Prime Time: The Covenant (2023)

Guy Ritchie has had a decent run of movies in the past decade, helped by writers Ivan Atkinson and Marn Davies. He definitely needs Atkinson and Davies though, which makes it all the more odd to see The Covenant also listed as Guy Ritchie's The Covenant. Okay, Ritchie has a certain style, a sensibility that pervades most of his movies, letting you know that you're watching a Guy Ritchie film, but he can also work on certain projects that don't feel as if they have been given any stamp of authorship. This is one of those movies. It's good, sometimes very good, but it just doesn't feel as if it needs sold on Ritchie's name.

Jake Gyllenhaal is John Kinley, a soldier trying to stay alive during his time serving in Afghanistan. Having lost his interpreter in a bombing, Kinley ends up being assigned a new man, Ahmed (Dar Salim). Ahmed is viewed with mistrust by some, as are many of the interpreters in Afghanistan, but he repeatedly proves himself a valuable asset as he keeps Kinley and his team safe from a number of traps and tricky situations. In fact, Ahmed ends up saving Kinley's life on a daring mission that sees both men struggling to get back to safety while being hunted by Taliban soldiers who view them as top-priority targets. Can Kinley get a chance to return the favour, or will he be safely back in the USA while his interpreter/lifesaver ends up trapped in Afghanistan with a large price on his head.

A modern spin on a boy's own adventure film, although there's a worthwhile point being made about those who helped soldiers in Afghanistan before being left to languish there and suffer the consequences, this is a surprisingly effective and tense action thriller that does well to balance the issues at the heart of the whole thing with the visceral moments of fighting and gunfire. Ritchie works very well in service of the script, which ultimately helps to turn the film into something much better than it could have been. It’s a bit of a tightrope act, and kudos to him for walking it well.

Gyllenhaal is a big plus in the lead role, as expected. He can do well in a military role, being convincingly sharp and fearless, and he does well in showing the emotional toll that is taken as he figures out how to repay a huge debt. Salim is equally good alongside him, and his character is shown to be just as smart and fearless, arguably even more so, despite being initially viewed with suspicion. The supporting cast all hang back, for the most part, but there are decent little moments for Emily Beecham, Jonny Lee Miller, Antony Starr, and Alexander Ludwig.

You can view this with cynicism, especially if you feel that there’s a bit too much jingoism running just below the surface, but I think it avoids the worst potholes it could have stumbled into. Or maybe I should have used a minefield metaphor, if that isn’t in bad taste. Which I guess depends on your view of this being made in the first place.

7/10

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Prime Time: Operation Fortune: Ruse de Guerre (2023)

Guy Ritchie has certainly settled into a new groove in recent years. His output has increased, and he seems to enjoy moving between comedy capers, like this one, and darker fare (such as Wrath Of Man and his upcoming film, The Covenant AKA Guy Ritchie’s The Covenant). Working again with Ivan Atkinson and Marn Davies on the screenplay, Ritchie and his cast probably had a lot of fun making this. It’s a shame that viewers don’t get to enjoy themselves quite as much as those onscreen.

Something has been stolen, and it is due to be sold off to the highest bidder. It’s not important to know exactly what the stolen item is. It’s important to know that it is very dangerous. The person most likely to be brokering that deal is the super-rich and super-dodgy Greg (Hugh Grant). A team is assembled to get close to Greg. That team is made up of action man Orson (Jason Statham), tech whizz Sarah (Aubrey Plaza), and a man who can support both, JJ (Bugzy Malone). Cary Elwes plays Nathan, the man trying to remain in charge of this small team, and problems arise when he realises that they aren’t the only ones assigned to this job. But they are the only ones who come up with the idea of getting close to Greg by introducing him to his favourite actor, Danny (Josh Hartnett).

I am not going to use this review to try and pretend that I didn’t enjoy this film (and to hell with typing out that unnecessarily unwieldy title every time I am referring to it). This is a fun time, thanks largely to the cast obviously having fun in their roles, but it’s an insubstantial and lesser fun time than many other films directed by Ritchie.

Timing is a big part of that, especially when the central idea is so close to the plot of The Unbearable Weight Of Massive Talent (which had the added bonus of letting Nicolas Cage playing a version of Nicolas Cage), but there’s also a script issue. This is an action comedy that doesn’t quite have enough action or comedy in it, and I cannot imagine how people will react to this if they aren’t already fans of the cast.

Statham is on good form in the lead role, doing what he does well (being charming, cocky, and good at punching people in the face), and both Plaza and Malone work well alongside him, the former getting more of the laughs with her constant playfulness and teasing. Elwes has to roll his eyes often as he tries to keep his team in order, and he is subsequently ordered around by Eddie Marsan, fun in an all-too-small role, while Peter Ferdinando does well as the head of the secondary team. Hartnett has a great time portraying a slightly precious actor, roped into a scheme he would rather know nothing about, and Grant delivers yet another hilarious rogue that seems to be his forte nowadays.

A lot of people will enjoy this. There certainly isn’t much here to hate. It just doesn’t do anything as well as expected though, sadly, with the 114-minute runtime feeling overlong, the soundtrack disappointingly sticking very much in the background, no major set-pieces, and a third act that lacks real tension. Nobody ever feels as if they are ever in proper danger, which means that you never get the sense of the stakes being very high. I don’t regret passing some time with this, especially as I like every main player, but I would rewatch either The Gentlemen or Wrath Of Man ahead of it, and I highly recommend both of those films to anyone who hasn’t seen them yet. The former is in line with the tone of this film, the latter is quite a bit darker and more violent.

6/10

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Prime Time: Wrath Of Man (2021)

Guy Ritchie seems to be on a bit of a roll at a moment, having made use of his blockbuster success with the Sherlock Holmes movies to play around a bit more with projects that feel more in line with his earlier works without just feeling like regurgitated "mix tapes" of his past glories. Wrath Of Man may be a remake of a 2004 movie, Le Convoyeur (sadly, I haven't seen the original yet), but it's also great material for Ritchie to slot one of his favourite stars into.

There's also a great remix of Folsom City Blues, familiar already to anyone who saw the trailer. Yes, it's so good that I am mentioning it here before I forget to mention it at all.

Jason Statham is H, a man who gets himself a job at a cash truck company. The company had a truck robbed some months before, a robbery that resulted in some deaths, but H doesn't seem bothered by the risk inherent in his new role. In fact, he seems to want robbers to try their luck with him. He definitely has his own agenda, and there's a lot more to him than he is revealing to his new work colleagues.

Having worked on the screenplay with Ivan Atkinson and Marn Davies (who also worked on The Gentlemen and the upcoming Operation Fortune: Ruse de guerre), Ritchie uses a familiar bag of tricks - the friendly faces, a non-chronological approach to the main storyline, a good helping of dry wit - to sugarcoat what may well be his darkest film yet. The film is broken into a number of chapters and one, entitled "Scorched Earth", stands out as being a mix of the cinematically stylish and the incredibly nihilistic. It's a flesh-coloured trip through a circle of hell that shows Statham's character beginning his quest for whatever it is that he's seeking.

Aside from Statham, being as great as ever in the lead role, the rest of the cast includes some fine supporting turns. Holt McCallany enjoys one of his best ever movie roles as Bullet, one of the main company staff members, straight-talking and with the potential key to information that would prove invaluable to H. Josh Hartnett is good fun as the "all mouth, no trousers" Boy Sweat Dave, Eddie Marsan is the depot boss, Jeffrey Donovan is someone who thinks they have a perfect robbery planned, and Scott Eastwood does his best work yet (not saying much though, compared to how bland so many of his other performances have been) as Jan, a robber with the kind of attitude that you just know is going to lead to trouble. There are other people doing good work here - Andy Garcia, Niamh Algar, Alex Ferns, Darrell D'Silva, etc - but they're very much minor moons orbiting the planets at the heart of the big set-pieces, although D'Silva still does enough to make himself an easy highlight.

I'll want to see the original movie at some point, and some people have said that it's a superior work, but this surprised me with how good it was. It's a classic tale of revenge, and the structure of the narrative helps the pacing and increases the tense gathering of thunderclouds and the impact of the storm that you just know is coming along in the third act. It's not one to watch if you want an action thriller grounded in any kind of reality, but it's a perfect choice if you want a superior Statham vehicle that has plenty of bloodshed, fun dialogue, a cause you end up rooting for, and a number of set-ups that are all paid off before the end credits roll.

8/10

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