overboard may be more than a little bit dubious, but it gets beyond that and easily proves itself to be a fantastic rom-com with two stars who spar brilliantly with each other and a great supporting cast that includes a number of mischievous, but likeable, child actors.

The plot sees a carpenter (Dean Proffitt, played by Kurt Russell) given the job of renovating the closet of a spoiled, rich woman (Joanna Stayton, played by Goldie Hawn). The closet is part of a very nice ship and so, when the two fall out over the final result, Joanna refuses to pay Dean and instead pushes him overboard, with his tools following. Dean is more than a little miffed, but his chance for a little payback comes when Joanna herself falls overboard and loses her memory. Joanna's husband (Edward Herrmann) realises that he can enjoy the bachelor lifestyle and so doesn't provide her real identity to anyone in authority so Dean, after seeing her on the news, goes along to the hospital and convinces everyone that he and Joanna are a married couple. Joanna, of course, doesn't find anything familiar as she goes "home" with Dean and her mind remains blank even as she gets used to her many chores and tries to cope with their four rambunctious boys. Of course, it's only a matter of time until she has to be told the truth, but Dean wants to be compensated for the money that he wasn't paid.

Directed by Garry Marshall, Overboard has a bright and breezy, pleasantly light, tone throughout. Everything is so easy to enjoy and go along with that, for the most part, it's easy to forget how nasty that premise really is. Think about it, convincing someone else that they've been married for years, had four kids and spend every day working hard to keep the house in order is pretty bad, even if it's a smiling Kurt Russell doing it. The script by Leslie Dixon helps keep everything just on the right side of light amusement and it's improved by the performances from Russell and Hawn. Edward Herrmann is good fun in his small role, Roddy McDowall (who also signed on as a producer) has some fun and Mike Hagerty is very entertaining as Dean's friend who goes along with the fiction. I'm not going to name all of the child actors because I find it hard to separate their individual personalities from the collective squabble, but they all did very good work.

If you like romantic comedies and you like Russell and Hawn, then you'll like this film. It holds up really well, in my opinion, and the script is full of some great one-liners as Russell's character keeps adding ridiculous detail on top of ridiculous detail to create a life that never was. There's nothing here to shock you, nothing here that pushes the very boundaries of cinema, it's just a fantastic bit of fun for fans of romantic comedies.

8/10

Overboard IS available on DVD as a standalone title but I thought I would share the love for some other '80s flicks here and recommend this pack - http://www.amazon.co.uk/Harry-Sally-Mannequin-Overboard-Anything/dp/B004C9MCCO/ref=sr_1_6?ie=UTF8&qid=1359004106&sr=8-6