Showing posts with label katy mixon greer. Show all posts
Showing posts with label katy mixon greer. Show all posts

Tuesday, 16 September 2025

All About Steve (2009)

Yet another film that I only became aware of due to the Razzies, All About Steve is a notorious stinker (allegedly) that I always wanted to see because of Sandra Bullock having the good grace and humour to turn up at the ceremony "rewarding" it and doing her best to entertainingly defend it. And, hey, maybe it wouldn't be THAT bad.

All About Steve really IS that bad. Sandra Bullock plays Mary Horowitz, a young woman who creates crossword puzzle for a newspaper. She then goes on one date with Steve (Bradley Cooper), a news cameraman, and becomes absolutely obsessed with him. This leads to her pursuing him across the country, much to the amusement of his colleagues. Mary has a way with people around her though, thanks to her good nature and eccentricity that people respond to. Apparently.

Writer Kim Barker has three projects to their name. This is the second. Director Phil Traill, on the other hand, has managed to create a body of work that provided much more distance between himself and this travesty. And it is a travesty, although it's hard to figure out what else it is meant to be. If it's a twisted rom-com then it lacks both the rom and the com. If it's a dark comedy then it lacks both the darkness and the comedy. If it's supposed to be some commentary on what happens when people without a filter are thrown into the middle of the general population, presenting some kind of "idiot savant" able to teach others a la Being There and Forrest Gump, then it also fails in that regard. No good points are made here, and we're left with a character study of people who are poorly-written and completely uninteresting, once you get beyond the "quirkiness" of someone who is actually on the spectrum of autism.

As unlikely as it seems, there may have been some way to make this a good movie. I think the screenplay would have needed a complete overhaul though, with Bullock and Cooper constantly thrown together more by coincidence than any scheming. It might also have benefited from different leads.

I really like Bullock. I would consider myself a full member of the Sandra Bullock fan club. How dedicated am I to her career? Well . . . I just watched All About Steve. This is easily one of the worst performances I have seen from her though, and the way she portrays Mary is almost offensively bad. There are times when she's only a couple of steps away from being the female equivalent of Simple Jack (see Tropic Thunder for that reference point). Cooper can do cocky and smarmy, but he doesn't have the extra softness required to offset the mean side of his character. At least there's some fun to be had with Thomas Haden Church (a smug TV reporter), Ken Jeong, DJ Qualls, Katy Mixon Greer, M. C. Gainey, Holmes Osborne, and, as Mary's parents, Beth Grant and Howard Hesseman.

Despite my overwhelming criticism of this movie, I will say that it's almost saved by the supporting cast and the third act moments that try hard to show some kind of closure for both Mary and Steve. Some lessons are learned, I think, and it would work in a standard movie way if viewers had grown to care about the central character. Very few will care though, which kind of undermines the ending.

Like so many similarly maligned films, this is far from the worst of the worst. It's also deserving of a lot of the mockery and disdain it has received though. 

3/10

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Sunday, 8 December 2024

Netflix And Chill: Hot Frosty (2024)

While people may have been worried about Netflix making the bold move of "poaching" Lacey Chabert, AKA Christmas movie queen, for one of their main seasonal offerings this year, rest assured that there's nothing here to cause concern. Yes, there are a few bigger names in supporting roles than you might see in some other movies like this, and someone had enough cash to ensure a few big songs made it into the soundtrack selection, but the rest is pretty standard and safe stuff featuring someone who has played perfectly in the space that she has now made her main brand.

Chabert plays Kathy Barrett, a young widow who runs a popular cafe/diner in her small town. She is given a scarf by a friend one day, a scarf that may well bring her some good luck and love, and she wraps it around the neck of a strangely ripped snowman that stands alongside some others in the centre of town. A little tinkly music and hint of magic later, Jack (Dustin Milligan) is standing in that spot. And he's wearing naught but a scarf. He is in love with Kathy, for giving him life (of course), and starts trying to convince her that he is the perfect snowman-made-human for her. Meanwhile, the local Sheriff (Craig Robinson) and his deputy (Joe Lo Truglio) are looking for someone new in town who may have damaged a window and exposed himself to a couple of residents. 

Writer Russell Hainline doesn't seem to have been in the movie business for too long, although that's just going by the credits that he has amassed since 2018 (who knows how long he has been slogging away over numerous screenplays and trying his hand in a variety of roles), but he's certainly been busy delivering no less than five Christmas (TV) movies since 2022. Judging him by this alone, he knows the formula, and he knows how to have fun with it. Hot Frosty isn't entirely successful, it's surprisingly jarring to see both Robinson and Lo Trulgio in such prominent roles here, but it works well enough when not trying to turn the central character in a low-budget Buddy The Elf. 

Chabert is effortlessly delightful in the lead role, even when having to make a tiresome Mean Girls gag to justify the now-obligatory reference to other Netflix Christmas movies. Milligan does well as the innocent/naïve Jack, and he does well to bring a fun and energy to the role that saves him from being as irritatingly bland as many of these male romantic leads often are. Elsewhere, both Robinson and Lo Truglio are fun, even if they feel mis-cast, and there are enjoyable moments for the likes of Katy Mixon Greer, Sherry Miller, Lauren Holly, and everyone else orbiting our leads.

Director Jerry Ciccoritti is maybe not known for this kind of stuff, but he's been working consistently on TV shows and TV movies for the past few decades, after starting his career with some darker material in the mid-1980s. He is the very definition of a consummate professional, and subsequently treats the material here exactly how it should be treated. It's sweet, it's earnest, things are done to satisfy viewers who don't want to be distracted by pesky things like logic or plausibility, and it aims to give people a good helping of cold snow and warm loveliness, which I guess could also be referred to as a . . . Hot Frosty.

Like many of these Christmas movies, it's not really good, not when compared to other non-holiday movies, but it's enjoyable enough while all of the snow-dusted silliness plays out.

6/10

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