Showing posts with label nick sagar. Show all posts
Showing posts with label nick sagar. Show all posts

Sunday, 26 December 2021

Netflix And Chill: The Princess Switch 3: Romancing The Star (2021)

The third Princess Switch movie allows Vanessa Hudgens to once again take on multiple roles as her characters become embroiled in yet another scheme. She plays Stacy, Lady Margaret, and the scheming Fiona Pembroke, and everyone starts to swap identities this time around in order to try and retrieve a valuable item, the Star Of Peace, that has been stolen while in the care of the royal household. Stacy and Lady Margaret do their best to figure out who the culprit could be, but they soon realise that the person best-suited to help them is the person being punished for their criminal scheming in the last adventure, Fiona Pembroke.

Robin Bernheim is back on the writing duties, this time flying solo, and Mike Rohl is back to direct for a film that feels very much like an easy reunion for everyone involved. Every cast member slips into their role(s) with ease and it's as if there's a fine layer over the material that shows a printed statement of intent. You want predictable, comforting, silly, snow-dusted, entertainment? Here you go.

A return to form for the series/trilogy, this third Christmas identity-swap adventure benefits from the way it increases the silliness in just the right ways. Having all of the main characters played by Hudgens having to work together, and at various times impersonate one another, allows for much more fun than the premise that pushed them all together the first time around. It also helps that you have more comic relief from Florence Hall and Ricky Norwood, as Mindy and Reggie, the assistants to Fiona. And there's a very good cameo role for Amanda Donohoe, giving her a role that she seems perfect for.

Nick Sagar and Sam Palladio also return, playing Prince Kevin and Prince Edward, and Sagar is still the more enjoyable male, mainly because he still doesn't have to play things as reserved and mannered as Palladio, and newcomers include Remy Hii, playing Peter Maxwell (ex-boyfriend of Fiona and a security expert who may be able to help with the case), and Will Kemp, playing Hunter Cunard, who is almost definitely maybe probably the actual thief.

But all of this talk of who is behind the camera, and who else does good work in front of the camera, is just preamble to me, once again, singing the praises of Hudgens. Perhaps one day she will receive a bit more of the praise that she deserves for a variety of performances that have been brilliant since the first movie, but have also improved slightly with each instalment. Hudgens may wobble at times with the accents, but she's often playing someone who is playing someone else, so the wobbly accent is excusable in those instances, even if it wasn't intended. Here's the thing though, I think it IS often intended, and I think Hudgens is always doing a great job. She's also brilliantly versatile in her way of moving from the more dramatic scenes to the comedy, with the character of Fiona Pembroke allowing her to be entertainingly cocky and outrageous.

I know that few people like these movies as much as I do (despite my disappointment in the second film, I'd still choose these over so many others), and I know that they're not milestones of cinema, but I'll happily recommend them to people who want some easygoing seasonal fare, who don't mind Hudgens in a central role, and who would prefer something that pushes some potential romantic developments to the side in favour of comedy montages and silly set-pieces.

6/10 

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Sunday, 13 December 2020

Netflix And Chill: The Princess Switch: Switched Again (2020)

I am well aware that I enjoyed The Princess Switch more than most people. Or, to put it correctly, I was one of the few people who enjoyed it unironically. I was especially complimentary about the lead performances from Hudgens, taking on two characters, and doing a great job of portraying those characters pretending to be one another.

This sequel, featuring a third character portrayed by Hudgens (something I mentioned as an obvious sequel idea before this was even announced), brings everyone back together for a plot that has Hudgens throwing a spanner in the works as . . . an evil schemer.

Just like I said. Although nobody decided to use any of my title suggestions. I guess 2 Princess 2 Switch was never going to be a serious contender.

Anyway, Stacy (Hudgens) is quite happy. Margaret (Hudgens) is less happy, dealing with the pressure of her duties after separating from Kevin (Nick Sagar). And Fiona (Hudgens) is a relative who thinks she can plan a little switcheroo to get her hands on a fortune and generally improve her life.

Mike Rohl directs once again, and writers Robin Bernheim Burger and Megan Metzger are back with to plot out another adventure for the characters they created, and the only change in the central cast would appear to be Mia Lloyd taking over the role of young Olivia (Kevin's Daughter). It's clear that viewers should know what they're getting even before they press play. It's something different, but almost exactly the same. Like so many other Christmas movies.

Despite aiming to never do it again, Stacy and Margaret switch once again, temporarily, which causes a headache for the scheming Fiona. Kevin wonders if there's a chance to repair a relationship, Prince Edward (Sam Palladio) remains quite sweetly oblivious of identity changes, until the finale forces everyone to divulge the complete truth, and you have characters trying to overcome their self-doubt, carefree moments in the snow, and a few dubious characters helping Fiona try to get away with her planned crime.

I'm not going to pretend that I didn't still enjoy this, but that's due more to my own goodwill than it is due to the quality of the film itself. The first film felt contrived in a way that was necessary for the whole central premise. This feels contrived in a way that is a bit, well, lazy and careless. Although the main plot point about Fiona is a fun direction for the film to take, it's mishandled, while almost every other aspect feels like a retread given very little actual thought. I know, you can say that about most films like this. That's true. It just feels more irritating this time, mainly because everything was in place to make this an enjoyable sequel. It sadly ends up just being very average instead.

Hudgens is once again good in her role (although even her performances don't feel quite as . . . sharp this time around), and both Palladio and Sagar are fine as the main men in her lives. Lachlan Nieboer is enjoyably easy to mistrust and dislike, playing an assistant/advisor named Antonio, and Ricky Norwood and Florence Hall are good fun as Fiona's accomplices. Lloyd is fine in the role of young Olivia, and Suanne Braun enjoys reprising the role of Mrs. Donatelli.

Perhaps on any better day I would have enjoyed this more than I did. I somehow thought it would manage to be on a par with the original. I didn't hate it, but I didn't enjoy it half as much as I expected to. And I don't go into these things with high expectations.

4/10

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Tuesday, 4 December 2018

Yule Love It: The Princess Switch (2018)

Vanessa Hudgens is Lady Margaret, a soon-to-be-wed royal figure who is marrying her partner because it is her duty, not because she is in love with him. But she really wants to spend a couple of days before her wedding just getting to look around and spend time with the everyday people of Belgravia. Vanessa Hudgens is also Stacy De Novo, a top baker who is due to participate in a baking competition that takes place in Belgravia. When Lady Margaret sees Stacy, the two literally bump into one another, she thinks it will be a great idea if they swap places for a couple of days. Her fiancé, Prince Edward (Sam Palladio) is due to be away on business anyway, so that makes things easier. Stacy just needs to learn a bit about how to behave, and put on a posh accent, while Lady Margaret needs to loosen up a bit and also change her accent.

Considering the previous two TV movies from director Mike Rohl were Miss Christmas and Royal Matchmaker, this would seem like an obvious fit for him, mixing the royal romance with the holiday trimmings (and I've been surprised in recent years to find just how many Christmas films make use of a royal romance plot - who knew there were so many small provinces with princes desperate to get married?). And he seems to have put himself in safe hands with writer Robin Benheim, who has an extensive list of credits already, and who co-wrote this with Megan Metzger. Not that this is a quotable classic or anything, movies of this kind rarely are, but you have all of the usual lessons learned, a couple of twists and turns, and the necessary amount of festive cheer.

I can't say that this film does anything truly amazing, it's a rare holiday film indeed that rises up to that level, but I'm not going to write this review without heaping a serious amount of praise upon the main performances from Hudgens. Easy to dismiss because of the film that she's starring in, Hudgens gives an absolutely fantastic selection of skilled turns, either portraying Stacy or Lady Margaret, or even Lady Margaret pretending to be Stacy, OR Stacy pretending to be Lady Margaret (which make up the majority of her scenes). It's a shame that few people will give her credit for this, because it's JUST a Christmas movie (and, basically, a TV movie made by Netflix), but her performance is consistently pretty flawless. Seriously. She lifts up the whole film by being utterly convincing with anything that she's trying onscreen.

As for the rest of the cast, Palladio is Princely enough as the Prince, Sara Stewart and Pavel Douglas are okay as his surprisingly understanding parents, Nick Sagar and Alexa Adeosun are both likeable enough as Stacy's friend/sous chef Kevin and his young daughter Olivia, respectively, and Suanne Braun and Mark Fleischmann are the main staff members helping the royal couple, with Braun trying to help things go smoothly and Fleischmann trying to figure out why something suddenly seems different about Lady Margaret.

I've seen better Christmas movies, I've seen better movies with people trading places, I've seen better Vanessa Hudgens movies. That doesn't make this one any less of a pleasant surprise, and I hope it's one that more people will see and appreciate, if only for the not-inconsiderable talent on display from the leading lady.

6/10

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