Exit Wounds (2001)

Steven Seagal is a goodie but he’s the bad kind of goodie who always goes off on his own and busts heads before thinking of the repercussions. For example, saving the Vice President by throwing him into a river isn’t really what anyone wants to see in the newspapers. Which is why Seagal is sent to a different precinct, somewhere a bit rougher where he can go through the fun of being the new guy again. DMX is a baddie but he’s a good kind of baddie, perhaps. He doesn’t seem to want to kill anyone and just wants to be left to buy his drugs in peace. Perhaps. The two men find themselves in a situation that involves a LOT of heroin and a LOT of corrupt cops. Oh, and a lot of great supporting actors.

Exit Wounds is a lot of fun. The script has a lot of humour throughout and the action beats are numerous and consistently entertaining. Andrzej Bartkowiak directs with a great energy, grounding things so that each fight move packs a punch but also adding an occasional over the top move just to make things cool.

Seagal plays the same kind of character he plays in almost every movie, he’s a cop with an attitude who just wants to get the bad guys, but he also goes along with the humour and this puts him in a much better light than usual (especially in a scene where he’s sent along to an anger management group). DMX does okay onscreen but I can never seriously evaluate the acting of someone who has named themselves after some kind of computer cable (?!?!?). Elsewhere, we get treated to a fantastic and eclectic cast. Isaiah Washington, Michael Jai White, Anthony Anderson, Bill Duke, Jill Hennessy, Tom Arnold, Eva Mendes and the ever-brilliant Bruce McGill. Something to please everyone, surely.

With a lively soundtrack and some great exchanges between Seagal and whoever he deigns to share the screen with at the time, this film remains one of many simple pleasures. The plot throws in a few big twists that nobody should be shocked by but, first and foremost, it sets out to keep you entertained from beginning to end. And it absolutely succeeds.

7/10 

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On Deadly Ground (1994)

A film with a cast that includes Michael Caine, John C. McGinley, Billy Bob Thornton, Joan Chen, R. Lee Ermey and Mike Starr may sound like something well worth watching. But then just let me add that Steven Seagal also stars in this one. In fact, he’s the lead. And let me also add that nobody involved in this film is putting forward their best work.

Seagal plays an environmentally-minded hardass who is working for Michael Caine, and his massive oil company, at the start of the movie but quickly realises that something is amiss and goes out of his way to right some wrongs, earn the respect of the Eskimo people and punch people in the face. Everything you would expect from a Seagal movie.

I was expecting something awful from On Deadly Ground but I have to admit that . . . . . . . . . . it’s okay. The environmental message sits uncomfortably beside the action sequences (especially in an overly preachy final monologue from Seagal) but the action sequences themselves are pretty bloody good.

Which is a big relief, considering what we have to endure from Michael Caine in his many scenes. Caine starts off attempting an American accent and either soon gives up on it or is simply so awful that he sounds just like . . . . . . . . . Michael Caine. And the black hair-dye is also another big distraction.

John C. McGinley as is good as he so often is, R. Lee Ermey isn’t too bad and Billy Bob Thornton is in the kind of role you could easily label “number two henchman” but gets a couple of good lines despite his very limited screentime. Joan Chen will probably want to forget this one, it’s far from her best role.

Written by Ed Horowitz and Robin U. Russin, and directed by Seagal himself, this is a rare action movie with a social conscious. Which is why it falters. Does anyone really want to watch an action movie that takes time out to remind you of how to make the world a cleaner place?

 

The mysticism and nobility of Seagal makes for some unintentional laughs but that can all be forgotten during a final half hour that replaces the battleship of Under Siege with an oil refinery. Which is why the movie still manages to get a score that just lifts it above average. 

6/10.

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