While investigating the death of a man named Samuels (Sam Levene), a Police Inspector (Robert Young) starts off with one prime suspect (an army lad named Mitchell, played by George Cooper) but soon realises that there may be more to the crime. Mitchell has Keeley (Robert Mitchum) on his side, but there's also someone (Montgomery, played by Robert Ryan) who seems determined to help the police strengthen their case against Mitchell.
Written by John Paxton, and based on the book by Richard Brooks, Crossfire is an enjoyable, dark thriller that also takes some time to highlight the ugliness of anti-Semitism while never feeling too preachy. There are one or two moments that stop the action in order to make a major point or relate an appropriate moral anecdote, but the performances from everyone onscreen ensure that the film never feels as if it's trying too hard to make its points.
Director Edward Dmytryk does a decent job, but most of the groundwork is laid out by both the fine script and the casting of the lead roles.
Young is great as Finlay, a conscientious policeman who doesn't take long to suspect that he may have been put on the trail of the wrong man. Mitchum doesn't have too many scenes in the movie, but he does well with what he's given. Cooper may be a bit weak in his role, but this works just fine, considering the nature of his character. Last, but far from least in this little tale of death and deceit, we have Ryan, who excels with a performance that makes him easy to hate. Gloria Grahame and Jacqueline White both do good work, with the former especially enjoyable as an unhappily married woman who may be able to provide Mitchell with a vital alibi.
It may be, in many ways, a low-key movie that focuses on characters more than major plot twists and turns, but Crossfire still manages to be surprisingly enjoyable and exciting from start to finish. It's well worth a watch.
7/10
http://www.amazon.co.uk/Film-Noir-Collection-Kirk-Douglas/dp/B000UWXM1C/ref=sr_1_1?ie=UTF8&qid=1383652224&sr=8-1&keywords=film+noir
Showing posts with label robert young. Show all posts
Showing posts with label robert young. Show all posts
Thursday, 7 November 2013
Crossfire (1947)
Labels:
crossfire,
edward dmytryk,
film noir,
george cooper,
gloria grahame,
jacqueline white,
john paxton,
richard brooks,
robert mitchum,
robert ryan,
robert young,
sam levene,
steve brodie,
william phipps
Thursday, 24 October 2013
Vampire Circus (1972)
A young woman (Domini Blythe) steals away children for her vampire lover (Robert Tayman), much to the obvious dismay of her husband (Laurence Payne). When he gets the locals with him, it soon becomes a standard mob situation. The woman is punished and then driven back into the castle of her lover, to die with him as it is set on fire. Some years later, the local village is suffering from a mysterious disease. It is quarantined and left to rot away while the inhabitants struggle to find a cure and end their bad luck. They believe it is a curse, laid upon them by the vampire they defeated. When a travelling circus breaks through the quarantine it at first looks set to bring some much-needed cheer and distraction to everyone, but it soon becomes clear that they have other reasons for visiting the area.
While there are some familiar faces onscreen here (with Thorley Walters being probably the one most recognisable to Hammer fans), this is very much a film populated by lesser-known names on both sides of the camera. Adrienne Corri makes quite an impression as the gypsy woman leading the circus into town, young John Moulder-Brown isn't too bad and Dave Prowse is strong and silent as the Strongman, of course.
The screenplay by Judson Kinberg doesn't have much in the way of great, memorable dialogue, but it does have a selection of nice ideas throughout, nicely executed by director Robert Young. Those ideas include a fantastic routine between a circus man and a feral woman fighting/dancing with him, some interesting use of mirrors and the fun being had by some of the circus performers before they show their true colours.
The mix of vampirism and carnival atmosphere should be a winner, but the film never takes off. It's surprisingly flat throughout, before spoiling everything with a finale that just throws together too many silly moments to make it worthwhile. As the end credits roll, viewers will be left feeling majorly dissatisfied. Which is never good.
5/10
http://www.amazon.co.uk/Vampire-Circus-DVD-Adrienne-Corri/dp/B004FN7JCK/ref=sr_1_1?ie=UTF8&qid=1382300097&sr=8-1&keywords=vampire+circus
While there are some familiar faces onscreen here (with Thorley Walters being probably the one most recognisable to Hammer fans), this is very much a film populated by lesser-known names on both sides of the camera. Adrienne Corri makes quite an impression as the gypsy woman leading the circus into town, young John Moulder-Brown isn't too bad and Dave Prowse is strong and silent as the Strongman, of course.
The screenplay by Judson Kinberg doesn't have much in the way of great, memorable dialogue, but it does have a selection of nice ideas throughout, nicely executed by director Robert Young. Those ideas include a fantastic routine between a circus man and a feral woman fighting/dancing with him, some interesting use of mirrors and the fun being had by some of the circus performers before they show their true colours.
The mix of vampirism and carnival atmosphere should be a winner, but the film never takes off. It's surprisingly flat throughout, before spoiling everything with a finale that just throws together too many silly moments to make it worthwhile. As the end credits roll, viewers will be left feeling majorly dissatisfied. Which is never good.
5/10
http://www.amazon.co.uk/Vampire-Circus-DVD-Adrienne-Corri/dp/B004FN7JCK/ref=sr_1_1?ie=UTF8&qid=1382300097&sr=8-1&keywords=vampire+circus
Labels:
adrienne corri,
anthony higgins,
dave prowse,
hammer,
horror,
john moulder-brown,
judson kinberg,
laurence payne,
lynne frederick,
richard owens,
robert young,
thorley walters,
vampire circus
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