Netflix And Chill: How To Lose A Guy In 10 Days (2003)

It had been quite some time since I had seen How To Lose A Guy In 10 Days. The last time was certainly before the transformation of Matthew McConaughey from rom-com lead to versatile actor in more critically-appreciated fare. And here's the main thing I couldn't help thinking about while watching the movie; McConaughey is doing work here that is as good as work he has been doing in recent years. It's just a very different kind of performance, one that makes use of his innate charm and his ability to handle light comedy. I'm actually keen to check out a number of other McConaughey movies from this period, to see for myself whether or not I was being a bit unfair to just ignore them while the man was cashing those paychecks and laying the foundation for years in which he could make some more daring choices.

McConaughey plays Ben, an advertising executive who wants to be in charge of a large campaign selling diamonds. Ben doesn't seem to understand women, however, because he hasn't had a relationship that has lasted more than a few days. If he can meet a woman, and get her to fall in love with him, before a big event party then his boss may just let him head up the campaign. He is told to make his move on the lovely Andie (Kate Hudson). What he doesn't know is that Andie writes a "How To" column in a popular woman's magazine, and her latest project is "How To Lose A Guy In 10 Days". Andie is about to test the waters, using every major faux pas committed by women who become too needy, clingy, and overbearing. Despite their agendas, Ben and Andie really start to warm to one another, and you know there will be a standard rom-com third act full of revelations, confrontations, and a race-against-time to fix some major damage.

Based on a book by Michele Alexander and Jeannie Long, subtitled "The Universal Don'ts Of Dating", How To Lose A Guy In 10 Days is a self-aware and clever entry in the rom-com subgenre. The screenplay, by Kristen Buckley, Brian Regan, and Burr Steers, is very happy to hit all of the required beats while also letting the central characters try to push each other further and further apart as they feel themselves growing inexorably closer, emotionally.

Director Donald Petrie has a good handle on things (his varied filmography doesn't show this as a given, but he had a great double-whammy of Miss Congeniality and then this movie in the space of a few years) and he's helped by the assembled cast, with a number of wonderful supporting players orbiting our charismatic leads.

Hudson is perfect here, having a lot of fun as she goes more and more over the top in her "girlfriend from hell" guise and still radiant when her character is allowed to relax and not work on her agenda. McConaughey is his usual charming self, all abs and gleaming teeth and gentlemanly politeness and respect. Bebe Neuwirth and Robert Klein play the bosses of Hudson and McConaughey, respectively, and there are fun moments for Kathryn Hahn (the unlucky-in-love friend of Hudson, and inspiration for the article), Adam Goldberg, and Thomas Lennon (the latter two friends of McConaughey, hilarious when they get to look on and comment on their friend's disrupted "new life").

You can act snobbish and dismiss films like this easily enough. Okay, they are formulaic and predictable. But that doesn't mean they aren't enjoyable, especially when you have stars who so easily emanate such an air of, well, stardom. Sometimes it's a treat to watch actors you know disappear into roles that explore various facets of the human experience, and sometimes it's a treat to watch stars be stars.

7/10

https://ko-fi.com/kevinmatthews

Miss Congeniality (2000)

Once you get beyond the opening act of Miss Congeniality, with numerous scenes built around the fact that Sandra Bullock isn't viewed as a lady because she's strong, smart, doesn't take time to ensure her hair and make-up are flawless every morning, and is generally just "one of the guys", things improve considerably. Instead of just trying to hide Bullock in the wrinkled clothing of "FBI slob", she gets a chance to shine, in terms of her transformed appearance and also, more importantly, in scenes that show her talent for comedy.

The basic plot is nonsense, but nonsense that makes the whole thing easy enough to buy into. Bullock is Gracie Hart, the only agent available at short notice to help infiltrate the Miss United States beauty pageant, which the FBI believes has been targeted by a dangerous criminal who wishes to blow it up. Gracie only has a couple of days to be groomed by Victor Melling (Michael Caine), who initially suspects it's a job that even a man of his skills cannot manage, and she is a pain in the backside of all those involved, be it the hosts (played by Candice Bergen and William Shatner) or her colleagues at the bureau (Benjamin Bratt tries to offer support, Ernie Hudson is the boss none too impressed by the whole escapade).

Director Donald Petrie has a filmography with some solid comedies in there, but few real greats. This is another solid one, almost lifted higher by the performances from a couple of the main players. Although it's all put together competently enough, it suffers from a script that fails to wring as many laughs from each sequence as it could. Marc Lawrence has written a few features that Bullock has starred in, whether by coincidence or by design, but co-writers Katie Ford and Caryn Lucas are names I am less familiar with, and that makes me wonder if there were a number of conflicting voices here that tried to pull the film in too many different directions, tonally, without keeping the comedy at the front and centre of their plans. You have the thriller plotline, often sidelined aside from one or two key sequences, you have the "fish out of water" aspect of Bullock being somewhere she really doesn't want to be, and you get the moments of female bonding. None of these elements spoil the experience, but the shifts in tone are enough to make it feel inconsistent and lacking in cohesion.

The consistency comes from the main performances. Bullock is a lot of fun, making the most of this star vehicle, and Caine works very well alongside her, helped by the fact that he grabs most of the best lines from the script. Bergen and Shatner are both good, with the latter a perfect fit for the role of slick show host, and Heather Burns is very sweet as "Miss Rhode Island", a girl who brings out the protective nature of Bullock's character. Other contestants are played by Melissa De Sousa, Deirdre Quinn, and Wendy Raquel Robinson, although they often have to resign themselves to being scene-setting accessories in most of their scenes. Hudson gets to be angry in a couple of scenes, and that's his whole character (basically), and Bratt gets the thankless role of potential romantic interest, which makes a nice change from a talented actress being stuck in such a role.

There's a good selection of familiar hits in the soundtrack, some amusing lines of dialogue outwith the exchanges between Bullock and Caine (my favourite being the answer to a question about a favourite date), and it just about manages not to outstay its welcome. If you're a massive fan of Bullock then you may want to add an extra point. Everyone else can have more laughs with Drop Dead Gorgeous (a much funnier film with a similar setting, albeit very different thanks to the mock-doc style) first, and then get to this one whenever the opportunity arises.

6/10

You can buy the movie, with the sequel, here.
Americans can buy it here.