With pretty much everyone returning, unless I am forgetting someone, Jumanji: The Next Level is an enjoyable lesson in how to put everything together competently enough for a sequel to a blockbuster family film.
A few years have gone by since the events of the first film. All is well, sort of. Spencer (Alex Wolff) just isn't feeling right though. Things aren't exactly awful, but he remembers how much better he was when stepping into the world of Jumanji. So he heads back in. His friends understandably want to rescue him, as soon as they realise what is going on, but they don't get to pick their characters this time. They also have two new players with them, Spencer's grandfather (Danny DeVito) and his friend, Milo (Danny Glover). Once in the game, it is time to have more fun with Jack Black, Karen Gillan, Dwayne Johnson, and Kevin Hart. Which is what viewers really want to see.
Nothing here is as good as it was in the previous movie, but, and this is important, nothing here is a lot worse either. As well as deriving fun from the new players being befuddled by everything, Jumanji: The Next Level also throws a couple of tricks in there to keep everyone on their toes. The emotional content doesn't work, but it is well-intentioned enough, and played well, to make it bearable. Familiarity doesn't breed contempt (dance fighting moves are displayed, Johnson gets to smoulder, and both Black and Hart get plenty of moments to act amusingly frustrated or bemused), but there is wisdom in mixing just enough fresh faces to help it not feel like a complete retread.
Jake Kasdan once again directs, and once again helped to write the screenplay with Jeff Pinkner and Scott Rosenberg, and he does well, handling the action-packed set-pieces as well as the smaller moments of comedic interplay. He's helped by a cast that all seem to emanate that feeling of slipping into familiar and comfortable clothing.
All of the main players are as good in their roles as they were the first time around, and they get to enjoy showing some different sides of their personas, while both Akwafina and Rory NcCann are solid additions, with the latter especially good as the new main villain causing problems in Jumanji-land.
If you liked the last movie then you will like this one. That's all it wants to do, keep fans happy and entertained. I would watch it again. And I would watch a third adventure. Job done.
7/10
https://ko-fi.com/kevinmatthews
Showing posts with label jeff pinkner. Show all posts
Showing posts with label jeff pinkner. Show all posts
Friday, 21 August 2020
Jumanji: The Next Level (2019)
Labels:
awkwafina,
danny devito,
danny glover,
dwayne johnson,
jack black,
jake kasdan,
jeff pinkner,
jumanji,
karen gillan,
nick jonas,
rory mccann,
scott rosenberg,
the next level
Tuesday, 5 February 2019
Venom (2018)
The more I think about Venom, the more I find to like about it. The fact that it is such a strange . . . mess (not unlike the titular character) just adds to its appeal, and Tom Hardy gives a fun central performance, both physically and vocally.
The basic story goes like this. Hardy is Eddie Brock, a journalist who has a habit of pushing things too far in order to get to the heart of any story. His latest story concerns shady happenings at a science facility, overseen by Carlton drake (Riz Ahmed). He ruffles feathers, he gets sacked, and he ends up with a symbiote attached to his body. This is a creature that can stay hidden within Eddie for some time, but breaks out when the host body is put in danger, or when it gets hungry. It can appear at other times but those are the two main motivators. But will it destroy Eddie, or will the inevitable pile of corpses end up with his own being the last one upon it?
I just described the performance by Hardy as fun but that's really the word that I should use to describe this entire film. It's fun, it's a romp, and there are times when it's madder than a bag of badgers. Full marks must go to the cast and director Ruben Fleischer, because everyone somehow knows the best way to work with material that has the potential to vary wildly in tone, yet manages to remain consistently darkly comedic.
The script, written by Kelly Marcel, Jeff Pinkner, and Scott Rosenberg, manages to stay just the right side of dumb. The characters aren't very complex, the main baddie is obvious from the very first scenes, and it seems that everyone understands that viewers want to see Tom Hardy developing new powers and transforming into something that will happily bite the heads off people.
This is Hardy's show, from his conversations with himself to his manic nervousness as he tries and tries to get his body back under his own control, and he's a star completely unafraid to throw himself completely into things. It's easy to praise actors as fearless when they're cast in roles that require them to bare themselves completely, both emotionally and physically, but Hardy is equally fearless in a different way. In fact, it's at least partially down to his sheer presence and force of will that this ends up being as entertaining as it is. Ahmed is fine, although there are a number of scenes when his more understated performance feels a bit out of place, and Michelle Williams plays her part, which leaves her sidelined for a lot of the movie, with a twinkle in her eye that suggests she got paid a decent amount for a role that let her have more fun than many of her more prestigious turns.
Is there anything here to dislike? Of course there is. The CGI is varied in quality (sometimes excellent, sometimes eye-searingly awful, especially in one or two scenes that have far too much going on), the grand finale is a bit of an anti-climax, and, perhaps worst of all for fans of the character, Venom has been turned into a softened version of the beast that comic readers have enjoyed for many years. That will upset some viewers. But it doesn't harm the film in any way, and I already have high hopes for the inevitable sequel.
8/10
Venom is available to buy here.
Americans can pick it up here.
The basic story goes like this. Hardy is Eddie Brock, a journalist who has a habit of pushing things too far in order to get to the heart of any story. His latest story concerns shady happenings at a science facility, overseen by Carlton drake (Riz Ahmed). He ruffles feathers, he gets sacked, and he ends up with a symbiote attached to his body. This is a creature that can stay hidden within Eddie for some time, but breaks out when the host body is put in danger, or when it gets hungry. It can appear at other times but those are the two main motivators. But will it destroy Eddie, or will the inevitable pile of corpses end up with his own being the last one upon it?
I just described the performance by Hardy as fun but that's really the word that I should use to describe this entire film. It's fun, it's a romp, and there are times when it's madder than a bag of badgers. Full marks must go to the cast and director Ruben Fleischer, because everyone somehow knows the best way to work with material that has the potential to vary wildly in tone, yet manages to remain consistently darkly comedic.
The script, written by Kelly Marcel, Jeff Pinkner, and Scott Rosenberg, manages to stay just the right side of dumb. The characters aren't very complex, the main baddie is obvious from the very first scenes, and it seems that everyone understands that viewers want to see Tom Hardy developing new powers and transforming into something that will happily bite the heads off people.
This is Hardy's show, from his conversations with himself to his manic nervousness as he tries and tries to get his body back under his own control, and he's a star completely unafraid to throw himself completely into things. It's easy to praise actors as fearless when they're cast in roles that require them to bare themselves completely, both emotionally and physically, but Hardy is equally fearless in a different way. In fact, it's at least partially down to his sheer presence and force of will that this ends up being as entertaining as it is. Ahmed is fine, although there are a number of scenes when his more understated performance feels a bit out of place, and Michelle Williams plays her part, which leaves her sidelined for a lot of the movie, with a twinkle in her eye that suggests she got paid a decent amount for a role that let her have more fun than many of her more prestigious turns.
Is there anything here to dislike? Of course there is. The CGI is varied in quality (sometimes excellent, sometimes eye-searingly awful, especially in one or two scenes that have far too much going on), the grand finale is a bit of an anti-climax, and, perhaps worst of all for fans of the character, Venom has been turned into a softened version of the beast that comic readers have enjoyed for many years. That will upset some viewers. But it doesn't harm the film in any way, and I already have high hopes for the inevitable sequel.
8/10
Venom is available to buy here.
Americans can pick it up here.
Labels:
action,
comic book,
jeff pinkner,
jenny slate,
kelly marcel,
michelle williams,
reid scott,
riz ahmed,
ruben fleischer,
scott rosenberg,
tom hardy,
venom,
woody harrelson
Thursday, 29 May 2014
Bonus Review: The Amazing Spider-Man 2 (2014)
Here it is. The sequel to the superhero reboot that nobody felt was really needed. Marc Webb returns to direct, everyone gets to reprise their onscreen roles, and the new faces are all welcome additions. It may still lag behind the Raimi movies, but this is a step up from the film preceding it.
Things are about to get pretty stressful for your friendly neighbourhood Spider-Man/Peter Parker (played by Andrew Garfield). He's worried about how his superhero duties may endanger the lovely Gwen Stacy (Emma Stone), he still wants to find out more about his parents (played by Campbell Scott and Embeth Davidtz), and there's a new villain to deal with in the shape of crackling, supercharged Electro (Jamie Foxx). And when Harry Osborn (Dane DeHaan) comes back into town . . . . . . . . . . well, I think most fans of Spidey will know what's going to happen there.
Deftly stepping between light and dark moments, The Amazing Spider-Man 2 feels, at times, like a teen comedy riff on the character. From the opening sequence, showing a determined villain (Paul Giamatti), driving through town with a load of stolen plutonium while Spider-Man tries to stop him, to the very last scene of the film, Spider-Man seems completely at ease win his role, and sure that he'll win out. Thankfully, the movie throws enough at him to give him doubt, but it's fun to hang out with a superhero who doesn't spend the majority of the film as a tortured soul. Oh, he has his moments, but they don't taint the entire movie. This is a fun blockbuster, but one that ups the stakes just in time for a gripping third act.
The script, by Alex Kurtzman and Roberto Orci, is fine, I guess. Everything is sketched out well enough, and Garfield gets a lot of lines that provide laughs, but it's also very heavy-handed at times (although that's nothing new when it comes to Spider-Man movies). It's admirable that the film never feels rushed or overloaded, despite the extra villains in the mix, as well as the developed backstory for Peter's absent parents.
Webb clearly has a blast this time around, and that feeling is shared with the viewing audience. Swing around the town with Spidey, revel in some of the huge set-pieces that provide some great eye candy, and enjoy the fights that always seem to allow Spider-Man one or two of his usual smartass lines, no matter how beaten and out of breath he is. The CGI certainly dominates at times, especially in the second half, but it's all polished enough to make the excess a bit easier to accept.
The other element making things easier to accept is the great cast. Garfield and Stone are still fantastic in their roles, with the former especially good at doing the slightly mopey teen schtick without seeming too irritating. Sally Field is fine as Aunt May, and Scott and Davidtz are good to see in their small roles. But it's the villains that everyone gets excited for, and what a selection of good folk being bad this movie has for you. Foxx is great, both as the timid and "invisible" Max Dillon and then, later, as the powerful Electro. You really feel sorry for him, in both incarnations, before he decides to embrace his powers and make his mark. Dane DeHaan doesn't get as much sympathy, but he's no less enjoyable as Harry/Green Goblin. Anyone hoping to see much of Giamatti will be disappointed, as his role is little more than an extended cameo this time, but he still does well with the limited screentime. Colm Feore is easy to dislike, as a conniving member of the Oscorp team, Chris Cooper is Norman Osborn, the man responsible (directly and indirectly) for most of the events in the movie, Felicity Jones is sadly underused as Felicia, an assistant to Harry, and there's another Stan Lee cameo, although it's more groan-inducing than amusing in this instance.
The Amazing Spider-Man 2 looks good, sounds good (top marks to Hans Zimmer for the score, especially anything accompanying the scenes featuring Dillon/Electro), and doesn't disappoint anyone looking for superior blockbuster entertainment. It also sets everything up for a mouth-watering next instalment without those building blocks feeling like too much of a distraction. It's not up there with the best of the recent superhero movies, because some of them have really raised the bar of late, but it's a fun time at the cinema and one that I look forward to picking up on shiny disc.
7/10
http://www.amazon.com/Amazing-Spider-Man-Blu-Ray-UltraViolet-Combo/dp/B00JPS6A3O/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1401313145&sr=1-1&keywords=the+amazing+spiderman+2
Things are about to get pretty stressful for your friendly neighbourhood Spider-Man/Peter Parker (played by Andrew Garfield). He's worried about how his superhero duties may endanger the lovely Gwen Stacy (Emma Stone), he still wants to find out more about his parents (played by Campbell Scott and Embeth Davidtz), and there's a new villain to deal with in the shape of crackling, supercharged Electro (Jamie Foxx). And when Harry Osborn (Dane DeHaan) comes back into town . . . . . . . . . . well, I think most fans of Spidey will know what's going to happen there.
Deftly stepping between light and dark moments, The Amazing Spider-Man 2 feels, at times, like a teen comedy riff on the character. From the opening sequence, showing a determined villain (Paul Giamatti), driving through town with a load of stolen plutonium while Spider-Man tries to stop him, to the very last scene of the film, Spider-Man seems completely at ease win his role, and sure that he'll win out. Thankfully, the movie throws enough at him to give him doubt, but it's fun to hang out with a superhero who doesn't spend the majority of the film as a tortured soul. Oh, he has his moments, but they don't taint the entire movie. This is a fun blockbuster, but one that ups the stakes just in time for a gripping third act.
The script, by Alex Kurtzman and Roberto Orci, is fine, I guess. Everything is sketched out well enough, and Garfield gets a lot of lines that provide laughs, but it's also very heavy-handed at times (although that's nothing new when it comes to Spider-Man movies). It's admirable that the film never feels rushed or overloaded, despite the extra villains in the mix, as well as the developed backstory for Peter's absent parents.
Webb clearly has a blast this time around, and that feeling is shared with the viewing audience. Swing around the town with Spidey, revel in some of the huge set-pieces that provide some great eye candy, and enjoy the fights that always seem to allow Spider-Man one or two of his usual smartass lines, no matter how beaten and out of breath he is. The CGI certainly dominates at times, especially in the second half, but it's all polished enough to make the excess a bit easier to accept.
The other element making things easier to accept is the great cast. Garfield and Stone are still fantastic in their roles, with the former especially good at doing the slightly mopey teen schtick without seeming too irritating. Sally Field is fine as Aunt May, and Scott and Davidtz are good to see in their small roles. But it's the villains that everyone gets excited for, and what a selection of good folk being bad this movie has for you. Foxx is great, both as the timid and "invisible" Max Dillon and then, later, as the powerful Electro. You really feel sorry for him, in both incarnations, before he decides to embrace his powers and make his mark. Dane DeHaan doesn't get as much sympathy, but he's no less enjoyable as Harry/Green Goblin. Anyone hoping to see much of Giamatti will be disappointed, as his role is little more than an extended cameo this time, but he still does well with the limited screentime. Colm Feore is easy to dislike, as a conniving member of the Oscorp team, Chris Cooper is Norman Osborn, the man responsible (directly and indirectly) for most of the events in the movie, Felicity Jones is sadly underused as Felicia, an assistant to Harry, and there's another Stan Lee cameo, although it's more groan-inducing than amusing in this instance.
The Amazing Spider-Man 2 looks good, sounds good (top marks to Hans Zimmer for the score, especially anything accompanying the scenes featuring Dillon/Electro), and doesn't disappoint anyone looking for superior blockbuster entertainment. It also sets everything up for a mouth-watering next instalment without those building blocks feeling like too much of a distraction. It's not up there with the best of the recent superhero movies, because some of them have really raised the bar of late, but it's a fun time at the cinema and one that I look forward to picking up on shiny disc.
7/10
http://www.amazon.com/Amazing-Spider-Man-Blu-Ray-UltraViolet-Combo/dp/B00JPS6A3O/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1401313145&sr=1-1&keywords=the+amazing+spiderman+2
Labels:
alex kurtzman,
andrew garfield,
campbell scott,
colm feore,
dane dehaan,
emma stone,
jamie foxx,
jeff pinkner,
marc webb,
paul giamatti,
roberto orci,
sally field,
superhero,
the amazing spider-man 2
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