Despite my fear of them (fear, revulsion, general feeling of starting to itch, depending on what species is onscreen), I do occasionally like a horror movie that features some killer insects. Infestation is a comedy horror, but it's one of many that fails to make the comedy funny enough or the horror content actually scary, or thrilling or bloody enough.
Chris Marquette plays Cooper, a young man who we first see heading in to his work, late as usual. He doesn't seem to have any motivation, which disappoints his father (Ray Wise) no end, and thinks a fun way to waste some time is to call someone's name and then immediately look as if he is busy with something else. That game COULD be fun, I suppose, if it looked as if there was more than one person playing. There isn't, not really, and so all we have is a pointless set-up for a payoff much later on, which is actually almost worth it. Anyway, a load of bugs grab everyone, wrapping them up to come back and harvest later, which leads to Cooper fighting for survival with a group of disposable supporting players.
Written and directed by Kyle Rankin (who would go on to direct the more enjoyable Night Of The Living Deb a number of years after this, as well as a few other movies I've yet to check out), Infestation has far too many problems to make it as much fun as it wants to be.
First of all, the characters aren't easy to root for, especially our slacker lead. I know someone like Cooper is supposed to be identifiable as he struggles to find his way in life while making his little efforts to "stick it to the man", but when you take things too far then you end up stuck with someone you want to get away from. I usually quite like Chris Marquette, having seen him in a number of enjoyable teen movies, but I spent the entirety of this movie just reminding myself that he's usually more than just a low-budget Miles Teller.
The same can be said for the rest of the cast. Well, not the exact same, but you know what I mean. Brooke Nevin, Kinsey Packard, E. Quincy Sloan, Wesley Thompson, and co. don't get a chance to shine. The only one who comes out of this well is Ray Wise, and that's simply due to the fact that he's giving one of his familiar performances that allows him to go full Ray Wise.
Second, the script is a mess. While focusing on his smart-ass lead, Rankin forgets to keep things engaging enough in between set-pieces, fails to flesh out any of the supporting characters enough for viewers to care about them, and seems to revel in the fact that most of the people onscreen live or die thanks to no more than good or bad luck.
Of course, the second point also explains the first. I could have just said that the script undermines the whole endeavour, but I wanted to highlight the different ways it manages to damage the material. Distract from this with better comedy or gooey FX moments and it's easier to overlook, but this doesn't do that.
You do get some decent CGI throughout, considering the obvious budgetary limitations, and the lack of any full explanations for the wilder ideas ends up working in the film's favour, but this should have been an easily-enjoyable bit of fun, instead of a bit of a slog that outstays its welcome by about 15 minutes.
5/10
You can buy a disc here.
Americans can buy that same disc here.
Showing posts with label brooke nevin. Show all posts
Showing posts with label brooke nevin. Show all posts
Wednesday, 30 October 2019
Saturday, 8 December 2018
Yule Love It: Journey Back To Christmas (2016)
If there's one thing I enjoy more than a Christmas movie, it's a good bit of time-travel fun. So when I heard that Journey Back To Christmas mixed in both of these things, well, I was sold. Yes, I have said this so many times that anyone who has read some of my other reviews will know it doesn't take a lot to sell me on something. But it keeps me happy.
Candace Cameron Bure plays Hanna, a nurse in WWII who ends up somehow transported to the future (2016) and has to figure out a) how to convince people that she's not insane, b) how to get back to her own time, and c) how to teach people a valuable lesson that feels in the spirit of the season. Luckily for her, she ends up in the company of some people who believe her story quite easily, and who are quite willing to learn a thing or two from Hanna, which really only leaves her having to figure out how to get back, if that's at all possible.
Although she doesn't seem to be someone I have seen in many other movies (strange, considering how many of these things she has starred in, although I reviewed the poor A Christmas Detour here), Bure is a likeable enough leading lady, portraying the sweeter than sweet heroine we often see in these Christmas features. The supporting cast are fairly bland though, although that's also often the case for these particular movies, with the only two standing out being Oliver Hudson, playing the police officer who seems strangely trusting of this woman who claims to have come from the past, and Tom Skerritt playing someone who reveals his identity in a timely fashion during the third act. Brooke Nevin isn't too bad in the role of Sarah, who obviously holds a candle for Hudson's character, but the rest of the supporting players may as well not have been there, for all they add to the experience.
Of course, part of that is the fault of writer Maria Nation, who takes a fun central idea and then tries to ruin it with unnecessary distractions. A few less scenes showing the local resident who views Hanna as a danger and a few more scenes of Hanna adjusting to 21st-century life and this would have been a lot more fun.
Director Mel Damski also could have done more. The film feels Christmassy enough, there are plenty of decorations on display and the requisite supply of snow, but it doesn't quite tick everything off the checklist that viewers may want from this kind of fare. I'm not saying that I REALLY wanted a sequence showing Bure being taught a song & dance routine for "Christmas In Holliston" but I'm not saying that including such a moment wouldn't have elevated this into one of my new favourite holiday movies.
I'm surprised that I liked this as much as I did. That may say as much about all of the other movies I have watched recently, and I've also already started to overdose on hot chocolate and advent calendar sweeties, but I'll recommend this one to anyone who wants yet another one to add to their overflowing viewing schedule this month.
6/10
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Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share
Candace Cameron Bure plays Hanna, a nurse in WWII who ends up somehow transported to the future (2016) and has to figure out a) how to convince people that she's not insane, b) how to get back to her own time, and c) how to teach people a valuable lesson that feels in the spirit of the season. Luckily for her, she ends up in the company of some people who believe her story quite easily, and who are quite willing to learn a thing or two from Hanna, which really only leaves her having to figure out how to get back, if that's at all possible.
Although she doesn't seem to be someone I have seen in many other movies (strange, considering how many of these things she has starred in, although I reviewed the poor A Christmas Detour here), Bure is a likeable enough leading lady, portraying the sweeter than sweet heroine we often see in these Christmas features. The supporting cast are fairly bland though, although that's also often the case for these particular movies, with the only two standing out being Oliver Hudson, playing the police officer who seems strangely trusting of this woman who claims to have come from the past, and Tom Skerritt playing someone who reveals his identity in a timely fashion during the third act. Brooke Nevin isn't too bad in the role of Sarah, who obviously holds a candle for Hudson's character, but the rest of the supporting players may as well not have been there, for all they add to the experience.
Of course, part of that is the fault of writer Maria Nation, who takes a fun central idea and then tries to ruin it with unnecessary distractions. A few less scenes showing the local resident who views Hanna as a danger and a few more scenes of Hanna adjusting to 21st-century life and this would have been a lot more fun.
Director Mel Damski also could have done more. The film feels Christmassy enough, there are plenty of decorations on display and the requisite supply of snow, but it doesn't quite tick everything off the checklist that viewers may want from this kind of fare. I'm not saying that I REALLY wanted a sequence showing Bure being taught a song & dance routine for "Christmas In Holliston" but I'm not saying that including such a moment wouldn't have elevated this into one of my new favourite holiday movies.
I'm surprised that I liked this as much as I did. That may say as much about all of the other movies I have watched recently, and I've also already started to overdose on hot chocolate and advent calendar sweeties, but I'll recommend this one to anyone who wants yet another one to add to their overflowing viewing schedule this month.
6/10
If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share
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