Johnny English Strikes Again (2018)

I wonder who thought that now was a good time to bring back the character of Johnny English, a rather arrogant man who often has ideas he lacks the skill to turn into action, who views himself as superior to his global counterparts, despite consistently proving otherwise, and who seems stuck in a haze of past former glories that are formed from chance events, misconceptions, and moments of standing on the shoulders of others. On second thoughts, it makes perfect sense that this character came back now. But is this new movie any good?

Sort of.

The plot sees Johnny English (Atkinson reprising the role, of course) being the last resort, yet again, when a national emergency needs a hero to avert disaster. This time the disaster is caused by a cyber-criminal. English is reunited with Bough (Ben Miller), he has some classic gadgets to help him along, and also gets the chance to become smitten with a woman named Ophelia Bhuletova (Olga Kurylenko).

There are some good laughs to be had here, a couple of set-pieces made me chuckle throughout, but perhaps not enough to warrant an entire new adventure for the UK's most hapless spy (although, in fairness, this balances the character out between the useless man we first met and the more skilled agent of the second movie, albeit rusty after his years not being in active service). I will always laugh at a scene that has Rowan Atkinson dancing to an intense dance tune, but that can be done without a whole Johnny English movie framing it. Likewise, the sequence in which Atkinson dons a VR headset and causes havoc in London is a lot of fun, but also feels as if it could have been reworked within a better narrative.

Because for all it gets right, and director David Kerr (making his theatrical feature debut after a LOT of impressive TV work) certainly keeps everything moving along briskly enough, in line with the light and amusing script by William Davies (who also wrote the first film), there's an inescapable feeling that we've seen it all before, done better, or we're seeing something that could have been part of a much fresher experience. English is a character trotted out again when he should probably have been left in retirement, although that is a lot of what the film uses to get laughs.

As for the performances, everyone joins in with gusto. Atkinson and Miller make a good duo, once again, with the latter particularly entertaining during the many times he chooses not to comment after yet another disastrous episode or lapse in judgement. Kurylenko is the kind of glamorous and dangerous woman she can play in her sleep, Jake Lacy is a tech whizz who may just be the most obvious link to the cyber-terror, and Emma Thompson is a hoot as a Prime Minister who gets through each bad day with sheer force of will and canny decision-making. And alcohol.

Maybe slightly better than the first movie, especially during a wonderful opening sequence that shows English in his new role as a teacher, but not as good as the second, this is a third outing ultimately undone by how completely unnecessary it feels.

6/10
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Christmas Inheritance (2017)

Yes, it's time for another bright and breezy Netflix Christmas movie. This time it's the tale of a young heiress (Ellen, played by Eliza Taylor) who, desperate to prove to her father that she can do more than just be photographed partying and being sociable, ends up in a small town, with no credit cards, only $100 to her name, and forbidden to reveal her true identity. She finds herself most often in the company of a young man named Jake (Jake Lacy) and ends up helping him, in return for her room and board, while she sees how he tries to help others.

Written by Dinah Eng, who currently only has this and Reluctant Nanny in her list of credits, and directed by Ernie Barbarash (who has a much more varied background in his filmography), Christmas Inheritance checks a lot of the boxes that you want checked in this kind of thing. It's also, like most of these movies, simple enough to watch with one eye as you wrap presents, yet also fairly engaging and enjoyable.

The leads help immensely. Lacy was already familiar to me, after his stint on The Office, and he does just fine here, being the typical Christmas movie male lead who has an appeal that starts to show under a thawing exterior, appropriately enough. I don't think I have seen Taylor in anything before this. She's a lot of fun in a role that you can easily picture being given to someone like Reese Witherspoon or Emma Roberts, for two very different interpretations. Taylor falls in between the two nicely, not as cloyingly sweet and nice as the former and nowhere near as cool and potentially scathing as the latter. And you have Andie MacDowell not being too annoying in a supporting role, as well as Neil Crone (playing Ellen's father) and Michael Xavier (Ellen's shallow boyfriend).

The comedy isn't ever hilarious, but it's more gently amusing than some other examples I could name, and the plot hinges on a conceit that never feels entirely believable, but when has that ever been an issue when it comes to Christmas movies? If I can put up with films that have Santa, elves, annd magic sprinkled throughout them then I can put up with a little stretching of plausibility.

I realise that a lot of these reviews will feel like I am just saying the same thing over and over again. That's the downside of watching so many Christmas movies. They operate on familiarity and predictability. They often work with the exact same set of tropes (even if they try to disguise things with the framing narrative). So if you ever get fed up of reading similar sentences in my December reviews . . . imagine having to sit through all of the actual films.

6/10

Here is a large selection of Christmas movies to enjoy.
And American elves can pick the same set up here.