Prime Time: Street Kings (2008)

Street Kings is a gritty cop thriller directed by David Ayer AND based on a story by James Ellroy so, basically, if you go into it expecting any of the main characters to be unselfishly trying to do good in a bad world then you've never experienced any previous stories from either man. But, just in case there was any doubt, the whole thing helps to let viewers know what they are in for when the main character gets beaten up by some criminals and has his car stolen, which we then discover is all part of a plan to allow him to find where the crooks are holed up, with young female kidnap victims being kept there until they can be moved/sold on, and he then gets to barge in, shooting to kill. It's a good deed, in the grand scheme of things, but it's also symptomatic of the way this character acts. He'd also had a couple of drinks beforehand. He wasn't interested in any due process. He is someone being watched with interest by those who investigate such individuals in the force.

All of this is just a taster to the rest of the film, of course, which follows Detective Tom Ludlow (Keanu Reeves) as he tries to keep doing the job the way he prefers to do it while keeping himself protected from the prying eyes of those who want him stopped. He's helped in this regard by his captain (Forest Whitaker). One of the people wanting him stopped is his ex-partner, Detective Terrence Washington (Terry Crews), and things start to look even stickier for Ludlow when he and Washington are caught in a seemingly random shoot-out. Washington is killed, and Ludlow wants to find those who did it. But those who know Ludlow's behaviour think it would be best for all concerned if the case was dropped and the shooters left to get themselves arrested or killed on some other occasion.

Although there are plenty of beats here that are very familiar to fans of Ayer's work, Street Kings does turn into something slightly different once it gets beyond the opening third act. It's still not a million miles away from anything else the director has done, but the more interesting developments stop it from feeling like nothing more than a tired rehash. You can feel the Ellroy heart beating through most of the runtime, once that opening act is out of the way, and the screenplay put together by Ellroy, Kurt Wimmer, and Jamie Moss is solid in terms of the plotting, pacing, and character development. That's not to say that it's always believable, not at all, but there's enough done to distract you from/let you forgive the less believable moments.

Reeves is very good in the lead role. He's not on top form, it's always a bit harder to believe him as someone with such a murky moral code, but he does well enough. Whitaker gives one of his standard turns, and is good enough, and Crews does enough to show himself as a viable threat to his ex-partner before the shooting takes him out of the film. The rest of the cast is full of great performers, although they are not all used as well as they could be. Chris Evans is the highlight, playing the detective in charge of the shooting investigation who ends up allowing Reeves to help him, and you also get Hugh Laurie with an American accent again, and Jay Mohr, John Corbett, and Amaury Nolasco playing the main colleagues who accept that getting the job done often means breaking some rules. Naomie Harris and Martha Higareda try their best, despite being given the usual short shrift that women tend to get in Ayer movies, and there are good little moments for Cedric The Entertainer, Common, and The Game.

Far from essential viewing, this remains a film I would highly recommend to those who like this particular subgenre. The various elements are well put together, it feels like something a bit different for Reeves, and the ending is surprisingly satisfying when everything eventually pays off.

7/10

You can buy the movie here.
Americans can buy it here.

Yule Love It: Blackadder's Christmas Carol (1988)

A twist on the classic Dickensian tale that features a fine British comedy creation, Blackadder's Christmas Carol is a wonderful standalone tale that features plenty of seasonal trimmings alongside the expected insults and wordplay.

I would say that even those new to the character could easily watch this and enjoy it, but it's more accurate to say that you should go into this at least knowing that Blackadder is a sneaky, self-centred, manipulator who often finds his plans undone by either his gormless assistant, Baldrick, or the actions of others around him who somehow always manage to get the upper hand. Once you know that much then you're all set.

Contrary to every other portrayal of the character, and why it is so important to know him before watching this special, things start with us being introduced to an uncharacteristically kind and pleasant Blackadder (Rowan Atkinson in what is, in my view anyway, his finest role). He intends to spend Christmas with his assistant (yes, Baldrick is still as dim-witted as ever, and played by Tony Robinson, as ever). When a spirit (Robbie Coltrane) accidentally enters his home, Blackadder asks to see visions of his past and future, leading to a revelation that turns the classic morality of the tale on its head.

Director Richard Boden had some experience of directing TV shows before this, and would go on to direct Blackadder Goes Forth, as well as many other shows afterward. He does fine here, although this is a fairly thankless task when the focus is always on the script and performances, and obviously proved himself good enough to oversee what would be the final season.

Written by Richard Curtis and Ben Elton, Blackadder easily sits higher up in the echelons of British comedy. Many people point to the final episode of Blackadder Goes Forth as one of the greatest moments in any sitcom, and rightly so, as it moved from the comedy to a poignant statement on the horror of war, and every season had many highlights (even the first season that had the main character not yet turned into the wonderful monstrosity he would become). This special episode was aired in between the third and the fourth season, which means it could easily have been a filler without as much care being given to it. Instead, Curtis and Elton clearly revel in the opportunity to rework the beloved Christmas classic, finding their way into the narrative by twisting everything to great comedic effect and then lacing each scene with the usual selection of hilarious dialogue.

Atkinson has never been better than when acting in this role (and, yes, I know that's saying something  when you think of his brilliant comedic turns), Robinson is a perfect foil to him, and the supporting cast, from Coltrane to Hugh Laurie, Vanessa Richardson to Stephen Fry, and Jim Broadbent and Miriam Margolyes, are all perfect. Many of them are reprising roles they played over the previous seasons of the show, relaxing back into them like a comfortable piece of favourite clothing.

If you have time during the holiday season, please do watch every episode ever of Blackadder. But if you can only watch one then give this a watch. It's a classic. Well, it's at least some kind of classic.

9/10

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Arthur Christmas (2011)

Knock back your egg nog, put on your Santa hat and buckle up for a sleigh ride that will see the blog devoted entirely to Christmas movies for the month of December. They may be obvious choices, they may only have one or two scenes allowing them to qualify but every film reviewed this month will have a connection to this tinsel-strewn holiday season. And anyone wondering why I've missed out a number of obvious choices . . . . . I probably covered them previously over at Flickfeast or even reviewed them on IMDb. Happy holidays.

When I heard about Arthur Christmas I was pretty darn pleased, I'll tell you that. I love Christmas movies. I love Aardman Animation. I love British stalwarts of cinema Jim Broadbent and Bill Nighy. This movie combined all of those things, with an added sprinkling of James McAvoy, Hugh Laurie, Imelda Staunton and Ashley Jensen, all people that I like a lot.

Christmas just wouldn't be possible without the National Elf Service, of course.

James McAvoy provides the voice of the titular Arthur, a sweet young lad who is as enthusiastic and happy about Christmas Day as he is prone to accidents. His father, Santa (Jim Broadbent), spends a very busy time getting all of the gifts delivered with the help of his many elves and Arthur's big brother, Steve (Hugh Laurie). It's a busy time for all, of course, but Steve has put a number of procedures in place to make things easier and to ensure that all goes smoothly. That's why it's quite a surprise to find that one child has been missed out, one present still needs to be delivered. Steve sees it as a minor blip in an otherwise perfectly executed Christmas and convinces Santa that they can deliver it a little bit later and still be proud of their work. Arthur, on the other hand, doesn't think that any child should miss out and worries that the poor little lass will think that Santa doesn't like her enough to deliver her gift. He thinks that the delivery should be made and he's encouraged by his grandfather (and the previous holder of the good Santa name, played by Bill Nighy). They may not have the gadgetry and precision planning that Steve has but they have a sleigh, some reindeer and an eager elf (Ashley Jensen) along for the ride.

You may not recognise Bill Nighy in the middle but, trust me, that's him.

As you would expect from an Aardman Animation film, this is a movie chock full of lovely visuals, great gags (they even recycle one of my favourite gags from the Wallace & Gromit adventures involving a toy train and some track being laid) and cute characters. The CGI sheen means that it doesn't quite feel as cute and loveable as some of their earlier output but that's just a minor quibble when everything is still crafted with so much care and attention to detail.

Barry Cook and Sarah Smith are the co-directors and Sarah Smith also co-wrote the screenplay with Peter Baynham which means that she gets to have the bonus points for steering everything so smoothly. The story is a very slim one, VERY slim, but it's enriched by the different character motivations and the amusing sideroads that are taken (sometimes literally).

It's also enriched by that great cast I mentioned up there in the opening paragraph. McAvoy is cheery and endearing as Arthur, Broadbent and Nighy are both very good as Santas a generation apart and Hugh Laurie is also enjoyable as someone who may seem bad but may also just be a bit misguided. Imelda Staunton is a fine vocal fit for Mrs. Santa and Ashley Jensen suits being an elf. Speaking of elves, other names such as Marc Wootton, Sanjeev Bhaskar, Robbie Coltrane, Joan Cusack, Jane Horrocks and Andy Serkis also lend their voices to a number of Santa's little helpers while Laura Linney provides the voice of the main computers used in the North Pole and on the delivery vehicles and Eva Longoria plays a government official who mistakes a flying sleigh for a potential threat.

You could say that it's just far too lightweight and sweet for its own good and you'd be perfectly entitled to your opinion but I expect sweetness from my Christmas movies and enjoy anything that doesn't overdo it all to the point of putting me into a diabetic coma. As for it being lightweight, it is. Yet it also manages to take the ever-so-slim premise and turn it into a feature that you will watch and enjoy without feeling as if it ever outstays its welcome.

To sum up then - another winner from Aardman Animation and definitely one to consider buying now and then leaving under the Christmas tree for the kids to unwrap on December 25th.

8/10

http://www.amazon.co.uk/Arthur-Christmas-Blu-ray-Copy-Region/dp/B005FLCD1I/ref=sr_1_1?ie=UTF8&qid=1353957042&sr=8-1

Monsters Vs. Aliens (2009)

Monsters Vs. Aliens is a relatively enjoyable animated movie that will appeal more to sci-fi fans than anyone else, while keeping the kids easily entertained. The visual style isn't the best that you could hope for (it's certainly a few rungs below Pixar, for example) but it makes up for that with fun, energy and a multitude of references to classic science fiction movies.

Things start off with young Susan (voiced by Reese Witherspoon) getting ready for her wedding day with weatherman/wannabe anchor Derek Dietl (Paul Rudd). The wedding is spoiled, however, when a huge meteor lands on Susan and then transforms her into a giant. She is then whisked off by the military and wakes up in a facility that also houses Dr. Cockroach (Hugh Laurie), B.O.B (Seth Rogen), The Missing Link (Will Arnett) and Insectosaurus. Monsters, one and all. When Earth is invaded by a greedy alien (Rainn Wilson) then it's up to the monsters to potentially save the day, in case you couldn't guess from the title of the movie.

With the bright and brash style in every frame and the cartoon monsters in the lead roles, it's easy to dismiss Monsters Vs. Aliens but, to be fair, there's plenty to love in almost every scene. Homage follows homage, from the early moment that will make viewers of House Of Wax (1953) smile to the creatures and their backstories to a ridiculously entertaining scene that involved the president (Stephen Colbert) trying to communicate with an alien with a keyboard and one or two familiar tunes. Every little gag shows a knowledge and love for the material being referenced.

The script had a lot of people involved but that's often the case with animated movies so don't let that put you off. Directors Rob Letterman and Conrad Vernon do a great job (Letterman can now be forgiven for partially directing the horrible sub-par Shark Tale) and they're helped by a fantastic vocal cast that includes everyone already mentioned plus Kiefer Sutherland, Amy Poehler and others.

I was hoping to enjoy this movie when I sat down to watch it and by the time the end credits rolled I was wondering whether or not I had grown to love it. Nope, it wasn't quite that good. However, I really liked it and I'll buy it when I get the chance because it's something I know I will enjoy watching again and again. Admittedly, the first 10 minutes or so aren't great and you may start to wonder just why you've decided to give it a viewing but stick with it and you will be rewarded.

7/10

http://www.amazon.co.uk/Monsters-vs-Aliens-Blu-ray/dp/B002BH3IWM/ref=sr_1_2?ie=UTF8&qid=1343722258&sr=8-2