Showing posts with label faye dunaway. Show all posts
Showing posts with label faye dunaway. Show all posts

Sunday, 9 November 2014

Noir November: Chinatown (1974)

One of many classic movies that I start to review with both glee and immense trepidation, Chinatown is a film that you can't help thinking everyone already knows plenty about. Yet there's also the hope that some people either haven't heard of it or somehow haven't heard enough praise for it, and if any extra review added on to the mountain of glowing praise already out there can help then I'm all for that. Of course, it's unlikely, but I like to dream such little dreams.

On the surface, Chinatown is all about a detective named Jake Gittes (Jack Nicholson) hired to follow a man (Darrell Zwerling) and report on his actions. He believes that he was hired by the man's wife, but things start to twist and turn when he meets people who dispute his take on the situation. As Jake tries to figure out why he may have been set up, he gets deeper and deeper into a mystery that could end up getting him in some big trouble, at the very least. He could even lose his nose.

Dammit. Just looking at the vague paragraph above has made me sigh, realising that I'll never be able to summarise the sheer brilliance of this movie in standard review form. The beauty comes from the details, but those same details must be avoided here for the sake of people who have yet to discover the film. So ignore my attempt to sketch out the plot in the broadest strokes possible and let's just move on.

The direction from Roman Polanski is spot on, with every sequence playing out as a masterclass in how to make a gorgeous film about unpleasantness, but he's helped immensely by a perfect script from Robert Towne. Perhaps things weren't fully locked into place in earlier drafts, but Polanski himself crafted the final reel, which ended up being for the best. The two men are, as becomes clear throughout the movie, working at the top of their game, allowing them to craft what could be considered the best film either has been involved with (despite stiff competition from many other great movies).

Of course, it's a testament to the quality of the film, and the craft on display, that it could also be considered a career-best movie for many of the cast members. Nicholson is on his best form throughout, tempering that famous grin and demeanour with moments of clarity and incisiveness showing why Gittes is such a great detective. Faye Dunaway is a fragile delight, and John Huston is the overbearing polar opposite (playing Noah Cross, a man who can afford to have anyone in his pocket, if he so wishes it). Perry Lopez, John Hillerman, Diane Ladd, Burt Young, Bruce Glover and Joe Mantell also do great work. In fact, the standard of the acting across the board is so fantastic that I just want to reel off the entire cast list. But I won't.

Chinatown is one of those pure movie experiences that you can watch repeatedly and rarely grow tired of. It's one of those films that you will always want to watch to from start to finish, with no interruptions (or, at least, as few as possible). The cinematography, the Jerry Goldsmith score, the dialogue, the characters, THAT ending. Every single aspect of the movie is, for my money, perfect. Anyone wanting to disagree with me? Forget it . . . . . . it's Chinatown.

10/10

http://www.amazon.com/Chinatown-Blu-ray-Faye-Dunaway/dp/B00AEFXN46/ref=tmm_blu_swatch_0?_encoding=UTF8&sr=1-2&qid=1415399781



Friday, 30 November 2012

The Three Musketeers (1973)

The first of the swashbuckling collaborations between director Richard Lester and writer George Macdonald Fraser (and, of course, Alexandre Dumas), The Three Musketeers is an enjoyable romp that takes a cast of great stars and puts them into something that never quite hits the heights that it should.

Michael York is the young D'Artagnan, a swordsman who heads to Paris to fulfill his potential and make a good name for himself. Unfortunately, upon his arrival he seems to upset everyone he meets. He unwittingly ends up arranging to duel with Athos (Oliver Reed), Aramis (Richard Chamberlain) and Porthos (Frank Finlay) but then becomes friends with them when they all have to defend themselves against a bunch of Cardinal Richelieu's guards. And so begins the advenutres of D'Artagnan and The Three Musketeers, adventures that will involve a beautiful woman named Constance (Raquel Welch), the ruthless Rochefort (Christopher Lee), the Cardinal (Charlton Heston) and the beautiful and scheming Milady (Faye Dunaway).

Made at the same time as the direct sequel, The Four Musketeers (much to the chagrin of the actors involved, who sued for money owed to them as they thought they'd just worked to make the one movie . . . . . . . though there seems to have been no bad blood as they would also get together again for The Return Of The Musketeers), this is the slightly better film but there's not that much in it. As I mentioned in my review of the sequel they all blend into one big, mildly amusing, swashbuckler.

The leads all have their obvious charms but the real pleasure here comes from a supporting cast that includes the likes of Roy Kinnear, Spike Milligan and Rodney Bewes mixing with Simon Ward, Joss Ackland and Sybil Danning. Talk about an eclectic mix.

While it's hard to get too excited about, there's still certainly some easy pleasure in watching, for example, Oliver Reed have a bit of a drink and still swagger around, ready to lunge at anyone who engages him in swordplay. The film, and the sequels too, allows viewers to look at stars through rose-tinted glasses and to see them in roles that really play to their strengths. Michael York was always the handsome up and coming star, Richard Chamberlain was always relaxed and assured and Frank Finlay was always very entertaining. At least, that's how they have remained in my mind and that is how they are made to appear in this adventure.

Richard Lester may not have been the best director of this kind of material but he sure knew how to throw some big names together and let them have some fun. That fun is infectious, even if the actual movie never moves into top gear.

6/10

http://www.amazon.co.uk/Three-Musketeers-Four-Double-Blu-ray/dp/B005GJTLCS/ref=sr_1_3?ie=UTF8&qid=1352912351&sr=8-3



Monday, 10 September 2012

The Four Musketeers (1974)

A star-studded cast, many of them returning to reprise their roles from The Three Musketeers, have a lot of fun in this swashbuckling romp that still provides decent entertainment today even if it has lost some of its magic. I remember liking this a lot more when I saw it some years ago but I can't guarantee that I have not confused it with the other films or just blended all of the movies (the two mentioned and also The Return Of The Musketeers) in to one big Musketeering party.

The plot is all about the musketeers, the scheming Milady, other schemers scheming and nations teetering on the brink of war. The details are unimportant, really, as this is more about a bunch of talented people having fun onscreen.

Director Richard  Lester once again works with a script by the talented George Macdonald Fraser (who has fun with the characters from the original Alexandre Dumas novel) and the emphasis is once again on big laughs, high drama and great stunts as opposed to historical accuracy and genuine tension.

And what of that all-star cast? The musketeers themselves are played by Oliver Reed, Richard Chamberlain, Frank Finlay and Michael York. Raquel Welch is the lovely Constance while Faye Dunaway is the beautiful and dangerous Milady. Christopher Lee is Rochefort and Charlton Heston has fun in the role of Cardinal Richelieu. There are also small roles for Simon Ward, Roy Kinnear, Geraldine Chaplin and Sybil Danning.

It's never dull but all involved have something better tucked away in their filmography, even if it's just one of the other Musketeer movies. Mind you, this is still a solid choice to brighten up your day when you're stuck indoors and the weather outside is miserable. It's almost like being reminded of how you could be as a child - boisterous, apparently indestructible and always ready to cut down enemies with rapier wit and an actual . . . . . . . . rapier (albeit a plastic one from the toyshop). I don't consider that a terrible thing.

6/10

http://www.amazon.co.uk/Three-Musketeers-Four-Double-Blu-ray/dp/B005GJTLCS/ref=sr_1_15?ie=UTF8&qid=1346922433&sr=8-15