Silent Night (2023)

I can imagine the excitement that director John Woo must have felt when he was given the option to make an action film in which the lead character didn't speak. Maybe there was an earlier script draft that had some other characters speaking, maybe there wasn't, but Woo surely relished the opportunity to deliver his trademark visual flourishes with no pesky dialogue dragging things down. It's certainly a strong central idea, but it's one that cannot be maintained for the length of a feature. Nobody wanted to tell Woo that, however, which leaves us with this.

Joel Kinnaman plays Brian Godlock, a man we first see chasing after some gun-fighting gangsters. He manages to deal with some of them before being shot, and left for dead, by Playa (Harold Torres). He somehow survives though, although his voice doesn't. After time spent recovering in the hospital, Brian starts on a path of revenge. It turns out that those gun-fighting gangsters accidentally killed his son. Getting himself armed and learning techniques from online videos, Brian doesn't care if he survives his quest. He only cares about taking the life of the man who killed his son. Oh, and there are some Christmas trimmings scattered here and there, seemingly just to work with the film title, like all of the non-speaking characters.

Written by Robert Archer Lynn, someone who must have been extremely grateful to have grabbed the interest of Woo, Silent Night has infrequent moments that hint at a much better film, but it’s generally a woeful experience. The fact that the central concept won’t actually work becomes clear quite early on, leaving viewers hoping for some patented Woo action, but Woo seems to have more faith in the script than it deserves.

Although there are some action sequences, none of them really hit the dizzyingly high bar set by Woo throughout many of the previous highlights of his filmography. In fact, the gunfire is particularly weak, Woo instead doing a much better job this time around with some car-based carnage. The varying quality of the action may not be so bad if alongside some strong dramatic performances, but the cast are all hampered by the lack of standard dialogue.

Kinnaman can be a great actor in the right roles. This is not one of the right roles for him. Watching him attempt to yell out in rage with no sound coming from his voicebox is just one of many poor, occasionally laughable, moments. Kid Cudi, billed here as Scott Mescudi, is a cop who ends up drawn into the trail of violence, but his character could have been played by almost anyone. As for Torres, he is a generic villain with no real charisma or personality, basically waiting around to be confronted as the “final boss”. None of those people are treated as poorly as Catalina Sandino Moreno, who has to play the suffering wife who also chooses not to speak to her voiceless husband (for no reason other than the script requires her to, because . . . Silent Night).

Many fans of Woo may have been waiting for his return to American movie-making, but I think this just proves that he continues to do his best work in his home country. I love both of his Travolta-starring movies, and I actually don’t mind Paycheck, but it remains obvious that fans of his action and style would be better off revisiting his impressive back catalogue than awaiting any new mainstream offerings from him. Each one offers disappointingly diminishing returns.

3/10

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Silent Night (2021)

If there's one thing we Brits can do it's exploit our civility and manners for entertainment purposes. And we have used that for many different movies, from classic murder mysteries to dark comedies, from the sci-fi horror of something like Prey (Norman J. Warren, 1977) to the unfolding dinner party with a big secret in Rope (Alfred Hitchcock, 1948). This material has been mined by many other countries throughout the decades of cinema, but I like to think that they all stem from observations of British people in their home environment.

Silent Night, the first feature from writer-director Camille Griffin (who also casts all three of her sons in roles of varying importance), shows a group of seemingly well-to-do British people gathering at an isolated home for an evening of dining, drinking, conversation, and probably more drinking. It's a dinner party with a difference, that difference being the looming end of the world. 

While this is an interesting premise for a movie, and could have been a showpiece for any actor, Griffin stumbles due to a lack of tonal focus or consistency. She may have wanted to make something that weaves from comedy to drama to horror, but every one of the better moments just makes you wonder how many other ways the film could have played out in a much more satisfying way.

The main fault lies with Griffin’s script, especially when she doesn’t give anyone the kind of razor-sharp dialogue that the film craves. None of the main characters have the steel required to lift it up to a level of greatness. If this had been made fifty years ago with a main role for Bette Davis, THEN you have something closer to greatness.

Keira Knightley and Matthew Goode are the host couple, both doing well with what they are given (mainly being polite and attempting to put a brave face on things), and their three children (the characters played by Griffin’s children) include another star turn from Roman Griffin Davis, playing the most important person in the film. Lucy Punch, Annabelle Wallis, Kirby Howell-Baptiste and Lily-Rose Depp play the women, all with various approaches to their impending fates, and Sope Dirisu and Rufus Jones are the two male guests, supporting their partners as they deal with some unfinished business.

Things step up a notch in the third act, and the very end features a great little “punchline”, but the end result is more of an interesting, incomplete, almost-ran than an outright winner.

6/10

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Silent Night (2012)

This is how you do a remake and this is how you do a Christmas slasher movie, oh yes. Silent Night is a remake of Silent Night, Deadly Night but, to be honest, it only takes loose inspiration from that movie. Both films are about killer Santas but there are some big differences. Fans, however, will be delighted to see a number of nods to the original film.

It's Christmas Eve and Officer Aubrey Bradimore (Jaime King) is called in to help out while everyone prepares for the big day. The streets are full of men dressed as Santa, all getting ready for the annual Christmas parade. That makes things awfully difficult when the police find out that they have a killer on their hands, a killer meting out justice while dressed as Santa Claus.

A lot of people will find so many elements of Silent Night just wrong, wrong, wrong. Personally, I think that screenwriter Jayson Rothwell and director Steven C. Miller get everything just right. The film doesn't waste any time in setting up the nasty premise and then barely lets up until the end credits roll (approximately 94 minutes later).

The death scenes play a big part in the entertainment factor, of course, with a variety of methods used to get rid of various folk on the naughty list. Electrocution by a set-up that involves a lot of Christmas lights, some fun with a woodchipper and an absolutely classic case of axe head meeting human head, those are just a few of the many great kills in the movie.

However, as much as a few horror fans may debate the issue, great kills alone don't make for a great movie. Thankfully, Silent Night also has a great cast to add to the entertainment value. Jaime King is a lead you can really root for so there are no problems there but the supporting cast are where things really start to shine. Malcolm McDowell clearly has a blast as the Sheriff who keeps coming up with absurd sayings to apply to every situation and Donal Logue is great fun as a cynical Santa who falls under suspicion. Ellen Wong, Brendan Fehr, Lisa Marie, Courtney-Jane White, Ali Tataryn, Curtis Moore and Tom Anniko all do well in a variety of supporting roles, some more memorable than others for reasons that will become obvious once you watch the thing.

That's the main point I want to reiterate at the end of this review, DO watch the movie. If you're a horror fan then this is a fantastic, beautifully simple, bodycount slasher movie just like they used to make. If you're a comedy fan then you might just find yourself laughing at the sheer gusto of the whole thing. If you're a fan of all things nice and sweet then you . . . . . . . . well, you may just want to ignore this entire review and rewatch A Christmas Story instead.

9/10

http://www.amazon.com/Silent-Night-Blu-ray-Malcolm-McDowell/dp/B009IV2ZCI/ref=sr_1_1?ie=UTF8&qid=1354577220&sr=8-1&keywords=silent+night