Showing posts with label john michael mcdonagh. Show all posts
Showing posts with label john michael mcdonagh. Show all posts

Sunday, 4 June 2023

Netflix And Chill: The Guard (2011)

The directorial feature debut of the very talented John Michael McDonagh, The Guard is also a film that gives Brendan Gleeson one of his best movie roles. In fact, between himself and his brother, Martin McDonagh, Gleeson has spent the better part of the last fifteen years in roles that help to solidify his place in the list of all-time great actors. He was already a strong contender, as evidenced by pretty much any role he's taken on throughout his career, but his work with the McDonagh brothers have elevated him to another level.

Gleeson plays Gerry Boyle, an Irish policeman who spends his time getting through each work day with minimal effort. He's sharp though, no doubt about that, and also rarely bothered about the feelings of others. This causes some friction when FBI Agent Wendell Everett (Don Cheadle) comes to the area, on the trail of some serious drug smugglers. As Boyle and Everett work together on the case, the FBI man starts to realise that Boyle is hiding his talent and instincts behind a well-maintained wall of rudeness and derision.

It can be harder to review a film as good as The Guard, a film which could be discussed in nothing but a cavalcade of pleasant words and deserved compliments. Basically, don't think you're going to get anything here that's particularly eloquent or enlightening. I'll leave that kind of thing to people like the McDonagh brothers, who have given us some perfect scripts throughout their careers.

Although it feels like stating the bleeding obvious at this point, especially after my opening paragraph, Gleeson is great in the main role here. He gets to be at his grouchiest, but also delivers all of his dialogue with a twinkle in his eye, clueing viewers into the mischievous nature of his character that keeps others around him unbalanced. Cheadle works very well alongside him, trying to remain cool and professional while being occasionally flustered by what Gleeson blurts out. He also has some scenes on his own that mine humour from his "fish out of water" status on the isle. The supporting cast includes Liam Cunningham, Mark Strong, David Pearse, Rory Keenan, and quite a few others, and everyone has fun in roles that they feel perfect for.

Maybe not as emotionally resonant (or emotionally devastating) as some of the other movies that have paired Gleeson up with a McDonagh brother, The Guard just serves as a reminder that you don't always need to fill the screen with pain and emotional manipulation to make great cinema. This is great cinema, easily on a par with 100 other films that people would offer up as a peak example of the artform, and it is also great entertainment from start to finish. A lot of that is down to the script, full of so much comedy gold and so many great characters that make it eminently rewatchable, but a big part of it is also down to the stellar work of Gleeson.

9/10

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Tuesday, 22 April 2014

Calvary (2014)

Writer-director John Michael McDonagh made a pretty good impression, to say the least, with his first feature film, The Guard. A film mixing character study with Irish charm with police thriller elements, it was rightfully held up by many as one of the best from its year of release. Well, come the end of 2014, I expect Calvary to be in any such list.

Teaming up once again with Brendan Gleeson, McDonagh this time mixes entertainment with a scathing condemnation of the Catholic Church and a commentary on the state of Ireland as it is today, and the people who took it to that position. Yet, for all of the anger and cynicism in the script, everything is also offset, and beautifully so, by a message of positivity and forgiveness.

Let me actually get to the plot. Gleeson plays Father James Lavelle, a priest who hears a man in confession say that he’s going to kill him. But he’ll give the priest about a week to get his affairs in order. Killing a bad priest wouldn’t make much of an impact, but killing a good priest, that’s something. Such is the reasoning of the killer. Does this prompt Father Lavelle to rush to the police or flee? No. Instead, he goes about his duties in much the same way as before, all the while trying to help members of his parish (including the person that he knows is due to kill him). Father Lavelle is a good man. That much is made clear from the very beginning of the movie. He’s also a deeply flawed man, having battled with the demon drink through the years, but events in his past have made him what he is today, and that becomes obvious when he receives a visit from his daughter, Fiona (Kelly Reilly).

While I'd like to praise the entire cast here in a way that shows just how great everyone is onscreen, this is Gleeson's movie. As with The Guard, he takes a main character and makes him riveting to watch, even when there seems to be nothing happening. The fact that he's once again given such great support - this time by the likes of Reilly, Chris O'Dowd, David Wilmot, Killian Scott, Aidan Gillen, Orla O'Rourke, M. Emmet Walsh, Dylan Moran, Isaach De Bankole and Domhnall Gleeson (and one or two I have missed out, apologies) - is just a testament to the ability of McDonagh, or whoever he employs, to put together the perfect cast for his work.

While McDonagh also does a very good job with the direction, his strength lies in his writing. If Calvary was JUST an angry rant, using such great actors and providing such great entertainment, then I would still be praising the movie and writing a positive review. But it's so much more than that, and the realisation of the journey that the film has just taken you on will perhaps leave you stunned and moved as the end credits rolled. I can't stop getting a lump in my throat when I think about the film now, and I'm writing this review a day after seeing it. I can't recall the last time a movie affected me so profoundly.

It's not actually a masterpiece, and it may prove to be a very divisive film (when the central message seems to angry and skewed), but for me it's so close to perfect that it's getting the highest rating possible. I am keen to rewatch it soon, I am keen to own it, and I am keen for other people to give it a chance. And for anyone who does go along to view Calvary and finds it somewhat underwhelming, all I ask is that you don't give up on it until the whole tale has unfolded. Then decide how you feel about it.

10/10

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