Showing posts with label william hjortsberg. Show all posts
Showing posts with label william hjortsberg. Show all posts

Monday, 15 March 2021

Mubi Monday: Legend (1985)

Yet another film that has been revisited and tinkered with by director Ridley Scott (who just cannot ever seem content with his films as originally released), Legend is a sumptuous fantasy flick that is almost non-stop style over substance.

Tim Curry is Darkness, determined to destroy daylight and turn the world into something dark and cold. He sends out some of his small denizens to set his plan into motion, which involves removing a horn from a unicorn and killing off those majestic creatures. A dark and cold world would be a more difficult one for Jack (Tom Cruise) and Lili (Mia Sara), especially as the former has professed his love for the latter. Do you know what a dampener it puts on new love to have Darkness turn your world into a landscape of night-time frost.

You can accuse Ridley Scott of many things, but you can never accuse him of skimping on things when it comes to creating a believable cinematic world. Love or hate the movies he has done over the years, they all take place in environments that feel 100% real. That also goes for Legend, a film with every scene looking ready for the viewer to step into. It's a shame that there's nothing else to it, beyond the visuals and the practical effects.

Writer William Hjortsberg, possibly familiar to horror fans as the writer of the novel that Angel Heart was adapted from ("Falling Angel"), has distilled things down to the most basic fairytale elements. Good, bad, magical creatures, and very little else of note. The dialogue is sparse, and what you do get isn't usually very good, unless uttered by Tim Curry. The plotting is slim, and the ending makes it all even slimmer.

Cruise and Sara do what they're asked to do, but it's just a case of them being in the right place onscreen, opposite some of the impressive creations. The best moment that Cruise gets is one in which he faces Meg Mucklebones (a green hag played by an unrecognisable Robert Picardo), but Sara gets to have a bit more fun in a sequence in which she is bewitched, and potentially turning evil. Billy Barty jumps around, David Bennent acts wide-eyed and mystical, and Annabelle Lanyon plays an oddly amorous fairy named Oona. The real star of the show is Curry, as unrecognisable under the make-up and prosthetics as many of the other performers. But there's always that voice, this time given a deeper timbre to convey the voice of Darkness. Curry really steals the show, thanks to the blend of the physical performance and practical effects.

Considering what it could have packed into the runtime, Legend is a dull film. It's also bloody gorgeous, and has a nice Tangerine Dream/Jerry Goldsmith score accompanying the visuals (delete as applicable, depending on the version you're watching). Not one to watch over and over again, I'd still tentatively recommend it to those who just want to sit back and let a visual experience wash over them.

6/10

https://ko-fi.com/kevinmatthews

Monday, 11 November 2013

Angel Heart (1987)

A blend of horror and noir, Angel Heart is a highly regarded movie, and with good reason. If you haven't seen it yet then get to it. If you have seen it, give it a rewatch and find out just how rewarding it is on repeat viewings.

The story sees detective Harry Angel (Mickey Rourke) hired by Louis Cyphre (Robert De Niro) to find a missing singer named Johnny Favorite. As Angel starts to make progress, tracking down those who knew Favorite and trying to find out more about his past in order to lead him to Favorite's whereabouts in the present, people start to turn up dead. The finger points to Angel in each instance, but with the growing danger comes a chance to spend some time with the gorgeous Epiphany Proudfoot (Lisa Bonet).

Directed by Alan Parker, who also adapted the book by William Hjortsberg into screenplay form, this is a film dripping with atmosphere and full of wonderful details throughout, both in the visual style and design, and also in much of the dialogue. It's a hot and sweaty movie, taking place mostly in New Orleans, a film that can almost make you smell the surroundings. It also builds and builds towards a third act full of real, impressive, horror and nastiness.

Rourke has, in my opinion, never been better (but I have yet to explore more of his movies from this time, so that opinion is subject to change). He's a permanently rumpled, doggedly determined, figure. A man who starts to suspect that he's being played for a schmuck, even as he keeps digging for answers. De Niro is a lot of fun in the role of Cyphre, charming and quietly menacing in almost all of his scenes. Lisa Bonet is sexy as hell in a role that couldn't be further removed from her sweet, wholesome turn in The Cosby Show. Charlotte Rampling is also very good, playing almost the polar opposite of Bonet's character. And there are also small, enjoyable turns from Brownie McGhee, Michael Higgins, Elizabeth Whitcraft and Pruitt Taylor Vince.

As shocking, at times, as it is entertaining, I rate Angel Heart as a near-perfect movie experience and a bit of a modern classic. There's nothing to fault in terms of the construction and technical side of things, and it's all topped off by a central performance that ranks as one of the very best.

9/10

http://www.amazon.co.uk/Angel-Heart-DVD-Mickey-Rourke/dp/B001AOHPYY/ref=sr_1_1?ie=UTF8&qid=1384155750&sr=8-1&keywords=angel+heart