Showing posts with label simon kinberg. Show all posts
Showing posts with label simon kinberg. Show all posts

Thursday, 1 February 2018

xXx: State Of The Union (2005)

If you ever struggle with your place in the world, stressing out as you consider the fact that your IQ may be working against you, because ignorance is bliss, then you should immediately get your hands on xXx: State Of The Union. It WILL help lower that IQ. It's that dumb.

Lee Tamahori, a man who should stop giving us poor action movies and return to making films like the most excellent Once Were Warriors, is the director, working from a script by Simon Kinberg (who has a slightly better track record, but also gave us Fantastic Four), and it quickly becomes clear that it's a hodge podge of ridiculous action and bad decisions, accompanied by a number of obvious soundtrack choices.

Ice Cube is the new xXx, an ex-military rough guy who gets broken out from jail by Samuel L. Jackson (reprising his role of Agent Augustus Eugene Gibbons) and Michael Roof (reprising the much lesser role of Agent Toby Lee Shavers). This all happens because the xXx facility has been raided, people have been killed, and there's suspicion of a conspiracy that may reach as high as the Secretary Of Defence (Willem Dafoe) and the President Of The United States (Peter Strauss). Can Ice Cube snarl and punch-kick-throw enough people out of the way to complete his new mission?

Let me clarify something before we move forward, I can absolutely switch my brain off to enjoy a movie. Anyone who has met me for more than five minutes already knows that it takes me more effort to sometimes switch my brain ON. But the film still has to meet me halfway. This does not do that. It's even more ridiculous than the first film, which would be okay if a) they nailed the tone and b) could make the most of their budget. They manage neither.

Cube can do tough and mean, but he doesn't ever feel convincing in the full action hero role. Sorry, he just doesn't work here for me. Jackson can do his thing in his sleep, and he's okay, and Roof clearly couldn't believe his luck when he found that his minor tech guy role from the first movie had been beefed up for this instalment. Dafoe is fun, Strauss is bland, Scott Speedman is an agent who may end up helping or hindering Cube, and Xzibit pops up long enough to join in with some vehicular carnage. The main female characters are played by Nona Gaye and Sunny Mabrey, with the latter given a bit more to do than the former.

There are so many moments here to either relish or roll your eyes at, depending on your mood. The jailbreak sequence, for starters, features one of my pet peeves - a vehicle that makes no sound at all until it appears in frame. There are some nice cars on display, lots of stuntmen fall down to make Ice Cube look good, a tank on tank battle quickly becomes far too ridiculous, but ends well, and the finale features a car jumping on to some train tracks, shredding the rubber from the tyres, and still catching up to a . . . bullet train. Admittedly, I was laughing out loud at that point. It was a big mess, but I had already gone along with it all and I knew the end must be near.

Despite the twists and turns that the script takes, the biggest thing working against this movie is that it doesn't have the identity of the first film. As dumb as xXx was, it had the central gimmick (extreme sports legend sent in as a secret agent). This film is just an action movie that seems determined to be the dumbest film of 2005. Tamahori and Kinberg can do much better, as can most of the cast members. I suspect even Roof can do better. And I know that viewers can.

3/10.

Buy two movies here
Or Americans can get just the sequel here.



Friday, 13 June 2014

X-Men: Days Of Future Past (2014)

For anyone mad enough to care about such things, my reviews of the previous X-Men movies can be found here (the first), here (the second), here (The Last Stand) and HERE (First Class). I've also reviewed X-Men Origins: Wolverine and The Wolverine. Sadly, I've still not read any of the actual comics, but I've enjoyed, to varying degrees, every cinematic outing for the superhero squad.

Bryan Singer returns to the director's chair for this instalment in the X-Men movie franchise and it's not long until he reassures fans that they are back in safe hands. A lot of people enjoyed X-Men: First Class, but I was a bit disappointed by it. It was entertaining enough, sure, but really felt lacking in the action department. Five minutes into X-Men: Days Of Future Past and the action is thick and fast. Mutants are being wiped out by giant robots, called sentinels, that can absorb mutations and add them to their formidable arsenal of weaponry. Many have died, with a small group staying alive thanks to the unique gift of Kitty Pryde (Ellen Page). If an attack begins, and they can save some precious time for themselves, Kitty can send the consciousness of someone back to an earlier time, that person can then warn everyone, and the attackers arrive to find nobody around. Charles Xavier (Patrick Stewart) and Magneto (Ian McKellen) want to end the war, and they think that Kitty could be the key. Unfortunately, she would need to send someone back decades, not just hours or days, and the mind can't handle that. Unless it's a mind that can repair itself almost as quickly as it's being broken to pieces. Yes, Wolverine (Hugh Jackman) ends up being the one chosen to travel back in time. He has to find the young Charles Xavier (James McAvoy), and the young Magneto (Michael Fassbender), and he has to ask them both to help him find Mystique (Jennifer Lawrence). She doesn't know it yet, but it's her blood that could lead to the death and destruction of all mutants.

Although rooted in a darker storyline regarding the planned extermination of all mutants, this remains a surprisingly light and upbeat film (something that Singer also managed with the first movie - both started with scenes featuring a holocaust). This is thanks, mainly, to the large ensemble cast all clearly enjoying themselves, and also to the pacing of the movie, with at least four fantastic set-pieces helping to make the 131-minute runtime just fly by. When the action kicks in, it's almost as if everyone involved is so relieved to not be explaining "the science part" that every set-piece is taken up a notch thanks to the additional exuberance of all involved.

Jackman is the star of the show once again, after his fleeting appearance in the previous movie, but there's plenty time to enjoy the performances of McAvoy and Fassbender. Lawrence would have benefited from more screentime, but that's more a comment on how great she is onscreen than a criticism of Simon Kinberg's script. Nicholas Hoult gets to Beast out, impressively, on a few occasions, and Peter Dinklage is enjoyable as the potential villain of the piece. As well as Stewart, McKellen and Page returning to their roles, we get Halle Berry back (stuck with her character, Storm, being as useless in the movies as she has been from the beginning), Shawn Ashmore reprising his role as Iceman, Josh Helman portraying a young Maj. Bill Stryker, Evan Peters stealing a few scenes as Quicksilver, and Bingbing Fan making a great first impression as Blink (seriously, she's probably the coolest one that I was previously unaware of). There are many, many more, old and new, but I don't want to spend more time just reeling off the names.

Because of the time travel element, there's plenty of room here for references, in-jokes, and plot holes. Having said that, I never once sat and thought about any major mistakes in the developing timelines. The movie may (in fact, probably does) have the kind of errors/paradoxes that most other time travel movies also contain, but it's so polished and consistently entertaining that it doesn't matter. You also have to admire the skill shown in ret-conning the franchise so effectively. By the time the end credits roll (and wait for the post-credit tease, of course), fans can leave the cinema happy with the way things have been set up for the cinematic future of this franchise.

It may not be the best of the series, I still think 1 and 2 are a pretty unbeatable double-bill, but this is a return to great form for the X-Men. In fact, it's almost impossible to think of any fans who will dislike this one.

8/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share