Another month goes by, another YA novel is unsuccessfully adapted into movie form. This time it's The Darkest Minds. There's something about these teen-friendly film (wannabe-)franchises that often appeals to me, perhaps due to many of them being created with so many fun genre tropes in the mix (all of the ones I can think of right now are either horror, sci-fi, or whirling through a landscape of magic and fantasy, of course). Or perhaps it's just the case that the older I get, the more I try to pretend I'm still energetic and young at heart.
This particular tale starts with a MAJOR EVENT. It's not given any explanation, it's just a sudden occurence that immediately kills of a lot of the children on our planet and imbues those left behind with special powers. Some become smarter, some can use and control the electricity around them, some have telekinetic powers, and the most dangerous have the ability to brainwash others, even to the point of them being led towards harming themselves. Amandla Stenberg is Ruby, a young woman who is now viewed as one of the most dangerous of the child population. Her power is discovered while being graded in an internment camp, which she then has to escape from with the assistance of an adult (Mandy Moore) who seems to be wanting to help her. Unsure of who to trust and what to do, Ruby ends up teaming up with three other youngsters: electricity-wrangler Zu (Miya Cech), supersmart Chubs (Skylan Brooks), and telekinetic Liam (Harris Dickinson). The quartet end up heading towards a rumoured place of safety, headed up by a mysterious figure who has set himself as a leader of a resistance movement.
I suspect the biggest weakness here lies with the source material, by Alexandra Bracken, or the changes that have been made by Chad Hodge to adapt it into his screenplay. Although the main premise seems like a decent one, it's far too derivative and predictable once it gets past the opening act. It also feels a bit too haphazard, without enough scenes showing the ripple effect of the deadly initial incident, instead just giving us a couple of scenes to set up some main characters that will figure during important plot points. Although this is a film about a global crisis, you never get the feeling of that. I had, in fact, forgotten quite quickly that most of the other children around the world had been killed off in the opening moments.
Director Jennifer Yuh Nelson doesn't help. Everything is in place, but it's all assembled in a perfunctory way. The characters never feel well-rounded, they're just reduced to the tags given to them after the MAJOR EVENT, and none of the potential surprises in the plot are surrounded by enough distractions to make them work. There are a couple of good sequences that tease the horror genre ideas at the core, and a satisfying battle in the grand finale, but not enough to make up for the rest of the movie being so disappointingly generic.
Despite the weak direction and script, things could have been lifted a little bit more by the cast. Sadly, that doesn't happen. Stenberg tries, she just isn't quite good enough (although she's not bad). Brooks fares the best from the younger cast members, Patrick Gibson does well as the young leader assembling the young fugitives, while Cech and Dickinson fare the worst. The adults all do a bit better, with decent performances from Moore, Gwendoline Christie, and one of my favourite "big meanie" actors, Wade Williams, here portraying a . . . big meanie.
While not working with a huge budget, the money and people involved here ensure that it's far from unwatchable. It's just not surprising to find out that it underperformed, and probably won't be getting any of the intended sequels. But if it does end up getting them then I'll still end up watching them.
5/10
You can buy the DVD here.
Americans can get the Blu here.
Showing posts with label wade williams. Show all posts
Showing posts with label wade williams. Show all posts
Tuesday, 19 March 2019
The Darkest Minds (2018)
Labels:
alexandra bracken,
amandla stenberg,
chad hodge,
gwendoline christie,
harris dickinson,
jennifer yuh nelson,
mandy moore,
miya cech,
patrick gibson,
sci-fi,
skylan brooks,
the darkest minds,
wade williams
Thursday, 3 October 2013
Terror Tract (2000)
A horror anthology movie with a nice streak of black humour weaving through most of it, Terror Tract sits very much in a safe middle ground when compared to other films of its ilk.
John Ritter plays Bob Carter, a real estate agent showing some lovely homes to Allen and Mary Ann Doyle (David DeLuise and Allison Smith). Bob Carter is a charming, decent man but he may just be a bit too honest for his job. He ends up telling the Doyles a story in each house that they visit, a story about the people who previously owned the property. There don't seem to be too many happy endings.
House/tale 1 - Sarah York plays an unfaithful wife who is about to be caught out by her husband, played by Fredric Lehne. Carmine Giovinazzo is the lover caught in the middle of a very nasty situation and Wade Williams is the local law enforcement who starts to suspect that something is amiss.
House/tale 2 - Bryan Cranston finds his life turned upside down by a vicious monkey. Yes, you read that right. Bryan Cranston vs. a monkey.
House/tale 3 - A young man (Sean Estes) tries explaining to a doctor (Brenda Strong) that he seems to have some psychic link to a serial killer. The doctor is, understandably, on edge and wonders whether or not the young man actually IS the killer, dissociating himself from his actions.
The downside of Terror Tract is that none of the individual tales are that great. The second tale is the best, mainly because, as I may have mentioned, it has Bryan Cranston vs. a monkey, but this is an anthology movie lacking that one great story that everyone can pick as their favourite.
The acting is solid from everyone, the script by Clint Hutchison is okay, if a bit flat, and the direction from both Hutchison and Lance W. Dreesen is competent, if unremarkable. Where the movie excels is in the wraparound content. Ritter is as much fun as he usually is, DeLuise and Smith are both very good and things build up to a final sequence that shows how much better the rest of the movie could have been if it had managed to maintain a more consistent tone from start to finish.
It may not make your list of "best anthology movies ever" but Terror Tract is an enjoyable enough watch, boosted by a sense of fun and some decent performances. Don't make it a top priority, but do try to check it out some time.
6/10
http://www.amazon.co.uk/House-On-Terror-Tract-DVD/dp/B000B64VYO/ref=sr_1_1?ie=UTF8&qid=1379941667&sr=8-1&keywords=terror+tract
John Ritter plays Bob Carter, a real estate agent showing some lovely homes to Allen and Mary Ann Doyle (David DeLuise and Allison Smith). Bob Carter is a charming, decent man but he may just be a bit too honest for his job. He ends up telling the Doyles a story in each house that they visit, a story about the people who previously owned the property. There don't seem to be too many happy endings.
House/tale 1 - Sarah York plays an unfaithful wife who is about to be caught out by her husband, played by Fredric Lehne. Carmine Giovinazzo is the lover caught in the middle of a very nasty situation and Wade Williams is the local law enforcement who starts to suspect that something is amiss.
House/tale 2 - Bryan Cranston finds his life turned upside down by a vicious monkey. Yes, you read that right. Bryan Cranston vs. a monkey.
House/tale 3 - A young man (Sean Estes) tries explaining to a doctor (Brenda Strong) that he seems to have some psychic link to a serial killer. The doctor is, understandably, on edge and wonders whether or not the young man actually IS the killer, dissociating himself from his actions.
The downside of Terror Tract is that none of the individual tales are that great. The second tale is the best, mainly because, as I may have mentioned, it has Bryan Cranston vs. a monkey, but this is an anthology movie lacking that one great story that everyone can pick as their favourite.
The acting is solid from everyone, the script by Clint Hutchison is okay, if a bit flat, and the direction from both Hutchison and Lance W. Dreesen is competent, if unremarkable. Where the movie excels is in the wraparound content. Ritter is as much fun as he usually is, DeLuise and Smith are both very good and things build up to a final sequence that shows how much better the rest of the movie could have been if it had managed to maintain a more consistent tone from start to finish.
It may not make your list of "best anthology movies ever" but Terror Tract is an enjoyable enough watch, boosted by a sense of fun and some decent performances. Don't make it a top priority, but do try to check it out some time.
6/10
http://www.amazon.co.uk/House-On-Terror-Tract-DVD/dp/B000B64VYO/ref=sr_1_1?ie=UTF8&qid=1379941667&sr=8-1&keywords=terror+tract
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