Innerspace (1987)

An updated version of Fantastic Voyage, but with some better special effects and a fair amount of comedy added, Innerspace is another film from director Joe Dante made in the middle of a period where he could do no wrong (from the late '70s all the way through to the early '90s) . . . unless you were someone always wanting to see a decent, or indeed any, financial return from his films. Because as beloved as many of them are today, many Joe Dante movies only found a fanbase when they were discovered on VHS. The director himself perhaps views the underwhelming box office performance of this one with particular disappointment, having said that positive test screenings were followed up with a poor marketing campaign that didn't clarify exactly what kind of movie it was. An image of a tiny vehicle, and tiny pilot alongside it, being held between someone's finger and thumb may show the miniaturisation at the heart of the plot, but it doesn't reassure people that they will get a lot of laughs and entertainment.

Dennis Quaid plays Tuck Pendleton, a pilot who has volunteered to take part in a groundbreaking experiment. He will be placed in a small vehicle, miniaturised, and then injected into a bunny rabbit. But there are some villains who want the technology, which leads to some chaos, leading to Tuck actually being injected into the butt of hypochondriac Jack Putter (Martin Short). So now everyone wants the tech that is in Jack, and they’re not too bothered if Jack and Tuck survive the process. Once Tuck figures out where he is, he communicates with Jack and helps him avoid danger, also enlisting the help of Tuck’s on-off girlfriend, Lydia Maxwell (Meg Ryan).

Written by Chip Proser and Jeffrey Boam, Innerspace is a wonderful adventure that makes inventive use of the premise to blend a lot of comedy with many family-friendly thrills. Simply focusing on the voyager inside the human body could have been a showcase for special effects, but may have also become quite dull after the initial excitement died down, so having Tuck able to communicate and help Jack is the masterstroke that elevates this above the film it most closely resembles.

Whether you tend to love or hate the films of Dante, and I fall firmly into the former camp, there’s no denying that he excels at creating films that satisfy a wide audience demographic, with younger viewers impressed by FX work, laughs, and thrills, and older viewers also able to appreciate the many references to the history of cinema, and Loony Tunes cartoons.

The other thing that Dante so often does is cast well, and Innerspace certain benefits from superb casting. Quaid is at his cocky, charming, best as Tuck, and this is one of many fine comedic performances from Martin Short that serve to highlight what a superb actor he is. Ryan is at the start of a run of performances that would mark her out as a female lead that everyone fell in love with for a number of years. Robert Picardo, Kevin McCarthy, and Dick Miller all appear, of course, playing The Cowboy, a main villain, and a taxi driver seen in one scene, respectively, and all are as great as ever, with Picardo having the most fun of the three. Fiona Lewis is also a villain, working in tandem with McCarthy, and Vernon Wells is a menacing “henchman” who could easily be part of any James Bond movie (his fake hand providing one of the more amusingly risqué gags in the film). There are also great little turns from Henry Gibson, Wendy Schaal, and a number of other familiar faces.

Arguably the most straightforward family film from Dante during this period of his career, Innerspace is everything you could want from a polished blockbuster. Lots of fun ideas, a cast of memorable characters, great set-pieces, and an ending that is so enjoyable I end up watching the footage that plays out over the credits every single time. There’s also another great Jerry Goldsmith score, and great use of the song “Twistin’ The Night Away”. The only main issue is the pacing of the first half, which could have been tweaked to get to all the fun stuff a bit quicker. 

Sometimes the best things do come in the smallest packages.

8/10

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Pure Luck (1991)

I have been in the mood lately to watch some undemanding '80s comedies, mainly movies that I remember seeing advertised, but didn't actually get around to watching. And I could have sworn that Pure Luck was a 1980s comedy, but it was actually released in 1991. The concept certainly feels like a very 1980s one.

A young woman (Valerie, played by Sheila Kelley) goes missing while on holiday. Her father (Highsmith, played by Sam Wanamaker) is distraught, especially as the investigator he has on the case (Campanella, played by Danny Glover) hasn't managed to find any solid leads. The fact that Valerie is one of the unluckiest people in the world makes things even trickier, but it also leads one man to come up with a theory. He knows someone employed by Highsmith who is equally unlucky. That man is Proctor (Martin Short), and a plan is formed. There's a chance that Proctor's bad luck will allow him to more closely follow the route taken by Valerie, and allow her to be found.

Based on a French film, La Chevre, Pure Luck is exactly what you might expect it is, a vehicle for Martin Short to commit himself to numerous pratfalls in the name of making viewers laugh. And Short is not the problem here. But I'll get back to him later.

Director Nadia Tass doesn't have a grip on the kind of comedy that would allow this movie to be all it can be. I'm not familiar with the original, which may well be a quirky and gentle comedy throughout, but this American take on the material feels too low-key and low-energy. It needs a sense of the bad luck piling up, allowing set-pieces to start small and escalate all the way to some grand finale. That never happens. The film isn't helped by the writing from Herschel Weingrod and Timothy Harris, two individuals who have worked together on a number of better comedies than this one. The problem is that they are aware of the focus of the film being on the physical side of things, and that keeps the dialogue as a lesser priority. The fact that the physical side of things isn't as good as it could be leaves you with a film that has no memorable sequences AND no decent dialogue. There's also a very strange section of the film that starts to change the rules, but it is soon dropped without any satisfying resolution.

Let's get back to Short anyway. I love Martin Short. He's a fantastic comic actor, arguably one of the very greats, and this lead role would seem to be ideal for him. It's not though, mainly because the whole film depends on him tripping, falling, and hurting himself in a variety of ways. He does what he can, but the lack of variety makes it soon feel a bit sad, watching someone throw themselves around for something not really worthy of their commitment to the cause. Glover gets the better end of the stick, disbelieving the ridiculous theory until he starts to see it play out in front of his eyes. He also has to pretend to be taking orders from Short for most of the movie, which allows for a couple of fun moments. Kelley does well with her small amount of screentime, also full of pratfalls, Wanamaker and Harry Shearer (who comes up with the central theory) are just fine, and Scott Wilson has a bittersweet turn as an opportunistic criminal who doesn't realise how much bad luck is about to rain upon him.

Pure Luck is absolutely forgettable, and I am sure that there are very few people who would seek it out. Fans of Short, maybe, and people like me. If you're in the latter category then I feel very sorry for you.

3/10

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Frankenweenie (2012)

The past year has seen quite a selection of animated horror movies aimed at kids. We've had the surprisingly amusing Hotel Transylvania, the easy-to-adore ParaNorman and this one, Tim Burton's expansion of his own short movie. The fact that they all appeared was a pleasant surprise. The fact that they were all good-to-great is unbelievable. Which all helps to illustrate how great Frankenweenie is when I say that it's the best of the three.

Frankenweenie isn't a movie that fills every scene with gags and references. At least, that's not how it seems at the time. But the more observant viewer will notice that every scene IS filled with gags and references. And they're pretty damn great, all the better for being subtle and never forced.

The story is quite a simple one. Young Victor Frankenstein (Charlie Tahan) loves his dog, Sparky, almost as much as he loves science. So when his dog is prematurely sent to the great big kennel in the sky, Victor attempts to reanimate him. And he does. Sparky may have a few minor problems to sort out (the electricity in his body isn't very safe for others and parts of him sometimes fall off) but he seems to be pretty good, otherwise. And at least he's alive. It's not long until others start to suspect that Victor is hiding something, and they want a part of it.

Written by John August (based on the short film written by Leonard Ripps, that was based on the story idea by Tim Burton), Frankenweenie is sweet without ever seeming sickly, it's smart without ever seeming smug and it's consistently amusing without ever highlighting the comedy. It's also a typical Tim Burton movie while also not feeling entirely like a Tim Burton movie. I think that's due to the fact that despite this being a tale of death and misadventure it never really feels as if it's dwelling on any macabre details, despite the fact that they are strewn throughout the movie.

The vocal cast - Tahan, Catherine O'Hara, Martin Short, Winona Ryder, Martin Landau, and others - all do great work, but it's the animation, unsurprisingly, that really makes this a winner. Every character is memorable, every scene has numerous little details to spot and Vincent Price fans will just love the character of Mr. Rzykruski, designed to look very much like the great man himself..

If you want a modern day Universal horror movie aimed at kids that features a windmill (that may or may not end up burning at some point), an Igor character type, thunder and lightning, some mischievous sea monkeys and plenty of heart, then this is the film for you.

8/10

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Father Of The Bride Part II (1995)

Although it's not a direct remake of Father's Little Dividend, this sequel features a number of situations and gags that will be familiar to fans of the 1951 movie.

Time has been passing pleasantly enough for the Banks family ever since the marriage of daughter Annie (Kimberly Williams) to the love of her life, Brian (George Newbern). George (Steve Martin) and Nina Banks (Diane Keaton) have settled into a happy routine, with the former looking forward to the day when he can completely relax. Young Matty Banks (Kieran Culkin) will be heading off to college a few years down the line and there won't be any more children to worry about. Of course, that all changes when Annie announces that she's pregnant. It changes even more when Nina announces the same thing. George suddenly feels every year of his age weighing down upon him and has a crisis of confidence (as well as a fleeting mid-life crisis which leads to him dying his hair and driving a sports car for one or two scenes).

There's no denying that this is a lesser movie, as sequels so often are, but there's an easygoing familiarity to it all that helps make it a harmless time-waster. The characters haven't changed all that much, the journey that they all go on is very similiar to the journey that we saw them go on in the preceding movie and there's a fun cameo from Eugene Levy (who also appeared in Father Of The Bride as a potential wedding singer). These may seem like flimsy reasons to enjoy the movie, and they are, but I don't think that any viewers expected anything weightier from a safe sequel to a safe remake of a family comedy.

Many of the people return to their main roles behind the scenes. Charles Shyer once again directs with a lack of flair, Nancy Meyers helps once more in the script department (with help from the material written by Frances Goodrich and Albert Hackett) and it's obvious that this is very much a case of everyone getting back together and falling into comfortable roles. In front of the cameras, Martin Short steals his scenes again, while Martin, Keaton, Williams and Newbern all do just fine.

For viewers, however, familiarity may breed some contempt. If you liked the 1991 movie then you're unlikely to hate this one, but it's never going to be a favourite either.

5/10

http://www.amazon.co.uk/Father-Of-The-Bride-DVD/dp/B001G3ENIK/ref=sr_1_1?ie=UTF8&qid=1376731868&sr=8-1&keywords=father+of+the+bride

Father Of The Bride (1991)

After such a fantastic run of movies in the 1980s, Steve Martin started the '90s with some less anarchic films that would indicate the direction his career would take over the next few decades. He still had greatness to give, but most of his movies would fall into the category of either remake or safe, family fare. Father Of The Bride is both.

Martin plays George Banks, the man who ends up acting a bit funny when he's told by his daughter (Kimberly Williams) that she wants to get married (to a young man named Brian, played by George Newbern). George's wife, Nina (Diane Keaton), is very pleased with the news, but all seems to go from bad to worse as George sees the wedding plans - put together by Franck (Martin Short) and Howard (BD Wong) - escalate while his bank balance just keeps shrinking.

Based on the enjoyable original movie (which starred Spencer Tracy in the lead role), Father Of The Bride is a gentle comedy full of many identifiable moments for parents of either gender. You just never stop worrying about your kids, and never stop seeing them as the small and vulnerable little ones that you spent so many years looking after. Martin and Diane Keaton are suitably parental in their roles, with one being stressed out and overly critical while the other is happy and caught up in the moment. Williams and Newbern are both sweet youngsters, often oblivious to how their actions affect those that love them, and Kieran Culkin is young Matty Banks, a boy who doesn't mind being slightly overlooked while things are being prepared for his sister's big day. Short and Wong are both hilarious as the wedding co-ordinators, and Peter Michael-Goetz and Kate McGregor-Stewart (playing the parents of Brian) do well with their relatively short amount of screentime.

The direction by Charles Shyer is okay, though a bit flat and bland, and Shyer also contributed to the script, co-written with Nancy Meyers (working with the screenplay from the original movie, written by Frances Goodrich and Albert Hackett). There are a number of nice little nods to the original movie, but things are also updated nicely and smoothly enough. Which makes this a decent remake that may not be the best thing on the filmography of anyone involved, but doesn't sully the good memory of the original either.

It might not be a film that you now rush out to see, but catch it whenever it comes on TV and you may find yourself amused for the runtime.

6/10

http://www.amazon.co.uk/Father-Of-The-Bride-DVD/dp/B001G3ENIK/ref=sr_1_1?ie=UTF8&qid=1376651038&sr=8-1&keywords=father+of+the+bride

¡Three Amigos! (1986)

Steve Martin, Martin Short and Chevy Chase play The Three Amigos, actors who temporarily ruled the roost at the box office before being canned by an irate producer (Joe Mantegna). Martin is Lucky Day, Short is "Little" Ned Nederlander and Chase is Dusty Bottoms, but the three men have been together so long that they simply ARE The Three Amigos. When a young woman (Carmen, played by Patrice Martinez) sees them in action on the silver screen she doesn't realise that she is watching a work of fiction. Desperate to save her town from the evil clutches of El Guapo (Alfonso Arau), she writes to the amigos and asks for their help. So begins a (Western) comedy of errors, as the stars think that they are being asked to ride into town, put on a fun show, collect a nice sum of money and then leave.

Featuring three comedy stars, arguably, at the height of their cinematic fame and a director (John Landis) on a bit of a hot streak, ¡Three Amigos! mixes plenty of quotable lines with some great characters and moments of delightful absurdity. It also, of course, references plenty of classic Western tropes and moments, with the main premise sharing a lot of common ground with Seven Samurai (remade many times, most famously as The Magnificent Seven).

Martin, Short and Chase work brilliantly together, with each of their characters being a slightly different shade of stupid. And they're nicely in synch with one another, whether giving their special salute or singing "My Little Buttercup" to a saloon full of patrons. Patrice Martinez is a lovely damsel in distress, though not a completely helpess figure, Philip Gordon is amusing enough as young Rodrigo and there are small roles for Joe Mantegna, Jon Lovitz and Phil Hartman in the first act of the film. But the heroes are only able to step up to the mark if they have a good enough villain, so it's good that Alfonso Arau is very good in the role of El Guapo. He's equalled, and perhaps even slightly overshadowed at times, by Tony Plana (playing Jefe, the right hand man to El Guapo).

The script, written by Martin, Lorne Michaels and Randy Newman, may be relatively mild but the comedy is just as effective. It may feel slightly old-fashioned on many occasions - with the musical moments, selection of crowd-pleasing displays and the feeling that the movie is inseparable from the main characters in the way that both are happy to mug and dance around to be loved - but that's no bad thing when it's this entertaining.

8/10

http://www.amazon.co.uk/The-Three-Amigos-Steve-Martin/dp/B00004Z2YX/ref=sr_1_1?ie=UTF8&qid=1374257264&sr=8-1&keywords=three+amigos

Mars Attacks! (1996)

Mars Attacks! is a crazy sci-fi comedy based on a series of popular trading cards. It's quite a slight film, as you'd expect from such source material, but it's also very funny in places and full of great homages to sci-fi films of yesteryear. Jonathan Gems was the man who put a script together for the alien antics while Tim Burton was in place to direct the madness.

The plot is summed up by the title. That's it. Really. What the alien invasion premise does is allow Burton to deliver a number of amusing, and often visually striking, vignettes to the audience, be it a herd of flaming cattle or a number of warped experiments taking place on a spaceship. Many of the moments in the movie are inspired directly by images on the trading cards, but there are still a few characters allowed to develop in between the set-pieces. Jack Nicholson plays the President Of The United States, with Glenn Close playing his wife and Natalie Portman the fed up daughter. Jack Nicholson also plays a man setting up the business deal of his life. Annette Bening is the woman in his life, trying to keep her spirit positive while surrounded by the corrupting, garish influence of Las Vegas. Michael J. Fox and Sarah Jessica Parker are two very different TV personalities, Pierce Brosnan is a scientist optimistic about the aliens and Rod Steiger is a not so optimistic general. Jim Brown wants to get back to his family, Martin Short wants to use his position as Presidential advisor to get with women and Lukas Haas wants, well, very little as he's the generally content sort.

As you might expect from a movie based on a series of trading cards, Mars Attacks! is more a series of amusing vignettes loosely strung together than an entirely flowing, coherent movie. It's anarchic and fun in a way that may put many people off, but I happen to like anarchic and fun. Think of some Ed Wood movie fused with any cartoon that featured Marvin The Martian and you're close enough.

Tim Burton is in his comfort zone, the film certainly feels as if he was left to his own devices and he has fun bringing the vibrant, retro imagery to life. The handling of the material is affectionate, the handling of the cast less so as they're killed off or experimented upon with not even a second thought for A-list status or billing order. As well as those already mentioned, all of them admirably going along with every preposterous moment, there are appearances from Jack Black, Pam Grier, Danny DeVito, Christina Applegate, Lisa Marie and Tom Jones. Yes, THAT Tom Jones. Playing himself, amusingly enough.

If you grew up with imagery of flying saucers that were actually saucer shaped, little green men who flew around the universe looking for people to menace with their ray guns and sci-fi b-movies that were as colourful and inventive as they were, oftentimes, cheap and cheerful then this is the movie for you. It recalls all of those elements with love and then uses them for lots of silly gags. Whether or not you actually enjoy the gags is another thing entirely, but you will enjoy plenty of imagery reminding you of aliens as envisioned in decades gone by.

7/10

http://www.amazon.co.uk/Mars-Attacks-Blu-ray-Region-Free/dp/B003IHVKR4/ref=sr_1_2?ie=UTF8&qid=1365138034&sr=8-2&keywords=mars+attacks

Captain Ron (1992)

If you mention the movie Captain Ron to some people, then they may grin and try to tell you that it's a fantastic film. They will be wrong, but they won't realise that. Captain Ron is one of those movies that SEEMS better when some time is passed and you're thinking about all of the different roles that Kurt Russell has played and then your brain goes "oh, don't forget that he was great in Captain Ron". Your brain will be correct to remind you that Russell was/is great in the title role, but that will then lead you to remember the entire movie with a coating of fondness that it doesn't really deserve. It's mildly amusing and it's something I'd watch again if it was on TV during a horrible, rainy afternoon, but it's nothing great.

Martin Short plays Martin Harvey, husband to Katherine Harvey (Mary Kay Place) and father to Benjamin (Benjamin Salisbury) and Caroline (Meadow Sisto). When Martin inherits a yacht he gets very excited and immediately plans a family trip. He wants them all to enjoy themselves and learn a bit about life on the ocean while someone takes charge and helps them bring it back to America to sell it. The person who comes to take charge of the boat for them is Captain Ron (Russell). Ron has one glass eye, an uncanny talent for getting lost and an easygoing, somewhat slapdash, manner that soon starts to get on Martin's nerves. Can the two men survive at sea together for the whole journey? And does Ron actually know what he's doing?

Directed by Thom E. Eberhardt, who also worked on the screenplay with John Dwyer, Captain Ron is easygoing, by-the-numbers, comedy fare. Martin Short plays the highly strung character that he's played many times before, Mary Kay Place is a supportive wife and the Salisbury and Sisto are kids who change during the course of their trip, for better or worse. People fall overboard, some DIY goes horribly wrong, there's an embarrassment that befalls the married couple when they try to have some quality time on their own, etc. etc. etc.

The big plus point in the movie is Russell in the role of the captain. There are times when the character could become annoying and unsympathetic, but Russell plays him with such a laid-back, kindly demeanour that even as he's making mistake after mistake it's hard to think unkindly of him. As Martin Short's character starts to lose his patience with Ron, viewers end up warming to him even more and that warmth stays throughout until a final third in which some danger is added and characters need to show what they're really made of.

Undemanding fun, lifted up to the top of the rigging by Russell.

6/10

http://www.amazon.co.uk/Captain-Ron-DVD-Kurt-Russell/dp/B0001IMC9S/ref=sr_1_1?s=dvd&ie=UTF8&qid=1362364373&sr=1-1

The Spiderwick Chronicles (2008)

I couldn't tell you the exact facts and figures involved but it seemed to me that, when it was released, The Spiderwick Chronicles didn't do all that well at the box office. I hope it did okay but it certainly didn't create any major excitement and talk of big new franchise opportunities. That's a shame because it's a very enjoyable family film. The same thing happened to Lemony Snicket's A Series Of Unfortunate Events (another family film I also enjoyed a lot). Hmmm, I hope I'm not jinxed.

Anyway, to the movie. The Spiderwick Chronicles. Young Freddie Highmore takes on two roles here, playing twin brothers Jared and Simon Grace. After their parents separate, the two boys, along with their older sister (Sarah Bolger) and mother (Mary-Louise Parker) move into the Spiderwick Estate, an old and run-down house in the middle of nowhere. Jared is convinced that his mother is to blame for this family split and he reacts with anger and insolence, resenting every minute of his new life. That all changes, however, when he discovers a book filled with details of many magical creatures living in the area. He doesn't believe any of it, of course, until he actually sees the creatures for himself. There are quite a few nice, sweet creatures to be observed but, sadly, also a number of nasty baddies out to cause harm and get their hands on the book in order to deliver it to their master, an ogre named Mulgarath (Nick Nolte). Jared must keep the book safe at all costs, which isn't going to be easy unless he enlists the help of his family. Will anyone believe him?

Based on the books by Tony DiTerlizzi and Holly Black, this is an imaginative, consistently entertaining adventure that mixes great special effects with a great cast all portraying nicely rounded characters. Freddie Highmore is a very talented young actor and gives two great performances as Jared and Simon, Sarah Bolger is very likeable as Mallory and Mary-Louise Parker plays a very understanding and loving mother. Nick Nolte isn't onscreen physically for very long but he's excellent whether voicing Mulgarath or portraying him in human form. There are also roles for the likes of the great David Strathairn, the great Joan Plowright and the . . . . . ummm . . . . pleasant Andrew McCarthy. They may not be seen onscreen but Martin Short and Seth Rogen provide some enjoyable vocals for a couple of creatures that are on the side of good.

Three people, including John Sayles, worked to adapt the screenplay and the end result is well balanced. There are moments that may feel a bit intense for younger children but there are also many moments of comedy, spectacle (a flight on a griffin is a particular highlight) and sheer wonderment to keep everyone happy.

Director Mark Waters has given audiences a couple of poor movies in his career but he's also responsible for the remake of Freaky Friday, the great Mean Girls and, his first film, The House Of Yes. The Spiderwick Chronicles easily sits alongside that lot and I think that my high rating here could easily rise after future repeat viewings.

8/10

http://www.amazon.co.uk/The-Spiderwick-Chronicles-Blu-ray/dp/B001B6CCD0/ref=sr_1_6?ie=UTF8&qid=1353725018&sr=8-6