Spontaneous (2020)

Written and directed by Brian Duffield, adapting a novel by Aaron Starmer, Spontaneous is the kind of good-natured film that should immediately make you a fan of those involved, both behind and in front of the camera. It's a great teen movie, easily sitting alongside the best of that sub-genre, and it just happens to involve a lot of spontaneous combustion.

Katherine Langford plays Mara, a cool schoolgirl who manages to stand out from the crowd without going into full quirky mode. She's good friends with Tess (Hayley Law), and the two of them seem to be happy wandering through their teen years. And then their classmates and peers start to explode. There doesn't seem to be any detectable cause, and no rhyme or reason to it. With the possibility of an early death now looking likely, Dylan (Charlie Plummer) decides to tell Mara that he has a crush on her, and has done for a while. They don't know how much time they have so they may as well enjoy some of it together.

Although he's been writing movies for almost a decade now, this is the directorial debut from Duffield, and it's a very confident one. He's helped himself immensely by casting it so well, but there's also a great balance throughout the script, blending the absurd humour of the situation with the deeper thoughts it prompts in the minds of the lead characters. It also includes some enjoyable movie references without resorting to having certain characters define themselves by dropping famous quotes in every other sentence (an error that so many other movies make when the writer wants to show how cine-literate they are).

Langford and Plummer pair up well, but it's Langford who carries more of the movie on her shoulders, being the individual in more scenes and discussing more of the unfolding situation with the voiceover provided to viewers. It's a star turn, and Langford is surely destined for even more great things in her future career path (if there's any justice). Law does well in her role, although she doesn't get to have as much fun as either Piper Perabo and Rob Huebel (playing Mara's parents). She also doesn't even get to have as much fun as Yvonne Orji, playing Agent Rosetti. I don't mean that Perabo, Huebel, and Orji are adding lots of laughs with their moments, but the way in which their characters are connected to Mara allows them to be involved in some interesting, sometimes supportive and sometimes confrontational, conversations.

Not a gore-filled splatter flick, the spontaneous combustions themselves are often allowed to happen just off-camera, with lots of blood then thrown all over people in close vicinity. Don't seek this out if you're after a horror comedy, but also don't seek it out if you prefer your films to be cosy and bloodless. It does what it needs to do in order to show how shocking the deaths are.

The more I think about Spontaneous, the more I like it. And the title is given a lot of poignancy once the first few scenes properly set out the premise. Next time you're wanting to make a spontaneous viewing choice you could do a LOT worse that this.

8/10

https://ko-fi.com/kevinmatthews

Fun Mom Dinner (2017)

I am trying to figure out why I disliked Fun Mom Dinner so much. It's not that it isn't funny enough for a comedy, although it isn't. It's not that the cast are largely wasted, although they are. And it's certainly not that the whole thing ambles along towards a hugely predictable third act, although it does. I think it is all of these things and more. Mainly, it feels like someone saw the success of Bad Moms and tried to copy that "formula", and they failed.

The plot revolves around four mothers. They are stuck-in-a-rut Emily (Katie Aselton), single oversharer Jamie (Molly Shannon), grumpy Kate (Toni Collette), and a woman who can be relied on to run everything with military precision when need be, named Melanie (Bridget Everett). They all end up on a big night out while their kids are being looked after, drink flows, weed is smoked, and confessions are delivered in ways that allow the women to view each other in a different light. Basically. There are a few sub-plots (one involving two of the hubbies - Adam Scott and Rob Huebel - who are watching the kids, one involving a barman - Adam Levine - who takes a liking to Emily, and one involving a sweet guy played by Paul Rust) but they all feel clumsily inserted, and all continue to serve the lessons being learned about mothers still being women too.

Director Alethea Jones doesn't really do much wrong here, in terms of the technical stuff. The pacing is fine, the camera points in the right direction, and there are a couple of familiar pop hits in the soundtrack (although one of the better songs is used for a godawful karaoke scene). One of the biggest problems that the film has is the cast.

It's not that Aselton is bad, she's just not a very appealing lead. She is far too bland to bother about, as is the character she plays. Collette deserves much better than the material she's given here, as does the usually wonderful Shannon. Everett gets some of the best moments, and she fares the best out of the central quartet, perhaps because I wasn't familiar with her before this. Strangely, the male cast members fare a lot better, with Scott and Huebel a lot of fun, and Levine and Rust both managing to come across as nice guys with different ways of connecting with the women.

Which brings us to the other big problem here. The script. Written by Julie Rudd (and at least her husband, Paul, stops by to steal one scene), there just isn't enough here that works, largely due to the lack of decent laughs. The rest of the problems would be easier to forgive if the film remembered that it was a comedy. Almost every mainstream comedy has the standard chain of events leading to the group bonding, the pop music to either bring joy to the main characters or accompany a fun montage, and a clash of two very different demographics (as in the scene in which these mothers inadvertently crash a teen party). Those things are all fine and enjoyable enough, if done well.

Sure, if you find this available for free then you may want to give it a watch. But I am willing to bet that by the time the end credits roll you just wish that you'd rewatched Bad Moms. Not that this film was ever aiming to be that film, I can imagine someone telling me, . . . but we all know that it was.

3/10

Here's a disc available in America, if you really want it.

Welcome To The Jungle (2013)

Jean-Claude Van Damme has never been a stranger to comedy. He's shown a good nose for it all through his career. And those Coors Light commercials were fantastic. But it's only now that he's starring in an actual live-action comedy feature, and he's unsurprisingly great in it.

The plot concerns a young man named Chris (Adam Brody) who seems to spend every day at his work being walked over by Phil (Rob Huebel) or messing up any chance to engage in conversation with the lovely Lisa (Megan Boone). So he's really not overjoyed when he and his colleagues are sent away for a weekend team-building exercise on a remote island. The whole thing is being led by Storm Rothchild (Van Damme), a man with more brawn than brains, but it's not long until he's sidelined and everything starts going a bit Lord Of The Flies.

In line with so many other comedies that you've seen before, Welcome To The Jungle is still decent fun, thanks in no small part to Van Damme, Brody and the rest of the cast. The script by first-timer Jeff Kauffmann isn't big or clever. It's content to simply be amusing. Taking a bad situation and then making it worse, the movie is set up to get our main character to a point at which he decides to take a stand.

Director Rob Meltzer has only a few other credits to his name, and none of them really seem to be of particular interest to me, but he handles this material just as well as any of the other directors working today. Indeed, his ability to limit the film to about the 95-minute mark actually puts him ahead of some people.

Brody makes for a pleasant enough lead, Van Damme is consistently hilarious (and doesn't overdo things until the material leads him to that approach in the final third), and Huebel is very easy to dislike, and also laugh at. Megan Boone makes for an okay, if somewhat bland, love interest, while Kristen Schaal, Eric Edelstein and Dennis Haysbert are among the more entertaining supporting cast members.

Not a film that will make it onto any Top 10 lists, and not even a film that you'll necessarily remember a few years down the line. This is simply a good time while it's on, nothing more and nothing less. And it's recommended to anyone who ever wanted to see Van Damme recuperating while having his ears stroked and being soothed like a pet bunny. Admit it, you're sold.

6/10

http://www.amazon.com/Welcome-Jungle-Blu-ray-DIGITAL-UltraViolet/dp/B00HVFA2TQ/ref=sr_1_2_twi_2_twi_2?s=movies-tv&ie=UTF8&qid=1420890329&sr=1-2&keywords=welcome+to+the+jungle

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