Showing posts with label emma cleasby. Show all posts
Showing posts with label emma cleasby. Show all posts

Saturday, 3 August 2019

Shudder Saturday: Soulmate (2013)

A well-handled debut feature from writer-director Axelle Carolyn, Soulmate is a film that uses supernatural trappings to explore something very grounded, which is namely how difficult people can find it to move on after losing a loved one.

The first person we see suffering is Audrey (played by Anna Walton). She has recently lost her husband, and attempts suicide at the very start of the movie. She then rents a cottage, where she hopes to have some time to rest and get better. Unfortunately, the cottage still has a spirit residing there, in the shape of Douglas (Tom Wisdom), a young man who managed to commit suicide after the death of the woman he loved. After an initial fright, Audrey starts to find herself enjoying conversations with Douglas, despite warnings from a local couple, Theresa (Tanya Myers) and Dr, Zellaby (Nick Brimble). Audrey thinks they are either not wanting to believe her or not wanting to condone her actions, but perhaps they are just thinking of her safety.

Inevitably too slow and uneventful for anyone seeking standard horror movie thrills, Soulmate is best viewed as a straightforward drama that happens to also feature a ghost. If you're hoping for either The Conjuring type levels of spookiness or The Ghost And Mrs. Muir type levels of humorous interaction between a living tenant and dead "squatter" then you'll be disappointed here. This looks at a number of people adversely affected by loss. Although Audrey and Douglas are the main focus, it also becomes obvious that there's something drawing Theresa to the cottage, and its inhabitant, and the third act draws things together in a way that you suspect may not play out well for those involved.

Carolyn does well enough, the film looks good and the script develops the characters in a way that lends more weight to the words and actions as things head towards the finale, but it all feels a bit like something too stagey at times, despite one or two scenes set outdoors. It's a chamber piece and, as such, feels more like the kind of thing you could catch on TV in the evening than a film you would seek out on streaming/disc.

Although not perfect in their roles, everyone does decent work. Walton is a very good lead, mainly just because I like her and would like to see her in more roles that don't have me spending the first few minutes thinking I am watching Rebecca Ferguson, and Wisdom gets to play his ghostly character without any clichéd ghostly mannerisms. Myers isn't as good, but does fine in her role, and Brimble makes the most of moments that have him warning of a danger he won't explain in any more detail. There's also a very small, welcome, role for Emma Cleasby at the end of the film.

It's always a bit tricky when reviewing a film like this to find a balance. You cannot "punish" it for not being the film you expected it to be, yet it's also not good to praise it too much just because it does something a bit different, as admirable as that is. There really should have been a few more scares scattered throughout this, or some more gripping drama between some of the main characters. As it is, the end result sits uncomfortable between the two worlds, not entirely unlike the sad male ghost at the centre of things.

5/10

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Tuesday, 1 October 2013

F AKA The Expelled (2010)

Written and directed by Johannes Roberts, F (released in America as The Expelled), is a low-key horror movie that springboards from a "hot button" social issue and develops into something surprisingly memorable and chilling. One of a number of "hoodie horror" movies released in recent years, this stands out from the pack thanks to the execution of the material.

David Schofield (who, to me, will always be THAT dart player from An American Werewolf In London) plays a teacher, Mr. Anderson, who ends up being assaulted in his own classroom by a pupil. Moving forward to almost a year later and Mr. Anderson is a broken man. He's separated from his wife, scared of every shadow, barely keeping his job and only able to force his daughter (Eliza Bennett) to spend time with him by giving her detention. His paranoia means that nobody takes him seriously when, one evening, he starts to suspect that the school is being targeted by some particularly menacing kids.

Roberts may have created a lean, effective script but it's what he does with the material while bringing it to life from the page that shows his strengths as a director. The camerawork is smooth, with a number of scares created subtly in the background of the shot, and the score becomes more and more haunting and downright spooky as the horror of the situation becomes clear to those caught up in it.

Schofield is as great as you'd expect him to be, but the supporting cast all do pretty solid work alongside him. Bennett is stuck with being a slightly annoying teenager, but the character has good grounds for her rebellious behaviour and the whole stroppy act doesn't feel overdone. Emma Cleasby, Ruth Gemmell, Finlay Robertson, Max Fowler et al do just fine. The only person who struggles is Roxanne McKee, not through any fault of her own. McKee seems to be onscreen as a visual aid, not that I'm complaining too much, but her character - a very pretty P.E. teacher who spends time after the standard school day working out some more before hitting the showers - is the least believable of the lot.

Choosing not to spoonfeed viewers, F instead decides to leave certain elements unexplained, preferring to leave people with plenty to think about after the end credits roll. Some people won't like that. They'll want more backstory and more answers. I really appreciated it, and think that it's this non-conformist approach that takes F up a grade (no pun intended).

8/10

http://www.amazon.co.uk/F-Blu-ray-David-Schofield/dp/B004EMRZQ2/ref=sr_1_3?ie=UTF8&qid=1379439004&sr=8-3&keywords=F