The Running Man (2025)

I am always excited for any new Edgar Wright movie, and when I heard that he was remaking The Running Man, with a starring role for Glen Powell, I was intrigued to see how he would approach the material. For as much as I enjoy the Arnold action flick, the source material (a novella by Stephen King, published under his Richard Bachman pseudonym) was a much darker and more cynical piece of work. Wright, for all of his good points, doesn't necessarily seem capable of dark and cynical.

And it turns out that he isn't. This IS a bleaker film than the original, and there are a number of moments here that show Wright trying to add an edge that has been absent from his past features, but he still can't help aiming for a message that is ultimately a positive one, taking the ending of the novella as a starting point for a slightly different direction that should actually please both fans of the story and fans of films that don't ruin your whole week.

Powell plays Ben Richards, a man with a strong moral code and a bit of a temper, which has made things a bit problematic when it comes to his relationship with exploitative employers. Desperate to get the medicine that his daughter needs, Ben heads along to a TV studio to sign up for one of the many shows that offer cash prizes. He's happy to try most of them, except The Running Man, which sees contestants being hunted, until almost inevitably trapped and killed. Unfortunately, his attitude and capabilities make him a perfect choice for The Running Man. It's time to start running.

Powell is great in the lead role, far removed from Arnold, of course, but physically capable and suitably charismatic. He's grim and determined, but able to start having fun when he starts to figure out the best way to play the game. Colman Domingo is great value as the flamboyant host, Bobby T, Josh Brolin is enjoyably slick and shark-like in the role of Dan Killian, the head manipulator who creates the perfect storylines for viewers to lap up, and Emilia Jones turns up in time to play a pivotal role in the third act. There's also room for fun little turns from Katy O'Brian, William H. Macy, Lee Pace, and an enjoyably manic pairing of Michael Cera and Sandra Dickinson (featured in the most memorable sequence in the film).

It's been interesting to watch Wright's career as he has stepped further away from the Cornetto trilogy that proved to be so enduringly popular. I think he's maintained a remarkable consistency throughout a varied selection of treats, although I know some people have stopped being impressed by his particular style. Another attempt to show he can do more than just gags and homages, The Running Man works well, for the most part, although it's jarring on the few occasions when you do notice the standard "Wright-isms" (e.g. a Y/why gag, the foreshadowing, soundtrack choices, etc.) in the mix. 

Having also worked on the screenplay with Michael Bacall, there's great care taken here to present a vision of a horribly depressing future that doesn't feel too far removed from the here and now without leaving viewers depressed at the thought of it all looming up to ruin our lives.

For as bleak and as brutal as this can be, it's also a lot of fun. Some purists may balk at that idea, considering how things play out in the Bachman book, but it's a perfectly-blended end result that proves why Wright was a great choice to bring us another interpretation of the tale. It's just a shame that he didn't hire Harold Faltermeyer to deliver another fine electronic score, which would have been the best thing to carry over from the older film. 

8/10

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Mubi Monday: Scott Pilgrim Vs. The World (2010)

Note - this review originally appeared over on Flickfeast.co.uk.

Edgar Wright returned to the director’s chair with his first big American picture and produced another hugely entertaining modern classic that put him at three for three.

Scott Pilgrim (Michael Cera) is a twenty-something slacker dating a high schooler (Knives Chau, played by Ellen Wong) and playing in a band, Sex Bob-Omb. When he falls in love with the beautiful and aloof Ramona Flowers (Mary Elizabeth Winstead) it certainly looks like things are on the up and up, especially with Sex Bob-Omb finally moving from playing in a living room to taking part in a local battle of the bands. Things get complicated, however, when it transpires that Ramona has seven evil exes and Scott has to fight each one of them if he wants to keep her in his life.

Although it’s based on a series of graphic novels, Edgar Wright has here shown how to make the very best videogame movie possible. The structure, at heart, is the standard “beat each successively harder end-of-level boss” and the movie is full of great videogame references and audio and visual gags. Basically, Wright does for videogames with this movie what he did for action flicks in Hot Fuzz and zombie movies in Shaun Of The Dead.

The script, based on the original work by Brian Lee O’Malley and co-written by Michael Bacall and Wright himself, is chock full of great lines and you’re never more than mere seconds away from a great gag.

The direction, as fans such as myself would expect, is superb. With the design and look of the thing inspired both by the graphic novels and numerous videogames everything is eye-catching and every frame is full of little details for you to catch up with on repeat viewings (as was also the case with Wright’s previous two movies). The execution of the comedy is something completely unsurprising but what IS an eye-opener is the choreography and shooting style of each of the big fight sequences. Wright uses visual FX and editing to add energy and impact but he also takes time to showcase some great physical action, providing us with some of the best mainstream kick-ass fun since . . . . . . . . . . . well, I don’t know when. The Expendables, The A-Team, and The Losers were the more straightforward, and hugely enjoyable, action movies of 2010 but Scott Pilgrim, uber-geek that he is, fights his way up to earn a deserved spot right beside them.

As for the cast, there is nobody here who disappoints and it’s a testament to the quality from beginning to end that I can’t write this review without wanting to mention some highlight relating to every single main character onscreen. Michael Cera’s effortless geek persona fits perfectly with his character, Mary Elizabeth Winstead is cool and sexy and Ellen Wong is just as cute as a button. Kieran Culkin puts yet another great, fun role in his growing catalogue of great, fun roles and Anna Kendrick cements her reputation as someone to keep an eye on. The band members (Mark Webber, Alison Pill and Johnny Simmons) are a great bunch with Alison Pill providing the most entertainment as feisty girl drummer, Kim. And then we have the numerous evil exes – Satya Bhabha, Chris Evans, Brandon Routh, Mae Whitman, Keita Saitou and Shota Saito and last, but by no means least, Jason Schwartzman – each one with their own quirky style and each one necessitating a special, super duper finishing move. Chris Evans and Brandon Routh stand out as major highlights but that’s not really a fair statement because every major character and set-piece brings something memorable to the proceedings.

I feel like I’ve missed something out now, some great comment on the superb dialogue or some praise for one of the actors or even talk about the soundtrack (which I actually DID forget to mention despite how energetic and great it is), but that’s just because Scott Pilgrim Vs. The World is so good that you want to praise every aspect of it. It just falls short of being perfect but it’s easily one of the very best, and most entertaining, films of 2010.

9/10

You can buy the movie here.
Americans can buy the movie here.

21 Jump Street (2012)

It's time for yet another old TV show to be given a comedy makeover as 21 Jump Street hits the big screen and I must start off this review by saying that this is a film once again based on a TV show that I have no knowledge of. Well, I understand that the basic premise revolved around an undercover police unit working at a school but beyond that I know nothing.

The movie starts off in 2005, showing us a couple of very different young men. Schmidt (Jonah Hill) is a loser while Jenko (Channing Tatum) is the handsome, popular guy who makes fun of him. The one thing they have in common is that neither is going to the prom. Move forward a few years and Schmidt and Jenko end up in the same group training for the police. The two men help each other out and become firm friends. Sadly, they don't seem to be very good cops and after messing up their first arrest they are transferred over to the Jump Street project - an undercover operation that will send them back to high school in an attempt to bust a drug ring. Strange as it may seem, in the intervening years the smart and caring kids have become the cool ones and the aggressive rebels aren't so beloved as they once were. Schmidt and Jenko have to struggle to adapt to their new roles but cracking the case must remain at the top of their agenda. Well, that and maybe going to the prom.

Directed by Phil Lord and Chris Miller, and with a script written by Michael Bacall (based on a story worked out by himself and Jonah Hill), 21 Jump Street has plenty of great one-liners, a few decent comedy action sequences and some obvious but amusing character development.

The real ace up its sleeve, however, is the central pairing of Channing Tatum and Jonah Hill. I have enjoyed the work of both actors in a number of other movies but they play off each other brilliantly here, with Tatum showing a real flair for comedy, and the chemistry between them ensures that this film rattles from start to finish with not one dull moment.

The rest of the cast all do very well, it's just clear that the movie is at its peak when Tatum and Hill are the focus. Brie Larson is cute as Molly - the young lady who catches Schmidt's eye, Dave Franco is very good as Eric (a cool guy but also a main suspect), Rob Riggle is as hilarious as ever in the role of Mr. Walters, Ice Cube is very entertaining as the angry Captain Dickson, Ellie Kemper is very funny as Miss Griggs - distracted by Jenko and there are far too many other names that I could single out for praise if I had the time/space/inclination but just trust me when I say that everyone does a fantastic job. There are also a few great cameos for fans to watch out for so keep your eyes peeled.

To be honest, I didn't expect much from this film. I was hoping for a few laughs but I was worried that it would be yet another comedy with all of the best moments already shown in the trailer. That certainly wasn't the case. It's slick and full of plenty of intelligence working alongside the dumber elements but also, and most importantly, it was laugh out loud funny for most of the runtime. Fans of the original show may not like the fact that it has been given a comedy makeover so do bear that in mind but for everyone else - I suggest giving this one a watch ASAP if you want your funny bone tickled.

9/10

http://www.amazon.com/Jump-Street-UltraViolet-Digital-Blu-ray/dp/B003Y5H5BA/ref=sr_1_1?ie=UTF8&qid=1337947019&sr=8-1