Showing posts with label martin landau. Show all posts
Showing posts with label martin landau. Show all posts

Friday, 11 March 2022

Rounders (1998)

Not actually a film about the British game that resembles a kindergarten version of baseball, Rounders is actually another fun film basing most of the action around card tables. It's all about poker, and the people who make their living from it. It's also helmed by John Dahl, a director who very rarely put a foot wrong for his first full decade or so of moviemaking, before he then started picking up much more work int he world of TV (helming episodes of shows as varied as Fear Itself, Breaking Bad, True Blood, Justified, Ray Donovan, House Of Cards, and Yellowstone).

Matt Damon plays Mike McDermott, a promising young law student who has a pretty good life. He has a lovely partner, Jo (Gretchen Mol), and has decided to try and leave his days of poker behind him, after losing a BIG chunk of money in a foolish move to earn himself a route to the World Poker Championship. Abstaining from the lure of poker proves to be almost impossible, sadly, when Mike welcomes his old friend, Worm (Edward Norton), back into his life. Worm has just finished a prison sentence, and he immediately wants to make up lost time and earnings. Not trusting the playing method of Mike, Worm is happy to win via some underhanded methods. He's also happy to borrow a lot of money with Mike as his guarantor. 

Considering what it is, poker makes for a fair amount of fun and tension, cinematically. Part of that is because movie poker often has people sitting around a table with hands that are often astronomically near-impossible to have dealt from the deck in the same game session, let along the same tense head to head, and part of that is to do with the interesting ways in which great poker players can be shown to be able to read their opponents and quickly calculate odds. Writers David Levien and Brian Koppelman make the most of this latter aspect, having Damon's character be quite the card savant. This is best illustrated by a superb scene in which he helps a judge (Martin Landau) bet high against his colleagues, explaining who is holding what cards in their hands. The use of Worm is another way to make things more exciting though, ensuring that the card games have real stakes. More than just chips and pride, a loss could lead to a lot of pain. And Worm's approach to the game, trying every grift possible to ensure a win, helps to make the lead character seem more like a true sportsman, an expert looking to relearn some lessons after being humbled by a major loss.

Dahl knows what he's doing here, easily keeping things lively and fun for viewers. You get to see cards, you get a peek at the mechanics of some of the trickery, and voiceover narration from Damon keeps everyone informed about the rules, the odds, and the methodology. The film maintains an energy and level of cinematic cool for almost the entire runtime.

While the lead role isn’t really a stretch for Damon, he does well playing another brand of genius without the social lubrication to keep a position in an upper-class world. Norton is very easy to dislike, also doing well as the kind of character destined to forever try too hard for success in a way that guarantees failure after failure. Mol is as underserved here as she has been so often, but she gives a performance so good that it makes you wonder why she never seemed to get a bigger break that others got, although she has built up a great body of work over the years. Landau steals the few scenes he has, John Turturro gets to play a fairly nice guy, for once, and John Malkovich is fun, with an added accent, as Teddy KGB, the big poker player who needs beaten on the way to a complete turnaround of fortune. There is also a small role for Famke Janssen, who is always welcome, and a cameo from poker superstar Johnny Chan.

It’s quite easy to see where this is going, and the lack of any major surprises in the third act is a bit of a shame, but Rounders doesn’t want to be a gritty and bleak film. It is a by-the-numbers sports movie, a tale of someone having faith in himself as others fall by the wayside. That sport may be poker, as opposed to any number of more energetic pursuits, but every other trope and story beat you expect is right here. Which ends up being a good thing, because this is one of the better sports movies I have watched in a while, but that may be to do with my love of poker.

8/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews

Wednesday, 24 September 2014

Sci-Fi September: 12:01 (1993)

Lazy movie reviewing 101 (not for the first time either) - 12:01 is, essentially, Groundhog Day given a thriller makeover. It also adds an actual explanation for the time loop that the lead character finds himself in, which is one of the plus points in a movie that has a lot of good and bad elements for viewers to deal with.

Jonathan Silverman is Barry Thomas, a fairly insignificant young man who works in an office. He admires the beautiful Lisa Fredericks (Helen Slater) from afar, and does his best to get closer to her throughout the course of one fateful day. That day doesn't end well for Lisa. In fact, it ends really, REALLY badly. Which isn't actually too bad because it turns out that Barry will wake up the next morning and find that it's the previous day all over again. That gives him a chance to get close to Lisa again, figure out what's going on, and stop her day ending so badly. IF he can convince anyone that he's not going completely mad.

Directed by Jack Sholder (you may not recognise his name, but if you're a genre fan then you've probably seen at least one of his movies), this is a potential gem of a movie dragged down by a mixed cast and the fact that it was made for TV. I'm not being unfairly down on TV movies, don't misunderstand me. I'm just pointing out that some TV movies FEEL like TV movies, and this is one of those.

Based on a short story by Richard Lupoff, the script was crafted into its final form by Jonathan Heap and Philip Morton, and it does a decent enough job of quickly setting up the many touchstones that Barry will use to keep track of his time loop. It's just a shame that a number of moments feel, necessarily, a bit rushed and hard to believe. I'm not on about the general premise, but more the way in which Barry engineers his day to get closer to Lisa on a number of occasions.

It doesn't help that Silverman just isn't all that good in the lead role. He's not exactly useless, it's just that he's not that special. His attempts at charm and humour never feel all that charming or amusing, leading to that disbelief I mentioned whenever he gets closer to the woman he's taken such a shine to. Slater has never been that great an actress, from my limited exposure to her work, and continues to stay at a level of decidedly average here. Martin Landau and Jeremy Piven, however, are both on hand to help save the day. They may be playing vastly different characters, but both men help lift up the movie whenever they're onscreen. Nicolas Surovy, Robin Bartlett and Glenn Morshower also do pretty well, although they have much less screentime.

While the film is full of little touches that drag it down, the central premise is enough to keep it above-average. The science, despite being pure hokum (from what I can tell), is sketched out well enough, the pacing is brisk enough, and the third act should please all but the grouchiest of viewers.

6/10

Ouch, a bit pricey but here it is - http://www.amazon.com/12-01-Helen-Slater/dp/B000BZN1NM/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1411246772&sr=1-1&keywords=12+01



Sunday, 20 October 2013

Frankenweenie (2012)

The past year has seen quite a selection of animated horror movies aimed at kids. We've had the surprisingly amusing Hotel Transylvania, the easy-to-adore ParaNorman and this one, Tim Burton's expansion of his own short movie. The fact that they all appeared was a pleasant surprise. The fact that they were all good-to-great is unbelievable. Which all helps to illustrate how great Frankenweenie is when I say that it's the best of the three.

Frankenweenie isn't a movie that fills every scene with gags and references. At least, that's not how it seems at the time. But the more observant viewer will notice that every scene IS filled with gags and references. And they're pretty damn great, all the better for being subtle and never forced.

The story is quite a simple one. Young Victor Frankenstein (Charlie Tahan) loves his dog, Sparky, almost as much as he loves science. So when his dog is prematurely sent to the great big kennel in the sky, Victor attempts to reanimate him. And he does. Sparky may have a few minor problems to sort out (the electricity in his body isn't very safe for others and parts of him sometimes fall off) but he seems to be pretty good, otherwise. And at least he's alive. It's not long until others start to suspect that Victor is hiding something, and they want a part of it.

Written by John August (based on the short film written by Leonard Ripps, that was based on the story idea by Tim Burton), Frankenweenie is sweet without ever seeming sickly, it's smart without ever seeming smug and it's consistently amusing without ever highlighting the comedy. It's also a typical Tim Burton movie while also not feeling entirely like a Tim Burton movie. I think that's due to the fact that despite this being a tale of death and misadventure it never really feels as if it's dwelling on any macabre details, despite the fact that they are strewn throughout the movie.

The vocal cast - Tahan, Catherine O'Hara, Martin Short, Winona Ryder, Martin Landau, and others - all do great work, but it's the animation, unsurprisingly, that really makes this a winner. Every character is memorable, every scene has numerous little details to spot and Vincent Price fans will just love the character of Mr. Rzykruski, designed to look very much like the great man himself..

If you want a modern day Universal horror movie aimed at kids that features a windmill (that may or may not end up burning at some point), an Igor character type, thunder and lightning, some mischievous sea monkeys and plenty of heart, then this is the film for you.

8/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share