For It Is Man's Number: mitchell lafortune

Showing posts with label mitchell lafortune. Show all posts

Wednesday, 29 April 2026

Prime Time: Greenland 2: Migration (2026)

With most people back in their main roles, both in front of and behind the camera, Greenland 2: Migration is an unexpected sequel to Greenland, obviously. Considering that film was about an Extinction Level Event (ELE), you would suspect that the story was all done. Not so. There may be some hope for those who found a way to survive. Especially if you're the Garrity family (made up of Gerard Butler, Morena Baccarin, and Roman Griffin Davis, the latter replacing Roger Dale Floyd as the youngest family member).

It is five years after the events of the first movie. A number of people are living in an underground bunker, but more trouble is coming. The environment is still harsh and dangerous, which forces people to come up with a plan to move. There's rumour of a habitable environment at a major comet impact point, but getting there will be a hell of a challenge. Your odds seem greatly improved when Gerard Butler is the head of your family unit though.

Mitchell LaFortune joins Chris Sparling on the writing duties this time, and the two of them have a fairly easy task. Remind viewers of the current situation, put the latest events in motion, take characters on a journey that keeps putting a number of obstacles in between them and the potential safety and optimism of their final destination.

Director Ric Roman Waugh feels very much at ease with his job. He knows what needs to be done, and he keeps most of the scenes focused on the star, Butler. It's a shame that he doesn't do much else though, with the experience of watching this movie akin to the trudgery that the onscreen characters go through. You could argue that nothing in the rest of the movie is as intense or entertaining as the opening scenes, and that makes the 98-minute runtime drag out as it becomes a case of waiting for what seems like an inevitable finale.

Butler does fine in his role, once again being enjoyably stoic and a very capable, if reluctant, hero. Baccarin gets less to do, but remains alongside him in a pretty thankless role. Davis has one or two moments that show him struggling to stay adjusted to post-comet life, but it feels like lip service to something that would surely be much more intense and difficult to process. There are a few other characters allowed to pop in and out of the narrative, but things stay pretty firmly held on the fate of the central family unit.

If you liked the first movie then you'll find some moments to enjoy here, but it's a big step down. There's no real sense of urgency, aside from the moments in the first act, and it's hard to feel truly worried about people we last saw surviving "the end of the world". Fingers crossed that we don't get a third movie, although that would probably involve a war for Greenland between the people living there and the inane 47th President of The United States.

5/10

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Wednesday, 20 September 2023

Prime Time: Kandahar (2023)

Although I sometimes pick movies with absolutely no idea of what I am about to watch, it is nearly impossible to watch as many movies as I do without some awareness of the content of them (whether it is due to their genre categorization, the main star name, or even just the thumbnail/poster, not to mention the various ads and trailers). So I don’t go into a recent Gerard Butler movie expecting a masterpiece. I did hope that Kandahar would be better than this though.

Butler plays Tom Harris, a CIA operative working undercover in Afghanistan. He is due to head home after another successful mission, allowing him to spend some quality time with his daughter and move his stuff out of the home he used to share with his due-to-be-ex-wife, when he is asked to take part in one more mission, and it is one with a huge payday. Unfortunately, Harris has his cover blown, which leads to a number of people desperate to capture him as he tries to get to an extraction point in Kandahar with his translator, Mohammad (Navid Negahban).

Let’s get to the point here. The biggest problem with Kandahar isn’t the cast, although they’re not doing their best work. Director Ric Roman Waugh is also not dire, but not helping as much as he could. The biggest problem lies with the confused script by Mitchell LaFortune, and it’s no surprise to see that this is his first feature. Where Kandahar could have been so many things, depending on the focus on action or drama, it ends up trying to be a bit of something for everyone. That wouldn’t be so bad if LaFortune isn’t also distracted by the idea of showing how people aren’t always easily placed into the category of hero or villain, with everyone given a chance to show how the circumstances dictate their thinking and actions. What that means is that we get a film with a runtime padded out by many scenes that feel completely unnecessary, and sometimes laughably bemusing.

Butler is showing his years nowadays, age catches up to us all in the end, but he still Carrie’s himself with the confidence of someone happy to face overwhelming odds with his strength, intelligence, and skillset. Negahban is perfectly fine, and at least benefits from one of the many coincidences folded into the script, and our two leads are easier to root for throughout simply due to them being played by Butler and Negahban. Elsewhere, Travis Fimmel is the employer/ally, and both Bahador Foladi and Ali Fazal play two main characters aggressively pursuing our heroes (although the latter is given a motorbike that is superfast for some scenes and then seems to be capped at a top speed of 5mph when trying to follow the desert-traversing truck commandeered by our leads).

Some may prefer the fact that this is an action film trying to explore ideas beyond the boundaries of most standard action films, but I would have much preferred this to get the basics right. None of the geography, timing, or choreography feels good enough, and there isn’t enough breathing space for the half-assed ideas lumped in alongside the poor action moments.

Ultimately pleasing nobody, apart from maybe the biggest Gerard Butler fans. Even they might find this one much easier to ignore than some of his other vehicles.

3/10