Monday 24 August 2020

Mubi Monday: Rescue Dawn (2006)

Written and directed by the always-interesting Werner Herzog, who turned the subject of his documentary "Little Dieter Needs To Fly" into a narrative feature, Rescue Dawn feels like one of the stranger Herzog movies, which is saying something when you consider his whole filmography.

Christian Bale plays Dieter Dengler, a German-born American citizen who is shot down in his aircraft during the Vietnam War. He ends up in a jungle prison, doing time alongside other individuals who have given up all hope of freedom until the war is won. Dieter is quick to start plans for an escape, despite the protestations of his fellow prisoners. The prison itself may not be that challenging to escape from, it's the jungle environment surrounding them that makes it a life-threatening challenge.

Things start off a bit wobbly here, to put it bluntly. Herzog depicts the downing of Dieter's plane in a way that shows him to be far less confident with a special effect sequence than he is with actors and ordinary people. But it's not long before things settle down after that, with the main character confused and pained by his captors.

Although I have said that this feels like one of the stranger Herzog movies, the reason for that is because it feels like his most mainstream film. It's a prisoner of war drama, and the moments that feel most like a prisoner of war drama are the moments that feel less . . . Herzogian, but there are also a lot of great little moments showing people handling their very extreme amounts of stress in different ways, and forging different connections with one another.

Bale is fantastic in the main role, giving the kind of performance that allows him to once again also change his physicality as he gets put through the wringer, and there are two superb supporting performances from Jeremy Davies and Steve Zahn. Both are very different in the way they handle their prison life, but both are equally good and fitting in their roles. And everyone else onscreen does decent work, whether they're portraying American military personnel or Vietnamese soldiers.

Despite the documentary already being out there (and I still need to see it for myself), it's easy to see why Herzog was drawn to the material for a second feature. Especially with this cast and the way it very much feels like a well-plotted Hollywood drama. I'm not sure how many liberties were taken with the original tale, but it turns into yet another standout film from a director who has given us more than his fair share.

8/10


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